Robert Hamerling (March 24, 1830 –July 13, 1889) was an Austrianpoet.
Biography
Hamerling was born into a poor family at Kirchberg am Walde in Lower Austria.[1] He displayed an early genius for poetry; his youthful attempts at drama excited the interest and admiration of some influential persons. Owing to their assistance young Hamerling was able to attend the gymnasium in Vienna and afterwards the University of Vienna.
In 1848 he joined the students' legion, which played a large part in the revolutions of the capital, and in 1849 shared in the defence of Vienna against the imperialist troops of Alfred I, Prince of Windisch-Grätz. After the collapse of the revolutionary movement, he was obliged to hide for a couple of weeks to escape arrest.
For the next few years, he pursued his studies in natural science and philosophy, and in 1855 became master at the Gymnasium at Trieste. For many years he was ill, and in 1866 retired on a pension, which in acknowledgment of his literary works was increased by the government to a sum sufficient to enable him to live carefree until he died at his villa in Stiftingstal near Graz, Austria.
A popular edition of Hamerlings works in four volumes was published by M. M. Rabenlechner (Hamburg, 1900).
Evaluations
1911 Encyclopædia Britannica
The 1911 Encyclopædia Britannica characterizes Hamerling as one of the most remarkable poets of the modern Austrian school, describing his imagination as rich and his poems as full of life and colour. What it terms his most popular poem, Ahasver in Rom (1866), of which the emperor Nero is the central figure, is said to show at its best what is alleged to be the author's brilliant talent for description. Among his other works, 1911 Britannica mentions Venus im Exil (1858); Der König von Sion (1869), characterized as a generally recognized masterpiece; Die sieben Todsünden (1872) Blätter im Winde (1887); Homunculus (1888); Amor und Psyche (1882).
The 1911 Britannica goes on to describe his novel, Aspasia (1876), as giving a finely drawn description of the Periclean age, but like his tragedy Danton und Robespierre (1870), somewhat stilted, showing that Hamerling's genius, though rich in imagination, was ill-suited for the realistic presentation of character.
Véase también
Notas
- ↑ "Robert Hamerling | Poeta alemán | Britannica" . www.britannica.com . Consultado el 11 de diciembre de 2021 .
Referencias
- Este artículo incorpora texto de una publicación que ahora es de dominio público : Chisholm, Hugh , ed. (1911). " Hamerling, Robert ". Encyclopædia Britannica (11.ª ed.). Cambridge University Press. Este trabajo, a su vez, cita:
- Robert Hamerling, Stationen meiner Lebenspilgerschaft (Estaciones de la peregrinación de mi vida, autobiografía, 1889)
- Robert Hamerling, Lehrjahre der Liebe (Años aprendiendo del amor, autobiografía, 1890)
- MM Rabenlechner, Hamerling, sein Leben und seine Werke , i. (Hamburgo, 1896)
- MM Rabenlechner, una breve biografía de Robert Hamerling (Dresde, 1901)
- RH Kleinert, R. Hamerling, ein Dichter der Schönheit (R. Hamerling un poeta de la belleza, Hamburgo, 1889)
- Aurelius Polzer, Hamerling, sein Wesen und Wirken (Hamerling, su esencia y legado, Hamburgo, 1890).
Enlaces externos
- Obras de o sobre Robert Hamerling en el Archivo de Internet
- Robert Hamerling en el catálogo de la Biblioteca Nacional Alemana
- Museo Robert Hammerling (cerrado desde 2006)
- Thomas Meyer: ¿Hamerling y Steiner antisemitas?
- Robert Hamerling En: Proyecto de Historia Romana. Base de datos. Universidad de Innsbruck .
- Retrato en un sello de Austria de 1980.
- 1830 nacimientos
- 1889 muertes
- poetas austriacos
- novelistas austriacos del siglo XIX
- novelistas masculinos austriacos
- Dramaturgos y guionistas austriacos
- poetas austriacos del siglo XIX
- Dramaturgos y autores teatrales austriacos del siglo XIX
- Escritores austriacos del siglo XIX
- Los protagonistas de las revoluciones de 1848