Las sesiones de grabación de los Beatles

Las grabaciones realizadas por los Beatles , un grupo de rock de Liverpool , Inglaterra , desde su formación como los Quarrymen en 1957 hasta su separación en 1970 y la reunión de sus miembros supervivientes a mediados de la década de 1990, tienen un enorme valor cultural e histórico. Las cintas de las sesiones de estudio se conservan en los estudios Abbey Road , anteriormente conocidos como "EMI Recording Studios", donde los Beatles grabaron la mayor parte de su música. ^[¹^] Si bien la mayoría nunca se han publicado oficialmente, sus tomas descartadas y demos son considerados por los fans como objetos de colección, y algunas de las grabaciones han aparecido en innumerables grabaciones pirata . Las únicas tomas descartadas y demos que se publicaron oficialmente fueron en la serie The Beatles Anthology y sus sencillos relacionados y ediciones de aniversario de sus álbumes de estudio. Fragmentos de algunas grabaciones de estudio previamente inéditas se utilizaron en el videojuego The Beatles: Rock Band como ruido ambiental y para dar a las canciones comienzos y finales con sonido de estudio. En 2013, Apple Records lanzó el álbum The Beatles Bootleg Recordings 1963 , que incluye tomas descartadas y demos inéditas de 1963, para evitar que las grabaciones pasaran a ser de dominio público. ^[²^]

Salvo que se indique lo contrario, todas las canciones que siguen a continuación fueron escritas por Lennon-McCartney y todos los sencillos y álbumes se lanzaron en el Reino Unido .

1958

Servicios de grabación de sonido de Phillips

En la primavera o el verano de 1958, The Quarrymen grabaron dos canciones en Phillips' Sound Recording Services en su ciudad natal de Liverpool . Fue la primera sesión de grabación del grupo, por la que pagaron 17 chelines y 6 peniques (87,5 peniques o 17,82 libras esterlinas en 2025 ). ^{[ 3 ]} Las grabaciones se prensaron en un disco mono de goma laca de 10 pulgadas y 78 rpm* , y luego las cintas de las sesiones se borraron para reutilizarlas con nuevos clientes. Debido a la baja calidad y la antigüedad de las grabaciones, las canciones tienen un silbido, pero aún se pueden escuchar. El disco no estaba destinado a ser lanzado, sino para el uso personal de The Quarrymen.

Para aclarar una idea errónea muy extendida, este disco no es un disco de goma laca, como se ha informado anteriormente, sino un disco de laca de grabación (también conocido como acetato). Un disco de laca es un disco de aluminio con una fina capa de laca aplicada, que permite grabar surcos de sonido. Consulte el artículo de Wikipedia sobre discos de acetato . También existe un excelente sitio web dedicado al servicio de grabación de Phillips en https://www.percyphillips.co.uk/

^{[ 4 ]}^{[ 5 ]}

Cuando recibimos el disco, el acuerdo era que cada uno lo tendría durante una semana. John lo tuvo una semana y me lo pasó. Yo lo tuve una semana y se lo pasé a George , quien lo tuvo otra semana. Luego Colin lo tuvo una semana y se lo pasó a Duff Lowe , quien lo conservó durante 23 años.

— Paul McCartney , The Beatles Anthology ^[⁴^]^[⁵^]

En 1981, Lowe vendió el disco a McCartney por una cantidad no revelada. McCartney luego hizo que ingenieros de sonido intentaran mejorar la calidad del sonido. ^{[ 4 ]}^{[ 5 ]}

Grabaciones ^{[ 6 ]}^{[ 7 ]}

" Ese será el día " ( Allison – Holly – Petty ) – publicado en Anthology 1 (2:07)
" A pesar de todo el peligro " ( McCartney – Harrison ) (3:25)
- Editado (años 90) – publicado en Anthology 1 (2:44)

Personal ^{[ 4 ]}^{[ 5 ]}

Músicos:

Personal de producción:

Percy Francis Phillips – ingeniero

1960

Demostraciones de los canteros

Los Quarrymen grabaron varias cintas demo caseras, monofónicas y de baja calidad. ^{[ 8 ]} Las que se sabe que aún existen son:

"Siempre estaré enamorado de ti"
" One After 909 " con Mike McCartney (1:42)
- Se sabe que existe otra demo de "One After 909".
"Algunos días"
"Bueno, cariño" (5:11)
"Gato montés"
Las tonterías habladas de John Lennon con la radio

Aunque se sabe que Lennon escribió "Winston's Walk" y que McCartney escribió " Ask Me Why " y " When I'm Sixty-Four " durante este período, nunca ha aparecido ninguna cinta demo de esas composiciones, pero se cree que existe una.

Primeras grabaciones caseras de los Beatles

Como hicieron cuando eran los Quarrymen, los Beatles grabaron varias maquetas caseras de baja calidad en mono. Estas cintas son las únicas grabaciones conocidas en las que aparece su antiguo bajista, Stuart Sutcliffe . De las 16 maquetas conocidas grabadas a principios de 1960 en casa de McCartney , solo tres han sido publicadas. ^{[ 9 ]}^{[ 10 ]}^{[ 11 ]}

Grabaciones ^{[ 9 ]}^{[ 10 ]}^{[ 11 ]}^{[ 7 ]}

" Aleluya, la amo tanto " ( Charles ) (2:22)
- Editado y acelerado ( de La a Si bemol ) (años 90) – publicado en Anthology 1 (1:13)
" Serás mía " – publicado en Anthology 1 (1:38)
" Cayenne " (McCartney) (2:30)
- Editado (años 90) – publicado en Anthology 1 (1:14)

Personal ^{[ 9 ]}^{[ 10 ]}^{[ 11 ]}

George Harrison – guitarra
John Lennon – guitarra, voz
Paul McCartney – guitarra, voz
Stuart Sutcliffe – bajo

Grabaciones de estudio Akustik

15 de octubre de 1960

En Hamburgo , Alemania, durante la primera etapa de los Beatles allí , Lennon, McCartney y Harrison grabaron una canción como banda de acompañamiento de Lu Walters, bajista de Rory Storm and the Hurricanes . El baterista de los Beatles, Pete Best , no estuvo presente, y en su lugar tocó Ringo Starr, baterista de los Hurricanes . Fue la primera vez que John, Paul, George y Ringo grabaron música juntos. Sutcliffe estuvo presente en la sesión, pero no tocó. La canción se grabó en el pequeño estudio Akustik, con una disposición similar a la de las grabaciones de los Beatles en Phillips Sound Recording Services . La canción, con un anuncio hablado como cara B , se prensó en nueve discos de acetato mono de 78 rpm. Después de grabar la canción, Walters, Starr, Ty Brian y Johnny Byrne, todos en los Hurricanes, grabaron " Fever " y " September Song ". Ninguna de las grabaciones se publicó jamás. Lo más probable es que las cintas de la sesión se borraran, y no se sabe que ninguno de los discos haya sobrevivido. ^{[ 12 ]}

Grabaciones ^{[ 12 ]}

" Verano " ( Gershwin ) – perdido o destruido

Personal ^{[ 12 ]}

Músicos:

George Harrison – guitarra
John Lennon – guitarra
Paul McCartney – guitarra
Ringo Starr – batería
Lu Walters – voz, bajo

1961

Primeras grabaciones de Tony Sheridan

22-24 de junio de 1961

En lo que ahora es el Friedrich-Ebert-Halle, en el Friedrich-Ebert-Gymnasium (entonces conocido como Gymnasium für Jungen Harburg [ español: Gimnasio para chicos de Harburg ]), durante la segunda etapa de los Beatles en Hamburgo, el grupo, bajo el nombre de "The Beat Brothers", grabó varias canciones con el roquero inglés Tony Sheridan para un álbum llamado My Bonnie , producido por Bert Kaempfert . Después de grabar las canciones con Sheridan, los Beatles grabaron dos canciones por su cuenta. Sutcliffe asistió a la sesión pero no tocó. Las cintas de la sesión se destruyeron posteriormente, pero algunas de las canciones se han publicado en numerosos sencillos, EP y álbumes, tanto oficiales como no oficiales. La información sobre las fechas de grabación es escasa, ^{[ 13 ]} y gran parte de la documentación oficial se perdió en un incendio. Sheridan posteriormente realizó más grabaciones con diferentes músicos de acompañamiento, lo que generó cierto debate sobre en qué canciones aparecen los Beatles. Generalmente se cree que aparecen en siete pistas que se conservan. ^{[ 14 ]} Las distintas mezclas de las grabaciones han aparecido en muchos álbumes recopilatorios y otros lanzamientos. Atlantic Records añadió instrumentos adicionales a dos canciones para un lanzamiento en 1964. Para completar su contrato, The Beatles realizaron más grabaciones en Hamburgo el 24 de mayo de 1962. ^{[ 15 ]}

