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Menashe Kadishman (Hebrew: מנשה קדישמן; August 21, 1932 – May 8, 2015) was an Israeli sculptor and painter.
Biography
Kadishman, 1954
Menashe Kadishman was born in Mandate Palestine to Bilha and Ben-Zion Kadishman.[1] His father died when he was 15 years old. He left school to help his mother and provide for the family.[2]
In 1950, Kadishman joined the Nahal infantry brigade[1], and he worked as a shepherd on KibbutzMa'ayan Baruch for the next three years. This experience with nature, sheep, and shepherding had a significant impact on his later artistic work and career.
In the 1960s, Kadishman's sculptures were Minimalist in style, and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). The glass allowed the environment to be part of the work.
The first major appearance of sheep in his work was at the 1978 Venice Biennale, where Kadishman presented a flock of colored live sheep as living art.[5] In 1995, he began painting portraits of sheep by the hundreds, and even thousands, each one different from the next. These instantly recognizable sheep portraits soon became his artistic "trademark".
Awards and recognition
1960 the America-Israel Cultural Foundation Scholarship.[3]
A temporary exposition by Kadishman in the Jewish Museum in Berlin'Negative Trees', 1974, Wedau Sports Park, Duisburg
Israel
1957 "The Dog", Artist Private Collection | 2015 China, Sculptor Maty Grunberg, recreating Kadishman "The Dog 1957" in granite stone, under M. Kadishman's instruction
↑Menashe KadishmanArchived 2012-09-25 at the Wayback Machine from the Israeli artist list of the Information Center for Israeli Art at the Israel Museum
12"Israel Prize Official Site – Recipients in 1995 (in Hebrew)". Archived from the original on 2008-12-27.
↑"List of Dizengoff Prize laureates"(PDF) (in Hebrew). Tel Aviv Municipality. Archived from the original(PDF) on 2007-12-17.