Biography
He was born in Guthrie Center, Iowa. He graduated with honors in 1965 from Earlham College in Indiana, earning a B.A. in English Literature and Philosophy. In 1966 he received a M.A. in English Literature and Creative Writing from the University of Chicago, and in 1974 he completed a Ph.D. in the Humanities Interdisciplinary Studies Program at Syracuse University.[1]
During the late 1960s and early 1970s, Taggart was the editor and publisher of Maps, an acclaimed literary magazine. In 1978, edited an issue of "Truck" devoted to the work of Theodore Enslin. His work has been widely published and anthologized, and as far back as 1978 his unique style was exerting an influence over his peers, poets such as Rachel Blau DuPlessis and Gil Ott.[2]
For many years he was Professor of English and Director of the Interdisciplinary Arts Program at Shippensburg University; he retired in 2001.[3]
Overview
Taggart's approach to the poem is strongly rooted in Objectivist poetics, particularly the works of Louis Zukofsky and George Oppen.[4] Unlike most others of his generation whose poetries sprung from similar influences, Taggart stayed away from, on the one hand, the mainstream variations of the neatly packaged imagistic poem, and, on the other hand, the aggressively language-centered writing that foregrounded the materiality of text over the voice of the author.[5]
Works
Poetry
- To Construct a Clock (Elizabeth Press, 1971)
- The Pyramid Is Pure Crystal (Elizabeth Press, 1974)
- Prism and the Pine Twig (Elizabeth Press, 1977)
- Dodeka (Membrane, 1979)
- Peace On Earth (Turtle Island, 1981)
- Dehiscence (Membrane, 1983)
- Loop (Sun and Moon, 1991)
- Standing Wave (Lost Roads, 1993)
- When the Saints (Talisman House, 1999)
- Pastorelles (Flood Editions, 2004)
- Crosses: Poems 1992-1998 (Stop Press, 2006)
- There Are Birds (Flood Editions, 2008)
- Is Music: Selected Poems (Copper Canyon Press, 2010)
Prose
- Remaining in Light: Ant Meditations on a Painting by Edward Hopper (1993, SUNY Press)
- Songs of Degrees: Essays on Contemporary Poetry and Poetics (1994, University Alabama Press)
References
- ↑ Documentos de John Taggart .
- ↑ Robert Duncan analiza la poética y la influencia de Taggart en su introducción a Dodeka .
- ↑ Véase La palabra necesaria: Un homenaje a John Taggart en la revista FlashPoint .
- ↑ Véase John Taggart Papers , «Su tesis, titulada "Intending a Solid Object: A Study in Objectivist Poetics", fue uno de los primeros análisis extensos de las estrategias compositivas que sustentan la obra de los poetas Louis Zukofsky y George Oppen». Véase también Two Approaches to John Taggart's "Slow Song for Mark Rothko" e "Inside Out" de Rochelle Ratner y Karl Young .
- ↑ Véase "Sintaxis cuántica: el serialismo discreto de John Taggart" de Burt Kimmelman , que analiza algunas de las formas en que el trabajo de Taggart escapa a una clasificación sencilla.
Fuentes
Para obtener más información, consulte:
- Los documentos de John Taggart, 1962–2002 en la UC–San Diego.
- Archivo de documentos de John Taggart (1965-1974) en la Universidad de Syracuse.
- El archivo de John Taggart (sobre mapas) en la Universidad de Nueva York (NYU).
- Guía de consulta de los documentos de John Taggart en los Archivos y Colecciones Especiales de la Universidad de Connecticut.
Enlaces externos
- Pregunta Sin pregunta un poema en Lost Roads
- de Chicago Breakdown (PDF) en Facture
- Pastorelle 2 en Fence
- Pastorelle 11 en Poetrybay
- Dos poemas en Grist
- Entrevistado en Flash Point
- poetas masculinos estadounidenses
- ex alumnos de Earlham College
- Personas vivas
- Gente de Guthrie Center, Iowa
- Nacimientos de 1942