Grabaciones ^{[ 13 ]}^{[ 14 ]}^{[ 7 ]}

" My Bonnie " ( trad. arr. Sheridan ) (introducción en inglés) con Tony Sheridan
- Mezcla estéreo
  - Mezcla monofónica – publicada como sencillo el 5 de enero de 1962
  - Editado (introducción eliminada) y mezclado en estéreo (1964)
    - Mezcla mono (1964)
      - Mezcla estéreo falsa (1964)
  - Editado (con la voz de McCartney superpuesta a la introducción) y mezclado en estéreo (años 90) – publicado en Anthology 1 (2:42)
"My Bonnie" ( introducción en alemán ) con Tony Sheridan
- Mezcla estéreo
  - Mezcla monofónica – publicada como sencillo el 23 de octubre de 1961 (Alemania)
" The Saints " (trad. arr. Sheridan) con Tony Sheridan
- Mezcla estéreo
  - Mezcla mono – publicada como cara B de "My Bonnie"
    - Mezcla estéreo falsa (1964)
" Por qué (no puedes volver a amarme) " (Sheridan) con Tony Sheridan
- Mezcla estéreo
  - Mezcla mono
    - Mezcla estéreo falsa (1964)
" El hijo de nadie " (Coben–Foree) con Tony Sheridan
- Mezcla estéreo
  - Mezcla mono
    - Editado (1964)
      - Mezcla estéreo falsa (1964)
" Contrata un seguro para mí, nena " (Hall– Singleton ) con Tony Sheridan
- Mezcla estéreo
  - Mezcla mono
    - Editado, con instrumentos adicionales añadidos y mezclado en mono (1964)
      - Mezcla estéreo falsa (1964)
" Ain't She Sweet " ( Ager – Yellen )
- Mezcla estéreo
  - Mezcla mono
    - Batería adicional añadida y mezcla mono (1964) – publicado en Anthology 1 (2:13)
      - Mezcla estéreo falsa (1964)
" Cry for a Shadow " ( Lennon -Harrison)
- Mezclado en estéreo – publicado en Anthology 1 (2:22)
  - Mezcla mono
    - Mezcla estéreo falsa (1964)

Personal ^{[ 16 ]}^{[ 17 ]}^{[ 18 ]}

Músicos:

Pete Best – batería
George Harrison – coros, guitarra solista
John Lennon – voz, guitarra rítmica
Paul McCartney – coros, bajo
Tony Sheridan – voz, guitarra solista

Personal de producción:

Bert Kaempfert – productor
Karl Hinze – ingeniero

1962

Audición de Decca

1 de enero de 1962

El día de Año Nuevo , los Beatles grabaron una audición para Decca Records en Londres alrededor de las 11 de la mañana. Probablemente grabaron solo una toma de cada canción sin sobregrabación . Los Beatles no pasaron la audición, pero su mánager, Brian Epstein , guardó las cintas de carrete para presentárselas a otros productores discográficos. Epstein se encargó de que las grabaciones se prensaran en discos de monoacetato, uno de los cuales fue escuchado posteriormente por el productor de Parlophone, George Martin , quien les ofreció una audición que resultaría exitosa. El orden probable de las canciones fue: ^{[ 19 ]}^{[ 20 ]}

Grabaciones ^{[ 21 ]}^{[ 7 ]}^{[ 22 ]}

" Como los soñadores " – publicado en Anthology 1 (2:35)
" Dinero (Eso es lo que quiero) " ( Bradford – Gordy ) (2:22)
" Hasta que llegaste tú " ( Willson ) (2:58)
" El jeque de Arabia " ( Smith – Wheeler – Snyder ) – publicado en Anthology 1 (1:43)
" Conocerla es amarla " ( Spector ) (2:35)
" Cuida bien de mi bebé " ( Goffin – King ) (2:26)
" Memphis, Tennessee " ( Berry ) (2:20)
" Seguro que me enamoraré de ti " (Cantrell–Claunch– Perkins ) (2:01)
" Hola Niña " – publicado en Anthology 1 (1:40)
" Tres gatos geniales " ( Leiber–Stoller ) – publicado en Anthology 1 (2:25)
" Llorando, esperando, con esperanza " ( Holly ) (2:01)
" Amor del amado " (1:50)
" Septiembre bajo la lluvia " ( Dubin – Warren ) (1:54)
" Bésame Mucho " ( Velázquez / Skylar ) (2:38)
" Searchin' " (Leiber–Stoller) – publicado en Anthology 1 (3:00)

Personal ^{[ 23 ]}^{[ 24 ]}

Músicos:

Pete Best – batería
George Harrison – voz, guitarra solista
John Lennon – voz, guitarra rítmica
Paul McCartney – voz, bajo

Personal de producción:

Mike Smith – productor

2.ª grabación de Tony Sheridan

24 de mayo de 1962

Después de sus sesiones anteriores de grabación en Hamburgo con Tony Sheridan para Bert Kaempfert, los Beatles regresaron para una sesión final para completar su contrato. Solo una canción de ese día ha sobrevivido. Los Beatles estuvieron acompañados por Roy Young, un pianista que había estado tocando con ellos en el Star-Club . Sheridan no estuvo en la sesión, y sobregrabó sus voces el 7 de junio de 1962 sin los Beatles presentes. Regrabó sus voces para " Sweet Georgia Brown " el 3 de enero de 1964 para incluir una referencia a la fama de los Beatles. ^{[ 15 ]} Atlantic Records agregó instrumentos adicionales para un lanzamiento en 1964.

Grabaciones ^{[ 21 ]}^{[ 15 ]}

" Sweet Georgia Brown " ( Bernie – Pinkard – Casey , arreglo de McCartney)
- Sobredoblaje vocal realizado por Sheridan (7 de junio de 1962)
  - Mezcla estéreo
    - Mezcla mono
- Sobredoblaje vocal realizado por Sheridan (3 de enero de 1964)
  - Mezcla estéreo (1964)
    - Mezcla mono (1964)
      - Se añadieron instrumentos adicionales y se realizó una mezcla monofónica (1964).
        Mezcla estéreo falsa (1964)
" Río Swanee " ( Foster ) – perdido

Personal

Músicos: ^{[ 15 ]}

Pete Best – batería
George Harrison – coros, guitarra
John Lennon – coros, guitarra rítmica
Paul McCartney – coros, bajo
Roy Young – piano

Personal de producción:

Bert Kaempfert – productor

Prueba de artista de EMI

6 de junio de 1962

Tras las grabaciones de la audición de Decca , que llegaron a conocimiento de los directivos de EMI gracias a las gestiones del mánager de los Beatles, Brian Epstein, se firmó un contrato discográfico entre Epstein y el sello Parlophone de EMI. EMI grabaría un mínimo de seis sencillos y el acuerdo entraría en vigor el 6 de junio de 1962, con una vigencia de un año, pero renovable. Una vez firmado el contrato, el productor de Parlophone, George Martin, les ofreció a los Beatles una audición en los estudios de EMI en Londres para evaluar su calidad musical y sus respectivas habilidades vocales. La audición, celebrada el 6 de junio, también sirvió como su primera sesión de grabación con EMI. Probablemente actuaron en el Estudio 2, el estudio donde grabarían la mayor parte de su música. Dado que ninguna de las grabaciones se consideró digna de ser publicada, las cintas de la sesión fueron destruidas según el protocolo habitual; sin embargo, posteriormente se han descubierto al menos dos grabaciones monofónicas. La mayor parte de la documentación de la sesión también se ha destruido; no obstante, se sabe que se grabaron cuatro canciones en un número indeterminado de tomas. Ken Townsend , quien se convertiría en un habitual de las sesiones de grabación de los Beatles, estaba de servicio en el departamento técnico ese día. Martin no estaba satisfecho con la batería de Best, así que Epstein y los demás Beatles pronto lo despidieron del grupo. Esta sesión fue la única grabación de Best en EMI antes de ser reemplazado por Ringo Starr. ^[²⁵^] Una cinta completa de esta sesión apareció después de la muerte del ingeniero de sonido Geoff Emerick el 2 de octubre de 2018. Aparentemente, Emerick se llevó la cinta a casa a pesar de que se suponía que debía haber sido destruida. En 2020, la familia de Emerick estaba involucrada en un proceso legal con Universal Music, los actuales propietarios del catálogo de los Beatles, para determinar quién era el propietario legal de la cinta.

