Articulo de referencia

A New Day (composition)

A New Day is a cello concerto written in 2021 by the American composer Joan Tower . The work was commissioned for the cellist Alisa Weilerstein by the Colorado Music Festival , ...

A New Day is a cello concerto written in 2021 by the American composer Joan Tower. The work was commissioned for the cellist Alisa Weilerstein by the Colorado Music Festival, the Cleveland Orchestra, the Detroit Symphony Orchestra, and the National Symphony Orchestra. It was given its world premiere by Weilerstein and the Colorado Music Festival Orchestra conducted by Peter Oundjian at the Colorado Chautauqua on July 25, 2021.[1]

Composition

A New Day has a duration of roughly 24 minutes and spans four movements:

  1. "Daybreak"
  2. "Working Out"
  3. "Mostly Alone"
  4. "Into the Night"

The piece is inscribed "with love to Jeff—my partner of 48 years." In the score program note, Tower reflected, "While composing this piece, I realized that our long time together was getting shorter, becoming more and more precious with each new day..." The movement titles, she thus elaborated, were "suggestions, open to interpretation of what the music might refer to."[1]

Instrumentation

The work is scored for solo cello and an orchestra comprising two flutes (2nd doubling piccolo), two oboes, two clarinets, two bassoons, two horns, two trumpets, bass trombone, timpani, percussion, and strings.[1]

Reception

Michael Andor Brodeur of The Washington Post highly praised the concerto, writing, "A New Day is one of the most exciting new works I've heard in concert all year."[2] Charles T. Downey of the Washington Classical Review similarly declared it the "Best New Work" of 2022, writing, "Tower's command of the orchestra is unparalleled among American composers, now that Christopher Rouse has left us. The lush Ravelian harmony in the first movement of the piece, co-commissioned by NSO and premiered elsewhere in 2021, made it fit perfectly with the program of Debussy and Ravel."[3]

Jeremy Reynolds, del Pittsburgh Post-Gazette, tuvo una respuesta más tibia, comentando: «En cuatro movimientos, la solista Alisa Weilerstein, una de las violonchelistas más solicitadas de la actualidad, exploró con destreza una amplia gama de emociones, desde lo onírico y lúcido hasta la frustración y la vehemencia, con la orquesta entretejiendo comentarios a lo largo de la obra. Tower fue deliberadamente vaga con su programa [...] para dejar que los oyentes interpretaran la música por sí mismos, pero con un lenguaje musical poco familiar, un poco más de orientación podría ayudar a que la obra se comprendiera mejor». [ 4 ]

Referencias

  1. 1 2 3 Tower, Joan (2021). "Un nuevo día" . G. Schirmer Inc. Recuperado el 3 de julio de 2023 .
  2. Brodeur, Michael Andor (20 de marzo de 2022). "El director Louis Langrée dirige a la NSO en un 'Boléro' que vale la pena repetir" . The Washington Post . Consultado el 3 de julio de 2023 .
  3. Downey, Charles T. (21 de diciembre de 2022). "Las diez mejores interpretaciones de 2022" . Washington Classical Review . Consultado el 3 de julio de 2023 .
  4. Reynolds, Jeremy (23 de septiembre de 2022). "Reseña: El exceso de graves atenúa la potencia de la Sinfónica de Pittsburgh en el concierto inaugural de la temporada del viernes" . Pittsburgh Post-Gazette . Consultado el 3 de julio de 2023 .