Kay-Bee Pictures

Kay-Bee Pictures, or Kessel and Baumann, was an American silent film studio, and part of the New York Motion Picture Company. The company's mottos included, "every picture a headliner" and "Kay-Bee stands for Kessel and Baumann and Kessel and Baumann stands for quality", referring to Adam Kessel and Charles Baumann.^[1] It was party of the New York Motion Picture Company and was used after a settlement with rival Universal Pictures to end the film division named 101 Bison.^[2]Anna Little was one of its stars.^[3] Its executives included Thomas Ince.

• The Paymaster's Son (1913)
• The Sergeant's Secret (1913)
• Banzai (1913)^[4]
• Love's Sacrifice (1914)
• Mother of the Shadows (1914)
• The Death Mask (1914)
• The Geisha (1914)
• The Gangster and the Girl (1914)^[4]
• The Golden Claw (1915)
• The Winged Idol (1915)
• The Coward (1915)
• The Famine (1915)
• The Beckoning Flame (1915)
• The Beggar of Cawpur (1916)^[5]
• Shell 43 (1916)^[6]
• Civilization's Child (1916)
• Somewhere in France (1916)
• The Raiders (1916)
• Hell's Hinges (1916)
• The Return of Draw Egan (1916)
• The Three Musketeers (1916)
• The Stepping Stone (1916)
• The Wolf Woman (1916)
• The Corner (1916)
• The Apostle of Vengeance (1916)
• The Pitch Hitter (1917)^[7]
• The Weaker Sex (1917)
• The Clodhopper (1917)
• The Hater of Men (1917)
• The Bride of Hate (1917)
• The Millionaire Vagrant (1917)
• The Gunfighter (1917)
• Happiness (1917)