Grabaciones ^{[ 25 ]}^{[ 7 ]}

De 18:00 a 20:00

"Bésame Mucho" (Velázquez/Skylar) (toma 1) – destruida
- Monomixto (toma 2)
  - Editado (años 80) – publicado en Anthology 1 (2:37)
" Ámame, hazlo " (tomas 1–3) – destruido
- Mezcla mono (toma 4) – publicada en Anthology 1 (2:32)
" PS Te amo " (toma 1–5) – destruido
" Pregúntame por qué " (toma 1) – destruido

Personal

Músicos:

Pete Best – batería
George Harrison – coros, guitarra
John Lennon – voz, armónica , guitarra rítmica
Paul McCartney – voz, bajo

Personal de producción: ^{[ 25 ]}

George Martin – productor
Ron Richards – productor
Norman Smith – ingeniero de equilibrio
Chris Neal – segundo ingeniero (operador de cinta)

Sesiones individuales de "Love Me Do"

4 de septiembre de 1962

90 días después de su audición para EMI , los Beatles regresaron a los estudios EMI, con su nuevo baterista, Ringo Starr, para grabar su sencillo debut en el Estudio 2. Antes de la sesión, ensayaron cinco canciones, incluyendo " Please Please Me ", en el Estudio 3 con Ron Richards, entre las 2:30 y las 5:30 p.m. Comenzaron a trabajar en " How Do You Do It " de Mitch Murray , que Martin había elegido para ellos, pero no les gustó la canción y querían lanzar una composición original. Grabaron al menos dos tomas de "How Do You Do It" y al menos 15 tomas de "Love Me Do", luego la mejor toma de cada canción fue mezclada en mono y prensada en un disco de acetato para que Martin y Epstein la escucharan. ^[²⁶^] Las cintas de la sesión fueron destruidas más tarde, como era práctica común hasta 1963. [ ²⁷^]^La versión de esta sesión de "Love Me Do" fue lanzada como el primer sencillo de los Beatles; Sin embargo, posteriormente fue reemplazada por una versión grabada siete días después , y la original fue destruida. ^[²⁸^] Cuando la original fue lanzada posteriormente en compilaciones, tuvo que ser obtenida de un sencillo mono original de 45 rpm.

Grabaciones ^{[ 26 ]}^{[ 7 ]}^{[ 29 ]}

De 19:00 a 22:00

" ¿Cómo lo haces? " ( Murray ) – destruido
- Mezcla mono (de la toma 2)
  - Editado (años 80) – publicado en Anthology 1 (1:57)
"Ámame, hazlo" – destruido
- Mezcla mono (a partir de una toma desconocida) – lanzado como sencillo el 5 de octubre de 1962; incluido en Past Masters (2:25) y Mono Masters (2:25)

Personal

Músicos:

George Harrison – guitarra acústica y solista, coros
John Lennon – armónica, guitarra rítmica, voz
Paul McCartney – bajo, voz
Ringo Starr – batería

Personal de producción: ^{[ 26 ]}

George Martin – productor
Norman Smith – ingeniero

11 de septiembre de 1962

Preocupados por la batería de Ringo, los productores contrataron al baterista de sesión Andy White para otro intento de grabar el primer sencillo de los Beatles. En el Estudio 2, grabaron tres canciones con White a la batería, mientras que Ringo fue relegado a las maracas y la pandereta. Las mejores tomas de "Love Me Do" y "PS I Love You" fueron mezcladas en mono. También se grabó una cantidad desconocida de tomas de " Please Please Me ", pero ninguna fue utilizada. Las cintas de la sesión fueron destruidas posteriormente, por lo que no existen versiones estéreo verdaderas de las canciones, aunque se ha descubierto al menos una grabación en mono. ^{[ 27 ]} Aunque la versión de "Love Me Do" de la sesión anterior fue lanzada originalmente como sencillo, tras el lanzamiento del EP The Beatles' Hits , fue reemplazada por la versión de esta sesión, y la original fue destruida. ^{[ 30 ]} "Love Me Do" y "PS I Love You" se mezclaron en " estéreo falso " el 25 de febrero de 1963 en la sala de control del Estudio 1. ^{[ 31 ]} Aunque originalmente se lanzaron en estéreo falso en la versión estéreo de Please Please Me , los lanzamientos estéreo remasterizados modernos contienen las dos canciones en mono, ya que el estéreo falso ha pasado de moda.

Grabaciones ^{[ 27 ]}^{[ 31 ]}^{[ 7 ]}

De 10:00 a 13:00.

"PD Te amo" (tomas 1–9) – destruido
"PD Te amo" (toma 10) – destruido
- Mezcla mono – publicada como cara B de "Love Me Do"; incluida en Please Please Me (mono) (2:04)
  - Mezcla estéreo falsa (25 de febrero de 1963) – publicada en Please Please Me (estéreo)
"Love Me Do" (tomas 1–17) – destruido
"Love Me Do" (toma 18) – destruido
- Mezcla mono – publicado en Please Please Me (mono) (2:21)
  - Mezcla estéreo falsa (25 de febrero de 1963) – publicada en Please Please Me (estéreo)
" Por favor, por favor, mírame " (número desconocido de tomas) – destruido
- Mezcla mono (a partir de una toma desconocida) – publicada en Anthology 1 (1:59)

Personal

Músicos:

George Harrison – guitarra acústica y solista, coros
John Lennon – guitarra rítmica, voz, armónica
Paul McCartney – bajo, voz
Ringo Starr – maracas , pandereta
Andy White – percusión , batería

Personal de producción: ^{[ 27 ]}

Ron Richards – productor
Norman Smith – ingeniero

Sesiones individuales de "Please Please Me"

El 26 de noviembre , más de un mes después del lanzamiento del primer sencillo, los Beatles regresaron al Estudio 2 para grabar el segundo. Tras la exitosa grabación de "Please Please Me", Martin pronunció la ahora famosa frase: "Acaban de conseguir su primer número uno". Además de las dos caras del sencillo, también grabaron un número desconocido de tomas de otra composición original, " Tip of My Tongue ", pero Martin no quedó satisfecho con el arreglo. Nunca la volvieron a grabar y, en su lugar, se la dieron a Tommy Quickly , otro artista representado por Epstein. "Please Please Me" y "Ask Me Why" se mezclaron en mono en un momento desconocido el 30 de noviembre en el Estudio 2. Una edición y mezcla estéreo de "Please Please Me" y una nueva mezcla mono y estéreo de "Ask Me Why" se realizaron el 25 de febrero de 1963 en el Estudio 1, para su inclusión en las versiones mono y estéreo del álbum Please Please Me . ^{[ 28 ]}^{[ 31 ]}

26 de noviembre de 1962

Grabaciones ^{[ 28 ]}^{[ 31 ]}^{[ 32 ]}

De 19:00 a 22:00

"Por favor, por favor" (tomas 1–18) – destruido
- Mezcla mono (de una toma desconocida) (30 de noviembre de 1962) – publicada como sencillo el 11 de enero de 1963; incluida en Please Please Me (mono) (2:03)
- Edición de las tomas 16, 17 y 18 (25 de febrero de 1963)
  - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:01)
"Pregúntame por qué" (tomas 1–5) – destruido
"Pregúntame por qué" (toma 6) – destruido
- Mezcla mono (30 de noviembre de 1962) – publicada como cara B de "Please Please Me"
- Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:28)
- Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:27)
" Tip of My Tongue " (número desconocido de tomas) – destruido

Personal

Músicos:

George Harrison – coros, guitarra solista
John Lennon – guitarra rítmica, voz, armónica
Paul McCartney – bajo, voz
Ringo Starr – batería

Personal de producción: ^{[ 28 ]}

George Martin – productor
Norman Smith – ingeniero

30 de noviembre de 1962

Personal ^{[ 28 ]}

Personal de producción:

George Martin – productor
Norman Smith – ingeniero

1963

sesiones del álbum Please Please Me

El 11 de febrero en el Estudio 2, los Beatles grabaron casi la totalidad de su álbum debut, Please Please Me , entre las 10:00 y las 22:45. También grabaron varias tomas de " Hold Me Tight ". Aunque en 1963 la costumbre de destruir las cintas de las sesiones después de las mezclas finales había cesado en gran medida, las tomas de la sesión de "Hold Me Tight" fueron destruidas, ya que la canción quedó sin usar hasta siete meses después, cuando la regrabaron para su siguiente álbum. ^{[ 33 ]}^{[ 34 ]} El 20 de febrero en el Estudio 1, Martin grabó sobregrabaciones para " Misery " y " Baby It's You ". El álbum fue editado y mezclado el 25 de febrero en el Estudio 1. La canción "Seventeen" fue posteriormente retitulada " I Saw Her Standing There ". ^{[ 31 ]}

11 de febrero de 1963

Grabaciones ^{[ 33 ]}^{[ 31 ]}^{[ 32 ]}^{[ 35 ]}

De 10:00 a 13:00.

