Nellie Revell

McAleney started working for newspapers as a teenager. She worked in Chicago, Denver,^[5] Seattle, New York, and San Francisco as a young woman, building a reputation for covering nontraditional stories for women reporters at the time, such as a prize fight, the Haymarket Riot, and the Iroquois Theatre fire. She traveled to Russia in 1895 to cover Czar Nicholas II's coronation, to England for Queen Victoria's funeral in 1901, and the murder trial of Harry K. Thaw in New York City in 1906. She became known for insisting that her work never be put on the women's page (where the work of female reporters was often relegated); she was among the first women reporters to successfully have her work treated equally with her male colleagues.^[6] Revell moved into publicity work after 1906, with jobs promoting vaudeville shows, circuses, and movie theatres.^[7] She became the press agent for such performers as Al Jolson, Lillie Langtry, Lillian Russell, and Will Rogers,^[2] and had her own act, singing and performing monologues.^[8]

In 1919 Revell became ill with a "spinal trouble"^[9] that kept her hospitalized in a plaster cast for several years, under the care of orthopedic surgeons Adolf Lorenz^[10] and Reginald Sayre.^[11] She worked and wrote newspaper columns from her hospital bed, including a regular column for Variety magazine, which she called "Bed-Side Chats."^[12] She embracing the label "the world's most famous invalid".^[13][14] Illustrators Rube Goldberg, Tad Dorgan, James Montgomery Flagg and Grace Drayton made drawings of Revell in her hospital room.^[15][16] Benefit performances by some of her clients and colleagues were held to help her manage expenses.^[17][18] Hospitalized and chronically ill women wrote letters to Revell, seeking her advice for keeping hope and a positive attitude.^[19] She wrote three books about her ordeal: Right Off the Chest (1923),^[15]Fightin' Through (1925),^[20][21] and Funny Side Out (1925).^[22] She used a wheelchair afterward, but was able to walk again by 1925, when she was planning a lecture tour.^[23]

Revell's novel Spangles, about the circus, was adapted for the screen in 1926. She also contributed to screenplays for The Beach Club (1928) and The Mighty (1929, an early "talking" picture), and wrote titles for several silent pictures, including The Magic Flame (1927), The Golf Nut (1927), Smith's Restaurant (1928), and Smith's Farm Days (1928). She also wrote advice for an instructional manual, Writing for Vaudeville (1915, by Brett Page),^[24] and the introduction to a memoir by Sol Rothschild, It Can Be Done: A True Story (1925).^[8]

Trabajó en la radio durante las décadas de 1930 y 1940, ^{[ 25 ]} realizando entrevistas a celebridades como presentadora de un programa llamado Neighbor Nell and Nellie Revell Presents , que se emitió durante años en la radio NBC . ^{[ 26 ] [ 27 ]} Se retiró en 1947, ^{[ 2 ]} cuando las cataratas comenzaron a interferir con su visión. ^{[ 28 ]} "Me han operado de todo menos de la caspa", bromeó sobre sus continuos problemas de salud. ^{[ 8 ]}