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Twang!!

Twang!! is a musical with music and lyrics written by Lionel Bart and a book by Bart and Harvey Orkin , an American theatrical agent and former writer for The Phil Silvers Show ...

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Twang!! is a musical with music and lyrics written by Lionel Bart and a book by Bart and Harvey Orkin, an American theatrical agent and former writer for The Phil Silvers Show. When production faced issues, American writer Burt Shevelove was called on to help fix the book. The piece, a spoof of the character and legend of Robin Hood, was a disastrous box-office failure and cost Bart his personal fortune.

After a preview in Manchester, Twang!! opened at the Shaftesbury Theatre in London's West End on 20 December 1965 and closed on 29 January 1966 after just 43 performances, receiving scathing reviews and playing to mostly empty houses.[1] Bart produced it with Bernard Delfont and John Bryan, and Joan Littlewood directed but quit before it opened. She was replaced by Shevelove and Bart.[2]Twang!! is remembered as "the most expensive flop" in West End history up to that time.[3]

In 2008, the Estate of Lionel Bart commissioned Julian Woolford to write a new book for the musical which was performed in 2013 at Guildford School of Acting. This version is now licensed through MTI.

Synopsis

Robin Hood and his Merry Men attempt to break into Nottingham Castle, in a variety of preposterous disguises, in order to prevent a marriage between the nymphomaniac "court tart" Delphina and the hairy Scots laird Roger the Ugly, arranged for the purpose of securing the loan of Scottish troops for bad Prince John.[4]

The new version is a "meta-musical" with a completely different plot. Robin Hood has lost his 'Twang' and is not the hero he once was. Much the Miller's Son arrives in Sherwood Forest having run away from home and is arrested by the sheriff. He is rescued by Robin and the Men before discovering that in Nottinghamshire life is a musical comedy. He falls in love with Delphina whilst Maid Marion helps Robin find his missing 'twang' before King Richard returns to re-establish order.

Roles and principal cast

Production

The cast included the strongest players from Littlewood's Theatre Workshop, including Ronnie Corbett, Barbara Windsor and James Booth. But Twang!! ran into difficulty from the start. The script was weak, especially the part of Robin Hood, which was badly underwritten.[5] When Booth expressed his concerns, he was repeatedly assured that the part would be expanded to a starring role.[5] Littlewood demanded a rewrite, but constant, confusing revisions failed to improve the script. Littlewood, the choreographer Paddy Stone, the designer Oliver Messel, and the writers failed to work together.[3] Rehearsals were disorganised and fraught with tension; Bart was drinking; Littlewood threatened to walk out. At a rehearsal, Littlewood accused Bart of failing to fulfill his creative responsibilities because he was too strung-out on LSD.[6] Bart, in turn, accused Littlewood of ruining the piece.[7]

Se programó una prueba en Birmingham y se canceló. Un preestreno en Manchester se inauguró el 3 de noviembre de 1965 en el Palace Theatre con un guion inacabado. La noticia del desastre se filtró a los tabloides. [ 3 ] Littlewood renunció a la compañía, y se contrató a un revisor de guiones , el estadounidense Burt Shevelove , para arreglar el guion y la partitura, lo que provocó más cambios confusos, pero nada funcionó. [ 6 ] Las escenas no tenían relación con las canciones, y Twang!! se trasladó a Londres precedido de una continua mala prensa. [ 8 ] El espectáculo se estrenó en desorden en el Shaftesbury Theatre de Londres el 20 de diciembre de 1965. Aun así, Bart pensó que podría salvar el espectáculo. [ 3 ] En la noche del estreno, el director musical, Ken Moule , se desplomó de agotamiento y todavía no había logrado orquestar el segundo acto. Se cortaron dos canciones en las horas previas a la subida del telón, y la pieza se interpretó de forma extravagante , incluso añadiendo algo de travestismo. [ 9 ] Las luces de la sala subían y bajaban constantemente durante toda la función, y se oían discusiones acaloradas entre bastidores. [ 10 ] ¡Twang! recibió críticas desdeñosas y burlonas. Los críticos señalaron la falta de heroísmo y la interpretación pseudopantomima , [ 11 ] aunque hubo algunas secuencias musicales efectivas, incluyendo una escena alrededor de una horca que se convirtió en una danza morris alrededor de un mástil de mayo. [ 12 ] Windsor también recibió algunos elogios. [ 7 ]