" Hay un lugar " (toma 1) – completa (1:58)
"Hay un lugar" (toma 2) – completa (1:54)
"Hay un lugar" (toma 3) – comienzo en falso
"Hay un lugar" (toma 4) – completa (1:50)
"There's a Place" (toma 5) – comienzo en falso – publicado en The Beatles Bootleg Recordings 1963 (con toma 6) (2:19)
"There's a Place" (toma 6) – completa (1:57) – publicada en The Beatles Bootleg Recordings 1963 (con toma 5) (2:19)
"Hay un lugar" (toma 7) – comienzo en falso
"There's a Place" (toma 8) – completa (1:57) – publicada en The Beatles Bootleg Recordings 1963 (1:58)
"There's a Place" (toma 9) – completa (1:53) – publicada en The Beatles Bootleg Recordings 1963 (2:03)
"Hay un lugar" (toma 10) – completa (1:50)
- Sobregrabación de armónica (toma 11) – completada (14:30–18:00)
- Sobregrabación de armónica (toma 12) – comienzo en falso (14:30–18:00)
- Sobregrabación de armónica (toma 13) – completada (14:30–18:00)
  - Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (1:54)
  - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (1:50)
" Diecisiete " (toma 1) – completa (2:50)
- Grabación de palmas (toma 11) – comienzo en falso (14:30–18:00)
- Grabación de palmas (toma 12) – completada (14:30–18:00)
  - Edición de las tomas 9 y 12 (25 de febrero de 1963)
    - Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:58)
    - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:52)
"Seventeen" (toma 2) – completa (2:49) – publicada en The Beatles Bootleg Recordings 1963 (3:07)
"Diecisiete" (toma 3) – fragmento editado (0:23)
"Diecisiete" (tomas 4-5) – edición de fragmentos (0:37)
"Diecisiete" (toma 6–8) – comienzos en falso
"Seventeen" (toma 9) – completa (2:45) – publicada como cara B de " Free as a Bird " (2:51) ^{[ 36 ]}
- Grabación de palmas (toma 10) – completada (14:30–18:00)
- Edición de las tomas 9 y 12 (ver toma 12 arriba).

De 14:30 a 18:00.

" Un sabor a miel " ( Marlow – Scott ) (toma 1) – completa (2:00)
"Un sabor a miel" (tomas 2-3) – análisis (1:00)
"Un sabor a miel" (toma 4) – completa (2:02)
"Un sabor a miel" (toma 5) – completa (2:00)
- Sobregrabación de doble pista de la voz principal (toma 6) – completa – publicada en The Beatles Bootleg Recordings 1963 (2:12)
- Sobregrabación de doble pista de la voz principal (toma 7) – completa
  - Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:06)
  - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:03)
" ¿Quieres saber un secreto ?" (toma 1) – comienzo en falso
"¿Quieres saber un secreto?" (tomas 2–4) – completa (1:55)
"¿Quieres saber un secreto?" (5 tomas) – comienzo en falso
"¿Quieres saber un secreto?" (tomas 6) – completa (2:00)
- Sobregrabación de voz armoniosa y baquetas (toma 7) – completa – publicada en The Beatles Bootleg Recordings 1963 (2:16)
- Sobregrabación de voz armónica y baquetas (toma 8) – completa
  - Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:01)
  - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (1:57)
" Misery " (toma 1) – completa – publicada en The Beatles Bootleg Recordings 1963 (1:54)
"Miseria" (toma 2–5) – comienzos en falso
"Miseria" (toma 6) – completa (1:42)
"Misery" (toma 7) – completa (1:44) – publicada en The Beatles Bootleg Recordings 1963 (1:56)
"Miseria" (8-10 minutos) – comienzos en falso
"Miseria" (toma 11) – completa (1:44)
- Sobregrabación de piano (tomas 12-15) (20 de febrero de 1963)
- Sobregrabación de piano (toma 16) (20 de febrero de 1963)
  - Mezcla mono (25 de febrero de 1963)
  - Mezcla estéreo (25 de febrero de 1963)
  - Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (1:53)
  - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (1:48)

19:30–22:45

" Abrázame fuerte " (toma 1) – comienzo falso – destruido
"Abrázame fuerte" (toma 2) – completa (1:48) – destruida
"Abrázame fuerte" (tomas 3-4) – comienzo en falso – destruido
"Abrázame fuerte" (toma 5) – colapso – destruido
"Abrázame fuerte" (toma 6) – completa (2:28) – destruida
"Abrázame fuerte" (tomas 7-8) – comienzos en falso – destruido
"Abrázame fuerte" (toma 9) – completa (1:26) – destruida
"Abrázame fuerte" (toma 10) – fragmento editado – destruido
"Abrázame fuerte" (toma 11) – fragmento editado, comienzo en falso – destruido
"Abrázame fuerte" (tomas 12-13) – fragmentos editados – destruido
" Anna (Ve con él) " ( Alexander ) (toma 1–2) – comienzos en falso
"Anna (Ve con Él)" (toma 3) – completa
- Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (3:00)
- Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:57)
" Boys " ( Dixon – Farrell ) (toma 1) – completa
- Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:29)
- Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:26)
" Cadenas " ( Goffin – King ) (toma 1)
- Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:29)
- Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:25)
"Cadenas" (toma 2-3) – comienzos en falso
"Cadenas" (4 tomas) – completa
" Baby It's You " ( Bacharach – Williams – David ) (toma 1) – completa
"Baby It's You" (toma 2) – comienzo en falso
"Baby It's You" (toma 3) – completa
- Sobredoblaje de celesta (toma 4) (20 de febrero de 1963)
- Sobredoblaje de celesta (toma 5) (20 de febrero de 1963)
  - Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:40)
  - Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:42)
- Sobregrabación de piano (toma 6) (20 de febrero de 1963)
" Twist and Shout " ( Medley – Russell ) (toma 1) – completa
- Mezcla mono (25 de febrero de 1963) – publicado en Please Please Me (mono) (2:36)
- Mezclado en estéreo (25 de febrero de 1963) – publicado en Please Please Me (estéreo) (2:33)
"Twist and Shout" (toma 2) – completa

Personal

Músicos:

George Harrison – guitarra, voz, palmas
John Lennon – guitarra, voz, armónica, palmas
Paul McCartney – bajo, voz, palmas
Ringo Starr – batería, palmas, voz

Personal de producción: ^{[ 33 ]}

George Martin – productor
Norman Smith – ingeniero
Richard Langham – segundo ingeniero

20 de febrero de 1963

10:30 - 13:00 ^{[ 31 ]}

Personal ^{[ 31 ]}

Músicos:

George Martin – piano, celesta

Personal de producción:

George Martin – productor
Stuart Eltham – ingeniero
Geoff Emerick – segundo ingeniero

25 de febrero de 1963

10:00 - 13:00, 14:30 - 17:45 ^{[ 31 ]}

Personal ^{[ 31 ]}

Personal de producción:

George Martin – productor
Norman Smith – ingeniero
AB Lincoln – segundo ingeniero

Sesiones individuales de "From Me to You"

Los Beatles grabaron su tercer sencillo el 5 de marzo en el Estudio 2. También querían grabar " What Goes On " y "The One After 909" (más tarde retitulada " One After 909 "). Al final, solo se grabó esta última, pero la canción permaneció sin usar hasta que se volvió a grabar durante las sesiones de Get Back / Let It Be . ^{[ 31 ]}^{[ 37 ]} "What Goes On" se grabó más tarde para Rubber Soul . ^{[ 38 ]} El 13 de marzo en el Estudio 2, Lennon grabó una sobregrabación de armónica para "Thank You Little Girl" (más tarde retitulada " Thank You Girl "), la cara B del sencillo, y la canción fue editada y mezclada. La cara A, " From Me to You ", fue editada y mezclada el 14 de marzo en el Estudio 2. ^{[ 39 ]}

5 de marzo de 1963

Grabaciones ^{[ 31 ]}^{[ 39 ]}^{[ 7 ]}^{[ 29 ]}^{[ 35 ]}

De 14:30 a 17:00.

" From Me to You " (tomas 1–2) – publicada en The Beatles Bootleg Recordings 1963 (3:24)
"De mí para ti" (3-4 minutos)
"From Me to You" (toma 5) – publicada en The Beatles Bootleg Recordings 1963 (2:16)
"De mí para ti" (6-7 minutos)
"De mí para ti" (tomas 8–13) – editar fragmentos (armónica, el solo de guitarra y la introducción armonizada)
- Edición (de tomas desconocidas) (14 de marzo de 1963)
  - Mezcla mono (14 de marzo de 1963) – publicado como sencillo el 11 de abril de 1963; incluido en Mono Masters (1:57)
  - Mezclado en estéreo (14 de marzo de 1963) – publicado en Past Masters (1:57)
" Thank You Little Girl " (toma 1) – publicada en The Beatles Bootleg Recordings 1963 (2:09)
"Gracias, niña" (2-4 minutos)
"Thank You Little Girl" (toma 5) – publicada en The Beatles Bootleg Recordings 1963 (2:04)
"Gracias, niña" (toma 6)
"Gracias, niña" (tomas 7–13) – editar fragmentos (floritura de guitarra al final)
- Edición de las tomas 6, 13, 17, 20, 21 y 23 (ver 13 de marzo de 1963 más abajo).

