Grupo Musical Bucks

Fundada en 2004, BDi se ha consolidado como una editorial musical independiente, ganadora de un premio Grammy, que representa a compositores, autores y productoras de televisión con acuerdos personalizados para cada talento creativo. Desarrollan y apoyan a compositores de diversas disciplinas y géneros, negociando incansablemente en su nombre y buscando las mejores oportunidades comerciales para sus catálogos. El catálogo de BDi incluye 35 canciones coescritas con Ed Sheeran y muchos otros éxitos que han figurado en las listas de popularidad internacionales.

Cube Soundtracks fue fundada en 2002 por Bucks Music Group Ltd.

El sello discográfico publica principalmente álbumes de música selecta asociados a películas británicas independientes o creados por destacados compositores/artistas británicos. En particular, aunque no necesariamente, música de compositores publicados por Bucks Music Group Ltd, así como de compositores de su filial BDI Music.

Fly Records was a British independent record label, established in 1970 by the independent music publisher David Platz, and initially managed by Malcolm Jones from the offices of Essex Music in London.

Platz had been producing records independently, in conjunction with record producers funded by Essex, and leasing them to major record labels. These creative collaborations quickly made their mark with hits such as "A Whiter Shade Of Pale" (Procol Harum), "Flowers In The Rain", "I Can Hear The Grass Grow" and "Blackberry Way" (The Move), together with work from Beverley Kutner, Tucker Zimmerman and Michael Chapman.

The producer roster involved with Platz included Denny Cordell, Gus Dudgeon, Rodger Bain, Don Paul, Johnny Worth and Tony Visconti, whom Platz had brought over to the UK at Cordell's initiation. After a string of hits in the late 1960s licensed via labels Deram and, later, Regal Zonophone, Platz launched his own label Fly Records in 1970. Malcolm Jones had left university to work for EMI, becoming a label manager and creating his own imprint at EMI, Harvest Records, but moved to work for Platz as manager of Fly.

Fly's first release was "Ride A White Swan" by T.Rex, produced by Visconti. The following year the album Electric Warrior was both Fly's and Bolan's first #1 album.

In keeping with Platz's publishing style, the label chose not to concentrate on a particular sector of the market but preferred to offer an eclectic mix of artists and releases, some aimed directly at the chart and some intended simply to enhance the profiles of new artists or artists who were linked to the Platz's publishing enterprise. Vivian Stanshall, Third World War, John Kongos, Georgia Brown, John Keating, Richard Henry and John Williams were all featured on the label's early releases.

In 1972, Fly consolidated their chart success with older material. Three-track Magni-Fly singles re-introduced songs from the company's back catalogue, such as "A Whiter Shade Of Pale", into the UK Singles Chart. An album campaign entitled 'Toofas', (double albums priced as a single), found favour, and albums such as Procol Harum's debut set suddenly made the UK Albums Chart years after their initial release. Once T.Rex's Bolan Boogie reached No. 1 in the UK Albums Chart, departures at Fly HQ forced a change of plan. Jones left the label, Cordell moved to the United States forming Shelter Records, and Bolan moved to EMI, where he was given his own imprint, taking Visconti with him. The new Fly team chose to re-launch the label as Cube Records, with a new logo caging the 'Fly' in a cubic goal. A raft of new artists were signed, and Fly Records was shelved as a label in its own right.

En 1990, los socios originales de Essex Music se separaron, y Platz incorporó el sello Fly a su compañía, Onward Music Ltd, mientras que su editorial, Bucks Music Ltd, siguió siendo su negocio principal. De vez en cuando, Fly Records se reactivaba como una plataforma independiente para diversos proyectos relacionados con la publicación, mientras que el catálogo de Onward se licenciaba a compañías de catálogo bajo el nombre de Cube Records. Desde el nuevo milenio, la continua exploración del archivo de Onward ha revelado una gran cantidad de cintas originales que se creían perdidas, así como grabaciones inéditas y olvidadas de proyectos inacabados o nunca publicados de la productora, que ahora se canalizan a través de Fly Records.