The show had been intended as a romp that poked fun at the Crusades, the attitude of the Church and the human flaw of wanting to turn an outlaw into a hero.[2] Orkin believed the show failed because they failed to establish the exact butt of that satire; it was too vague and inconsequential.[4] Bart lost his personal fortune in Twang!! and was devastated by the failure of the show.[13] So was Booth, who made no money for a year while preparing for it.[14] For Ronnie Corbett, however, the failure of Twang!! was a lucky break – it meant he was free to participate in The Frost Report, his breakthrough in television, and also the show where he first worked with Ronnie Barker.[15] Orkin went on to be a regular on the short-lived Not So Much a Programme, More a Way of Life, as well as vice-president of Columbia Pictures.[16] He wrote the novel Scuffler, which was praised by humorist S. J. Perelman and the actor Richard Burton when it was published in 1974.[16]

When revived at the Union Theatre, London in 2018, the musical received some positive reviews.[17] It was dubbed "a meta-musical with bags of heart" by The Stage.[18]

Songs

A cast album, produced by George Martin,[20] was recorded and released in 1966 on the United Artists Records label on LP (no. ULP 1116). It was re-released in 1987 on the TER label (no. 1055) on LP and cassette. A CD-R pressing was sold in the U.S. exclusively through the online reseller Footlight in 2011. The recording includes a track called "Twang!!" at the beginning of side B.

Notes

  1. ↑Roper, p. 98
  2. 12Roper, p. 84
  3. 1234Feiner, Michael. "Bart's Twang!! – Most Expensive Flop in London", The Montreal Gazette, 2 April 1966
  4. 12Roper, p. 93
  5. 12Roper, p. 86
  6. 12Roper, p. 88
  7. 12Twang, 1965 shows, Over the Footlights, accessed 25 December 2012
  8. ↑Roper, p. 89
  9. ↑Roper, p. 92
  10. ↑Roper, p. 94
  11. ↑Roper, pp. 94–95,
  12. ↑Parker, 1979
  13. ↑Roper, pp. 88–89
  14. ↑Blackwell, Diana. Bio, JamesBooth.org, 2005, accessed 5 January 2013
  15. ↑Corbett, pp. 6–9
  16. 12Freeman, William M. (1975-11-05). "HARVEY ORKIN, 57, FILM AGENT, DIES". The New York Times. ISSN 0362-4331. Retrieved 2024-07-29.
  17. ↑Musical Theatre reviews. Accessed 7 March 2018.]
  18. ↑Reviews in The Stage. Accessed 7 March 2018.
  19. ↑Shaftesbury Theatre programme, December 1965
  20. ↑Womack, Kenneth (4 September 2018). Sound Pictures: The Life of Beatles Producer George Martin, The Later Years, 1966–2016. Chicago Review Press. p. 6. ISBN 978-0-912777-77-1. Retrieved 22 September 2022.

References

  • Roper, David (1994). Bart! The Unauthorized Life & Times, Ins and Outs, Ups and Downs of Lionel Bart, Pavilion Books Ltd.
  • Corbett, Ronnie; David Nobbs (2006). And it's goodnight from him... The Autobiography of The Two Ronnies. London: Penguin. ISBN 0-7181-4964-5.
  • Parker, Derek & Julia (1979). The Story & The Song. Chappell & Co.
  • Twang!! at Theatricalia
  • Twang!! at the Guide to Musical Theatre