De 19:00 a 22:00

" The One After 909 " (tomas 1–2) – publicado en The Beatles Bootleg Recordings 1963 (4:28)
"El que viene después del 909" (tomas 3-4)
"El que viene después del 909" (toma 5) – fragmento editado
- Edición de las tomas 3, 4 y 5, mezcla mono (años 90) – publicada en Anthology 1 como "One After 909 (False Starts)" (2:23)
- Edición de las tomas 4 y 5, mezcla mono (años 90) – publicada en Anthology 1 como "One After 909 (Complete)" (2:55)

Personal

Músicos:

George Harrison – coros , guitarra solista
John Lennon – guitarra rítmica, voz, armónica
Paul McCartney – bajo, voz
Ringo Starr – batería

Personal de producción: ^{[ 31 ]}

George Martin – productor
Norman Smith – ingeniero
Richard Langham – segundo ingeniero

13 de marzo de 1963

Grabaciones ^{[ 39 ]}^{[ 29 ]}

De 10:00 a 13:00.

"Gracias, niña" (tomas 14–28) – sobregrabaciones de armónica
- Edición de las tomas 6, 13, 17, 20, 21 y 23
  - Mezcla mono – publicada como cara B de "From Me to You"; incluida en Mono Masters (2:04)
  - Mezclado en estéreo – publicado en Past Masters (2:03)

Personal ^{[ 39 ]}

Músicos:

John Lennon – armónica

Personal de producción:

George Martin – productor
Norman Smith – ingeniero
Geoff Emerick – segundo ingeniero

14 de marzo de 1963

10:00 - 13:00 ^{[ 39 ]}

Personal ^{[ 39 ]}

Personal de producción:

George Martin – productor

Sesiones individuales de "She Loves You"

Los Beatles grabaron su cuarto sencillo, " She Loves You ", el 1 de julio en el Estudio 2. La cara B, "Get You in the End", fue posteriormente retitulada " I'll Get You ". Se desconoce el número de tomas grabadas, ya que la documentación y las cintas de la sesión fueron posteriormente destruidas o perdidas. Las canciones fueron editadas y mezcladas en mono el 4 de julio en el Estudio 2. ^{[ 40 ]} Nunca se realizaron mezclas en estéreo a partir de las grabaciones maestras , y los lanzamientos posteriores en estéreo de las canciones están en estéreo falso o se combinan con las grabaciones realizadas el 13 de marzo de 1964 para la versión en alemán .

1 de julio de 1963

Grabaciones ^{[ 40 ]}^{[ 29 ]}

De 14:30 a 17:30 y de 19:00 a 22:00.

" Ella te ama " – destruido
- Editado y mezclado en mono (a partir de tomas desconocidas) (4 de julio de 1963) – lanzado como sencillo el 23 de agosto de 1963; incluido en Past Masters (2:21) y Mono Masters (2:21)
" Te atraparé al final " – destruido
- Mezcla mono (a partir de una toma desconocida) (4 de julio de 1963) – publicada como cara B de "She Loves You"; incluida en Past Masters (2:06) y Mono Masters (2:06)

Personal

Músicos:

George Harrison – coros, guitarra solista, palmas
John Lennon – voz, guitarra rítmica, armónica
Paul McCartney – voz, bajo, palmas
Ringo Starr – batería, palmas

Personal de producción: ^{[ 40 ]}

George Martin – productor
Norman Smith – ingeniero
Geoff Emerick – segundo ingeniero

4 de julio de 1963

10:00 - 13:00 ^{[ 40 ]}

Personal ^{[ 40 ]}

Personal de producción:

George Martin – productor

Con los Beatles y las sesiones del sencillo "I Want to Hold Your Hand"

18 de julio de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 35 ]}^{[ 42 ]}

De 19:00 a 22:45.

" Realmente me tienes atrapado " ( Robinson ) (tomas 1–7)
"Realmente me tienes en tus manos" (tomas 8-11) – editar piezas
- Edición de las tomas 7, 10 y 11 (21 de agosto de 1963)
  - Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (3:04)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (3:01)
" Dinero (Eso es lo que quiero) " (tomas 1–6)
"Money (That's What I Want)" (toma 7) – publicada en The Beatles Bootleg Recordings 1963 (2:47) (se desconoce la toma y la mezcla exactas publicadas en el álbum)
- Edición de las tomas 6 y 7 (21 de agosto de 1963)
  - Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:49)
  - Mezcla estéreo (29 de octubre de 1963)
- Mezclado en estéreo (30 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:47)
- "Money (That's What I Want)" (tres tomas sin numerar) (30 de septiembre de 1963 – sobregrabaciones de piano)
" El diablo en su corazón " (Drapkin) (tomas 1–5)
"El diablo en su corazón" (toma 6)
- Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:30)
- Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:26)
" Hasta que llegaste tú " ( Willson ) (tomas 1–3)

Personal

Músicos:

George Harrison – guitarra solista
John Lennon – guitarra rítmica, voz
George Martin – piano
Paul McCartney – bajo, voz
Ringo Starr – maracas, batería

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero
Richard Langham – segundo ingeniero

30 de julio de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 42 ]}

10:00 - 13:30

" Por favor, señor cartero " ( Dobbins – Garrett – Holland – Bateman – Gorman ) (tomas 1–8)
"Por favor, señor cartero" (toma 9)
- Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:39)
- Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:34)
" No tardará mucho " (tomas 1–8)
- "No tardará mucho" (tomas 9-10) – sobregrabaciones (final)

De 17:00 a 23:00 horas.

"Dinero (Eso es lo que quiero)" (prueba de piano)
"Dinero (Eso es lo que quiero)" (8–14 minutos) – editar piezas (piano para empezar)
"Hasta que estuviste tú" (tomas 4-5) – comienzos en falso
"Hasta que estuviste tú" (toma 6) – completa (2:14)
"Hasta que estuviste tú" (toma 7) – completa (2:13)
"Hasta que estuviste tú" (toma 8) – completa (2:15)
- Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:19)
- Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:13)
" Roll Over Beethoven " (Berry) (toma 1) – comienzo en falso
"Roll Over Beethoven" (toma 2) – completa (2:41)
"Roll Over Beethoven" (toma 3) – comienzo en falso
"Roll Over Beethoven" (toma 4) – completa (2:44)
"Roll Over Beethoven" (toma 5) – completa (2:37)
- "Roll Over Beethoven" (toma 6) – sobregrabación, comienzo en falso
- "Roll Over Beethoven" (toma 7) – sobregrabación, completa (2:37)
"Roll Over Beethoven" (toma 8) – edición del fragmento (riff de guitarra final)
- Edición de las tomas 7 y 8 (21 de agosto de 1963)
  - Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:49)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:45)
"No tardará mucho" (dura entre 11 y 13 minutos) – comienzos en falso
"No tardará mucho" (toma 14) – completa
"No tardará mucho" (dura entre 15 y 16 minutos) – comienzos en falso
"No tardará mucho" (toma 17) – completa
"No tardará mucho" (toma 18) – fragmento editado
"No tardará mucho" (toma 19) – edición del fragmento, comienzo en falso
"No tardará mucho" (20-23 minutos) – editar piezas
- Edición de las tomas 17 y 21 (21 de agosto de 1963)
  - Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:16)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:12)
" Todo mi amor " (toma 1) – completa (2:05)
"Todo mi amor" (tomas 2-3) – comienzos en falso
"Todo mi amor" (toma 4) – completa (2:05)
"Todo mi amor" (toma 6) – completa (2:08)
"Todo mi amor" (toma 7) – completa (2:07)
"Todo mi amor" (tomas 8-9) – comienzos en falso
"Todo mi amor" (toma 10) – completa (2:07)
"Todo mi amor" (toma 11) – completa
- "All My Loving" (toma 12) – sobregrabación, completa (2:05)
- "All My Loving" (toma 13) – sobregrabación, desglose
- "All My Loving" (toma 14) – sobregrabación, completa (2:05)
  - Mezcla mono (21 de agosto de 1963) – publicado en With the Beatles (mono) (2:13)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:07)

Personal

Músicos:

George Harrison – guitarra solista, voz
John Lennon – guitarra rítmica, voz
Paul McCartney – bajo, voz
Ringo Starr – bongos, batería

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero
Richard Langham – segundo ingeniero

21 de agosto de 1963

Estudio 3 (sala de control) ^{[ 41 ]}

10:00–13:00, 14:00–17:30 ^{[ 41 ]}

Personal ^{[ 41 ]}

Personal de producción:

George Martin – productor
Norman Smith – ingeniero
Geoff Emerick – segundo ingeniero

11 de septiembre de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 42 ]}

De 14:30 a 18:00 horas

" Quiero ser tu hombre " (toma 1)
" Niño pequeño " (toma 1–2)
" Todo lo que tengo que hacer " (tomas 1–14)
- "Todo lo que tengo que hacer" (toma 15) – sobregrabación
  - Mezcla mono (30 de septiembre de 1963) – publicado en With the Beatles (mono) (2:06)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:02)

De 19:00 a 22:15.

