Articulo de referencia

Dafna Naphtali

\n| instrument = [[Electric guitar]]\n| past_member_of = Mechanique(s)\n}}"}},"i":0}}]}"> Dafna Naphtali is an American composer, guitarist, and singer. A 2023 Guggenheim Fellow...

Dafna Naphtali is an American composer, guitarist, and singer. A 2023 Guggenheim Fellow, she formed the duo Mechanique(s) and released the album What Is It Like To Be A Bat? (2003).

Biography

After spending a few years playing piano as a child, she began composing while she was a student at Stuyvesant High School.[2] She studied at New York University, where she got a Bachelor of Music degree in jazz vocal performance and a Master of Music degree in music technology.[3] While at NYU, she discovered Max, a MIDI software which she would later use for most of her compositions.[2]

In November 2000, her piece Landmine was performed at Kathleen Supové and Lisa Celia's NYU concert.[4] She and Hans Tammen formed the duo Mechanique(s); Allan Kozinn of The New York Times said that they "had the most direct ties to classical electronic experimentalism" of all the work at the 2002 Electronic X-travaganza.[5][6] She performed for the electroacoustic InterAction series in February 2002.[7] In 2003, she and Kitty Brazelton released the album What Is It Like To Be A Bat?, with Naphtali as electric guitarist and vocalist.[8]

She was guest vocalist for Barbez's 2013 concert at (Le) Poisson Rouge.[9] In 2023, she was awarded a Guggenheim Fellowship in Music Composition.[10]

She worked for NYU as an adjunct faculty member, before being promoted to full-time in 2024 as a visiting professor.[1] She is also a part-time assistant professor in music at The New School.[3] She trained in voice pedagogy at Shenandoah University.[3] She has also written a few book chapters and blog posts on music.[3]

References

  1. ^ " Dafna Neftalí" . Universidad de Nueva York Steinhardt . Consultado el 23 de mayo de 2025 .
  2. 1 2 "Artículo: Una entrevista con Dafna Naphtali" . Ciclismo '74 . Recuperado el 23 de mayo de 2025 .
  3. ^ " Dafna Neftalí " . La Escuela Nueva . Consultado el 23 de mayo de 2025 .
  4. Gann, Kyle (5 de diciembre de 2000). "Resignating with the audience". The Village Voice . p. 129. ProQuest 232276623 .  
  5. Kozinn, Allan (9 de marzo de 2002). "El rostro actualizado de la composición electrónica". New York Times . pág. B7. ProQuest 432030836 .  
  6. Majeski, John (17 de febrero de 2005). "MÚSICA FUERA DE LA CAJA Black Box de Asbury Park presenta la serie Música de la Invención". Asbury Park Press . pág. 1. ProQuest 437704380 .  
  7. Catlin, Roger (24 de enero de 2002). "DEMASIADO METAL PARA EL CODO DE BOSTAPH". Hartford Courant . pág. 5. ProQuest 256447641 .  
  8. McElfresh, Dave (5 de septiembre de 2003). "Jazz Sides: On the racks". Goldmine . Vol. 29, n.º 18. pág. 27. ProQuest 1500184 .    
  9. "Reconstruyendo la música de los judíos romanos". New York Times . 19 de septiembre de 2013. ProQuest 2214571886 . 
  10. «Dafna Neftalí» . Beca Guggenheim . Consultado el 21 de mayo de 2025 .
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