" No será una segunda vez " (1–4 minutos)
"Ni una segunda vez" (toma 5)
- "Not a Second Time" (tomas 6-8) – sobregrabaciones (doble pista de voz principal y piano)
- "Not a Second Time" (toma 9) – sobregrabación (doble pista de voz principal y piano)
  - Mezcla mono (30 de septiembre de 1963) – publicado en With the Beatles (mono) (2:12)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:06)
" No me molestes " (Harrison) (tomas 1–7)

Personal

Músicos:

George Harrison – guitarra solista, voz
John Lennon – guitarra rítmica, voz
George Martin – piano
Paul McCartney – bajo, voz
Ringo Starr – batería, voz

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero
Richard Langham – segundo ingeniero

12 de septiembre de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 35 ]}^{[ 42 ]}

De 14:30 a 18:30.

"Mensajes a Australia" (tomas 1-4)
"Abrázame fuerte" (toma 20)
"Hold Me Tight" (toma 21) – publicada en The Beatles Bootleg Recordings 1963 (2:24)
"Abrázame fuerte" (tomas 22–29)
- Edición de las tomas 26 y 29 (30 de septiembre de 1963)
  - Mezcla mono (30 de septiembre de 1963)
  - Mezcla mono (23 de octubre de 1963) – publicado en With the Beatles (mono) (2:35)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:31)

De 19:00 a 23:30.

"No me molestes" (10-14 minutos)
"No me molestes" (toma 15)
- Mezcla mono (30 de septiembre de 1963) – publicado en With the Beatles (mono) (2:31)
- Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (2:28)
"No me molestes" (toma 16–19)
"Niño pequeño" (para niños de 3 a 18 años)
"Niño pequeño" (toma 7)
- "Niño pequeño" (tomas 13-14) – sobregrabaciones armónicas
- "Niño pequeño" (tomas 15–17) – sobregrabaciones de piano
- "Niño pequeño" (toma 18) – sobregrabación de solo armónico
  - Edición de las tomas 15 y 18 (30 de septiembre de 1963)
    - Mezcla mono (30 de septiembre de 1963)
    - Mezcla mono (23 de octubre de 1963) – publicado en With the Beatles (mono) (1:50)
"Niño pequeño" (para niños de 8 a 12 años)
"Quiero ser tu hombre" (tomas 2–6)
"Quiero ser tu hombre" (toma 7)
- "I Wanna Be Your Man" (tomas 8–13) (30 de septiembre de 1963) – Sobregrabaciones de órgano Hammond

Personal

Músicos:

George Harrison – guitarra solista, voz
John Lennon – armónica, guitarra rítmica, pandereta, voz
Paul McCartney – bajo, claves, piano, voz
Ringo Starr – Bongos árabes, batería, voz

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero
Richard Langham – segundo ingeniero

30 de septiembre de 1963

Estudio 2 ^{[ 41 ]}

10:00 - 13:15 ^{[ 41 ]}

Personal ^{[ 41 ]}

Músicos:

George Martin – piano, órgano Hammond

Personal de producción:

George Martin – productor
Norman Smith – ingeniero
Geoff Emerick – segundo ingeniero

3 de octubre de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 42 ]}

De 19:00 a 22:00 horas.

"Quiero ser tu hombre" (tomas 14-15)
"Niño pequeño" (19-20 minutos)
"Niño pequeño" (toma 21)
- Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (1:46)

Personal

Músicos:

Ringo Starr – maraca

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero

17 de octubre de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 29 ]}

De 14:30 a 17:30 y de 19:00 a 22:00.

" The Beatles' Christmas Record " (tomas sin numerar) – publicado el 6 de diciembre de 1963
"Realmente me tienes atrapado" (toma 12)
" Quiero tomar tu mano " (1–15 minutos)
- "Quiero tomar tu mano" (toma 16) – sobregrabación
- "Quiero tomar tu mano" (toma 17) – sobregrabación
  - Mezcla mono (21 de octubre de 1963) – publicado como sencillo el 29 de noviembre de 1963; incluido en Mono Masters (2:26)
  - Remix estéreo 1 (21 de octubre de 1963)
" Este chico " (tomas 1–11)
"This Boy" (tomas 12–13) – lanzado como cara B de "Free as a Bird" (3:17)
"Este chico" (toma 14)
"Este chico" (toma 15)
- Remezclas mono 1 y 2 (21 de octubre de 1963)
  - Editado (21 de octubre de 1963) – publicado como cara B de "I Want to Hold Your Hand"; incluido en Mono Masters (2:16)
"Este chico" (para niños de 16 a 17 años)

Personal

Músicos:

George Harrison – guitarra solista, voz
John Lennon – guitarra rítmica, voz
Paul McCartney – bajo, voz
Ringo Starr – batería

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero
Geoff Emerick – segundo ingeniero

21 de octubre de 1963

Estudio 1 ^{[ 41 ]}

10:00 - 13:00 ^{[ 41 ]}

Personal ^{[ 41 ]}

Personal de producción:

George Martin – productor
Norman Smith – ingeniero

23 de octubre de 1963

Estudio 2 ^{[ 41 ]}

Grabaciones ^{[ 41 ]}^{[ 42 ]}

10:00 - 13:00

"Quiero ser tu hombre" (toma 16)
- Mezcla mono – publicado en With the Beatles (mono) (2:01)
  - Mezclado en estéreo (29 de octubre de 1963) – publicado en With the Beatles (estéreo) (1:59)

Personal

Músicos:

George Harrison – guitarra solista, voz
John Lennon – guitarra rítmica, voz
Paul McCartney – bajo, voz
Ringo Starr – batería

Personal de producción: ^{[ 41 ]}

George Martin – productor
Norman Smith – ingeniero

29 de octubre de 1963

Estudio 3 ^{[ 41 ]}

10:00 - 13:00 ^{[ 41 ]}

Personal ^{[ 41 ]}

Personal de producción:

George Martin – productor
Norman Smith – ingeniero
Geoff Emerick – segundo ingeniero
BT – segundo ingeniero

30 de octubre de 1963

Estudio 3 ^{[ 41 ]}

14:30–17:30 ^{[ 41 ]}

Personal ^{[ 41 ]}

Personal de producción:

George Martin – productor
Norman Smith – ingeniero
AB Lincoln – segundo ingeniero

1964

Sesiones para el álbum A Hard Day's Night y el EP Long Tall Sally

24 de enero de 1964

Estudio Uno (solo sala de control), Estudios EMI , Londres (10:00-10:45) ^{[ 43 ]}

Copia de cintas
- " Quiero tomar tu mano " (de la toma 17)
Personal
- Personal de producción: Norman Smith (ingeniero), AB Lincoln y Geoff Emerick (segundo ingeniero).

29 de enero de 1964

Estudios Pathé Marconi , París (media mañana/tarde) ^{[ 43 ]}

Grabación
- " Komm, Gib Mir Deine Hand " (tomas 1 a 11)
- " Sie Liebt Dich " (tomas 1 a 14)
- " No puedes comprarme el amor " (tomas 1–4)
  - Toma 2 – publicada en Anthology 1
Edición
- "Komm, Gib Mir Deine Hand" (de las tomas 5 y 7)
Personal
- Músicos: John Lennon (guitarra rítmica, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista, voz), Ringo Starr (batería)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Jacques Esmenjaud (segundo ingeniero)

25 de febrero de 1964

Estudio Dos, Estudios EMI, Londres (10:00-13:00) ^{[ 44 ]}

Grabación
- " No puedes hacer eso " (tomas 1–9)
  - toma 6 – publicada en Anthology 1

Estudio Dos, Estudios EMI, Londres (14:30-17:30) ^{[ 44 ]}

Grabación
- " Y la amo " (tomas 1-2)
  - Toma 2 – publicada en Anthology 1
- " Debería haberlo sabido " (tomas 1-3)
Personal
- Músicos: John Lennon (armónica, guitarra rítmica, voz), Paul McCartney (bajo, cencerro, voz), George Harrison (guitarra de 12 cuerdas, guitarra solista, voz), Ringo Starr (bongos, batería)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Richard Langham (segundo ingeniero)

26 de febrero de 1964

Estudio Dos (solo sala de control), Estudios EMI, Londres (10:00-13:00) ^{[ 45 ]}

Mezcla mono
- "No puedes hacer eso" (remixes 1–4, de la toma 9)
  - Remix 3 – publicado como cara B de "Can't Buy Me Love"; incluido en A Hard Day's Night (mono)
  - Remixes 2 y 4, para EE. UU.
- "Can't Buy Me Love" (de la toma 4) – publicada como sencillo; incluida en A Hard Day's Night (mono)

Estudio Dos, Estudios EMI, Londres (14:30-17:30) ^{[ 45 ]}

Grabación
- "Debería haberlo sabido" [nueva versión] (duración: 4-22 minutos)

Estudio Dos, Estudios EMI, Londres (19:00-22:00) ^{[ 45 ]}

Grabación
- "Y la amo" [nueva versión] (tomas 3–19)
Personal
- Músicos: John Lennon (armónica, guitarra rítmica, voz), Paul McCartney (bajo, cencerro, voz), George Harrison (guitarra solista), Ringo Starr (claves, bongos, batería)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Richard Langham (segundo ingeniero)

27 de febrero de 1964

Estudio Dos, Estudios EMI, Londres (10:00-13:00) ^{[ 45 ]}

Grabación
- "Y la amo" [nueva versión] (dura entre 20 y 21 minutos)
- " Dime por qué " (tomas 1–8)
  - Tomas 4 y 5 – publicadas en Anthology 4

Estudio Dos, Estudios EMI, Londres (14:30-17:30) ^{[ 45 ]}

Grabación
- " Si me cayera " (toma 1–15)
  - Toma 11 – publicada en Anthology 4
Personal
- Músicos: John Lennon (guitarra rítmica, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista), Ringo Starr (batería)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Richard Langham (segundo ingeniero)

1 de marzo de 1964

Estudio Dos, Estudios EMI, Londres (10:00-13:30) ^{[ 46 ]}

Grabación
- " Soy feliz solo por bailar contigo " (tomas 1–4)
- " La larga y alta Sally " (Enotris Johnson/ Richard Penniman / Robert Blackwell ) (toma 1)
- " Te llamo por tu nombre " (tomas 1–7)
Personal
- Músicos: John Lennon (guitarra rítmica, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista, voz), Ringo Starr (cencerro, batería), George Martin (piano)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Richard Langham (segundo ingeniero)

3 de marzo de 1964

Estudio Uno (solo sala de control), Estudios EMI, Londres (10:00-13:45) ^{[ 46 ]}

Mezcla mono
- "Debería haberlo sabido mejor" (de la toma 22) – publicada en A Hard Day's Night (mono)
- "If I Fell" (de la toma 15) – publicada en A Hard Day's Night (mono)
- "Dime por qué" (de la toma 8) – publicada en A Hard Day's Night (mono)
- "And I Love Her" (remix 1, de la toma 21) – publicado en A Hard Day's Night (mono, EE. UU.)
- "I'm Happy Just to Dance with You" (de la toma 4) – publicado en A Hard Day's Night (mono)
- "I Call Your Name" (de la toma 7) – planeada para usarse en A Hard Day's Night (película) ; no incluida.
Personal
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), AB Lincoln (segundo ingeniero)

4 de marzo de 1964

Estudio tres (solo sala de control), Estudios EMI, Londres (10:00-11:00) ^{[ 47 ]}

Mezcla mono
- "I Call Your Name" (de la toma 7) – publicada en Long Tall Sally (mono, EE. UU.)
Personal
- Equipo de producción: George Martin (productor), desconocido (ingeniero)

10 de marzo de 1964

Estudio Dos, Estudios EMI, Londres (10:00-13:00) ^{[ 47 ]}

Mezcla estéreo
- "No puedes comprarme amor" (de la toma 4)
- "Long Tall Sally" (toma 1) – publicada en Long Tall Sally (estéreo, EE. UU.)
- "I Call Your Name" (de la toma 7) – publicada en Long Tall Sally (estéreo, EE. UU.)
- "No puedes hacer eso" (de la toma 9)
Mezcla mono
- "Long Tall Sally" (toma 1) – publicada en Long Tall Sally (mono, EE. UU.)
- "Komm, Gib Mir Deine Hand" (de la edición de las tomas 5 y 7) – lanzado como sencillo alemán; incluido en Mono Masters
- "Sie Liebt Dich" (de la toma 14): lanzada como cara B de "Komm, Gib Mire Deine Hand"; incluido en Mono Masters
Personal
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), desconocido (segundo ingeniero)

12 de marzo de 1964

Estudio tres (solo sala de control), Estudios EMI, Londres (10:00-12:00) ^{[ 47 ]}

Mezcla estéreo
- "Komm, Gib Mir Deine Hand" (de la edición de las tomas 5 y 7) – publicado en Something New (estéreo); incluido en Past Masters
- "Sie Liebt Dich" (de la toma 14) - publicado en Past Masters
Personal
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero)

16 de abril de 1964

Estudio Dos, Estudios EMI, Londres (10:00-13:00) ^{[ 48 ]}

Grabación
- " Una noche difícil " (tomas 1–9)
  - Toma 1 – publicada en Anthology 1
Personal
- Músicos: John Lennon (guitarra acústica, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista), Ringo Starr (bongos, batería), George Martin (piano)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Geoff Emerick (segundo ingeniero)

20 de abril de 1964

Estudio Dos (solo sala de control), Estudios EMI, Londres (14:00-15:15) ^{[ 49 ]}

Mezcla mono
- "A Hard Day's Night" (prueba de remezcla, toma 9)
Mezcla estéreo
- "A Hard Day's Night" (prueba de remezcla, toma 9)
Personal
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), AB Lincoln (segundo ingeniero)

23 de abril de 1964

Estudio Dos (solo sala de control), Estudios EMI, Londres (16:30-17:45) ^{[ 49 ]}

Mezcla mono
- "A Hard Day's Night" (remix "10", de la toma 9) – publicado como sencillo; incluido en A Hard Day's Night (mono)
Personal
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), David Lloyd (segundo ingeniero)

22 de mayo de 1964

Estudio Dos, Estudios EMI, Londres (10:00-11:00) ^{[ 49 ]}

Grabación
- "No puedes hacer eso" (sobregrabación en la toma 10)
Personal
- Músicos: George Martin (piano)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), AB Lincoln y BT (segundo ingeniero).

1 de junio de 1964

Estudio Dos, Estudios EMI, Londres (14:30-17:30) ^{[ 49 ]}

Grabación
- " Caja de cerillas " ( Carl Perkins ) (toma 1–5)
  - Toma 1 – publicada en Anthology 4
- " Lloraré en su lugar " (Sección A) (toma 1–6)
- "Lloraré en su lugar" (Sección B) (7-8 minutos)
- " Reduce la velocidad " ( Larry Williams ) (tomas 1–6)

Estudio Dos, Estudios EMI, Londres (19:00-22:00) ^{[ 49 ]}

Grabación
- " Volveré " (tomas 1–16)
  - tomas 2 y 3 – publicadas en Anthology 1
Personal
- Músicos: John Lennon (guitarra rítmica, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista), Ringo Starr (batería, voz)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Ken Scott (segundo ingeniero)

2 de junio de 1964

Estudio Dos, Estudios EMI, Londres (14:30-17:30) ^{[ 49 ]}

Grabación
- " En cualquier momento " (tomas 1–7)
- " Cosas que dijimos hoy " (tomas 1–3)

Estudio Dos, Estudios EMI, Londres (19:00-22:00) ^{[ 49 ]}

Grabación
- " Cuando llegue a casa " (tomas 1-11)
- "En cualquier momento" (8-11 minutos)
Personal
- Músicos: John Lennon (piano, guitarra rítmica, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista), Ringo Starr (pandereta, batería)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Ken Scott (segundo ingeniero)

3 de junio de 1964

Estudio Dos, Estudios EMI, Londres

Grabación
- " You Know What to Do " (Harrison) (Demo de estudio) – publicado en Anthology 1
- " Eres mi mundo " (Bindi, Paoli, Sigman) (Studio Jam)
- " No Reply " (Demo Take 1) – publicado en Anthology 1
Personal
- Músicos: John Lennon (guitarra rítmica, pandereta, voz), Paul McCartney (bajo, voz), George Harrison (guitarra solista, voz), Desconocido (batería)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero)

4 de junio de 1964

Estudio Dos, Estudios EMI, Londres (14:30-19:00) ^{[ 50 ]}

Mezcla mono
- "Long Tall Sally" (de la toma 1) – publicada en Long Tall Sally ; incluida en Mono Masters
- "Matchbox" (de la toma 5) – publicada en Long Tall Sally ; incluida en Mono Masters
- "I Call Your Name" (remixes 1 y 2, de las tomas 5 y 7)
Edición
- "I Call Your Name" (de los remixes mono 1 y 2) – publicado en Long Tall Sally ; incluido en Mono Masters
Grabación
- "Reduce la velocidad" (sobregrabación en la toma 6)
Mezcla mono
- "Slow Down" (de la toma 6) – publicada en Long Tall Sally ; incluida en Mono Masters
- "Cuando llegue a casa" (remix 1, de la toma 11)
- "En cualquier momento" (remix 1, de la toma 11)
- "Lloraré en su lugar" (Sección A) (de la toma 6)
- "Lloraré en su lugar" (Sección B) (de la toma 8)
Edición
- "I'll Cry Instead" (de remezclas mono de las tomas 6 y 8) – publicado en A Hard Day's Night (mono, EE. UU.)
Personal
- Músicos: George Martin (piano)
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Richard Langham (segundo ingeniero)

9 de junio de 1964

Estudio tres (solo sala de control), Estudios EMI, Londres (14:00-17:45) ^{[ 50 ]}

Copia de cinta monocromática
- "Debería haberlo sabido"
- "Si me cayera"
- "Dime por qué"
- "Y yo la amo"
- "Soy feliz solo por bailar contigo"
- "Prefiero llorar"
- "No puedes comprarme el amor"
- "Una noche de duro trabajo"
Mezcla mono
- "A Hard Day's Night" ("remix 3", de la toma 9) – remix extendido del final utilizado en A Hard Day's Night (película)
- "Things We Said Today" (de la toma 3) – publicada como cara B de "A Hard Day's Night"; incluida en A Hard Day's Night (mono)
Personal
- Equipo de producción: George Martin (productor), Norman Smith (ingeniero), Ken Scott (segundo ingeniero)

10 de junio de 1964

Studio Two (control room only), EMI Studios, London (10.00am-11.00am)^[51]

Mono mixing
- "I'll Be Back" (remix 1, from take 16)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

22 June 1964

Studio One (control room only), EMI Studios, London (10.00am-11.30am)^[51]

Mono mixing
- "Any Time at All" (remix 2, for the UK, from take 11) – released on A Hard Day's Night (mono)
- "Any Time at All" (remix 3, for the US, from take 11) – released on Something New (mono)
- "When I Get Home" (remix 2, for the UK, from take 11) – released on A Hard Day's Night (mono)
- "When I Get Home" (remix 3, for the US, from take 11) – released on Something New (mono)
- "I'll Be Back" (remix 2, for the UK, from take 16) – released on A Hard Day's Night (mono)
- "I'll Be Back" (remix 3, for the US, from take 16) – released on Beatles '65 (mono)
- "And I Love Her" (remix 2, from take 21) – released on A Hard Day's Night (mono)

Studio One (control room only), EMI Studios, London (11.30am-1.00pm)^[51]

Stereo mixing
- "And I Love Her" (from take 21) – released on A Hard Day's Night (stereo)
- "When I Get Home" (from take 11) – released on A Hard Day's Night (stereo)
- "Any Time at All" (from take 11) – released on A Hard Day's Night (stereo)
- "I'll Be Back" (from take 16) – released on A Hard Day's Night (stereo)
- "If I Fell" (from take 15) – released on A Hard Day's Night (stereo)
- "A Hard Day's Night" (from take 9) – released on A Hard Day's Night (stereo)
- "I Should Have Known Better" (from take 22) – released on A Hard Day's Night (stereo)
- "I'm Happy Just to Dance with You" (from take 4) – released on A Hard Day's Night (stereo)
- "I Call Your Name" (remixes 1 and 2, from takes 5 and 7)
Editing
- "I Call Your Name" (of stereo remixes 1 and 2) – released on Past Masters

Studio One (control room only), EMI Studios, London (2.30pm-5.30pm)^[51]

Stereo mixing
- "Can't Buy Me Love" (from take 4) – released on A Hard Day's Night (stereo)
- "You Can't Do That" (from take 9) – released on A Hard Day's Night (stereo)
- "Tell Me Why" (from take 8) – released on A Hard Day's Night (stereo)
- "Things We Said Today" (from take 3) – released on A Hard Day's Night (stereo)
- "Matchbox" (from take 5) – released on Past Masters
- "Slow Down" (from take 6) – released on Past Masters
- "Long Tall Sally" (from take 1) – released on Past Masters
- "I'll Cry Instead" (Section A) (from take 6)
- "I'll Cry Instead" (Section B) (from take 8)
Editing
- "I'll Cry Instead" (of stereo remixes of takes 6 and 8) – released on A Hard Day's Night (stereo)

Studio Two (control room only), EMI Studios, London (5.45pm-9.00pm)^[51]

Tape copying
- "Slow Down" (copy of 4 June mono remix)
- "Matchbox" (copy of 4 June mono remix)
- "Things We Said Today" (copy of 22 June stereo remix)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Geoff Emerick (2nd engineer)

Beatles for Sale and "I Feel Fine" single sessions

11 August 1964

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[52]

Recording
- "Baby's in Black" (takes 1–14, and 13 [unnumbered] edit pieces)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

14 August 1964

Studio Two, EMI Studios, London (7.00pm-9.00pm)^[53]

Recording
- "I'm a Loser" (takes 1–8)
- "Mr. Moonlight" (Roy Lee Johnson) (takes 1–4)
  - Edit of takes 1 and 4 – released on Anthology 1

Studio Two (control room only), EMI Studios, London (9.00pm-10.00pm)^[53]

Mono mixing
- "I'm a Loser" (remix 1, from take 8)
- "Baby's in Black" (remix 1, from take 14)

Studio Two, EMI Studios, London (10.00pm-11.15pm)^[53]

Recording
- "Leave My Kitten Alone" (Little Willie John/Titus Turner/James McDougal) (takes 1–5)
  - Stereo remix of take 5 – released on Anthology 1
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

29 September 1964

Studio Two, EMI Studios, London (2.30pm-6.30pm)^[54]

Recording
- "Every Little Thing" (takes 1–4)
- "I Don't Want to Spoil the Party" (takes 1–7)

Studio Two, EMI Studios, London (7.00pm-10.45pm)^[54]

Recording
- "I Don't Want to Spoil the Party" (takes 8–19)
- "What You're Doing" (takes 1–7)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

30 September 1964

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[54]

Recording
- "Every Little Thing" (takes 5–9)
  - takes 6 and 7 – released on Anthology 4

Studio Two, EMI Studios, London (6.30pm-10.30pm)^[54]

- "What You're Doing" (takes 8–12)
- "No Reply" (takes 2–8)
  - Stereo remix of take 2 – released on Anthology 1
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

6 October 1964

Studio Two, EMI Studios, London (3.00pm-6.45pm)^[54]

Recording
- "Eight Days a Week" (takes 1–6)
  - Edit of takes 1, 2 and 4 – released on Anthology 1 as "Eight Days a Week (Sequence)"
  - Stereo remix of take 5 – released on Anthology 1 as "Eight Days a Week (Complete)"

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[54]

Recording
- "Eight Days a Week" (takes 7–13)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

8 October 1964

Studio Two, EMI Studios, London (2.30pm-6.00pm)^[54]

Recording
- "She's a Woman" (takes 1–7)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

12 October 1964

Studio Two (control room only), EMI Studios, London (10.00am-10.30am)^[55]

Mono mixing
- "She's a Woman" (remix 1, from take 6) – released as the B-side to "I Feel Fine"; included on Mono Masters
Stereo mixing
- "She's a Woman" (from take 6) – released on Past Masters

Studio Two (control room only), EMI Studios, London (2.30pm-3.00pm)^[55]

Mono mixing
- "Eight Days a Week" (remix 1, from take 13)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

16 October 1964

Studio Two (control room only), EMI Studios, London (2.30pm-5.30pm)^[55]

Mono mixing
- "No Reply" (remix 1 and 2, from take 8) – remix 1 or 2 released on Beatles for Sale (mono)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), A.B. Lincoln (2nd engineer)

18 October 1964

Studio Two, EMI Studios, London (2.30pm-11.30pm)^[55]

Recording
- "Eight Days a Week" (takes 14–15)
- "Kansas City/Hey-Hey-Hey-Hey!" (Jerry Leiber/Mike Stoller/Richard Penniman) (takes 1–2)
  - Stereo remix of take 2 – released on Anthology 1
- "Mr. Moonlight" [re-make] (takes 5–8)
- "I Feel Fine" (takes 1–9)
- "I'll Follow the Sun" (takes 1–8)
- "Everybody's Trying to Be My Baby" (Carl Perkins) (take 1)
- "Rock and Roll Music" (Berry) (take 1)
- "Words of Love" (Buddy Holly) (takes 1–3)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Geoff Emerick (2nd engineer)

21 October 1964

Room 65, Abbey Road, London (2.30pm-5.30am)^[56]

Mono mixing
- "I Feel Fine" (remixes 1–4, from take 9) – remix 3 released as a single; included on Mono Masters
  - Remix 4 – released as a USA single
- "I'll Follow the Sun" (from take 8) – released on Beatles for Sale (mono)
- "She's a Woman" (remix 2, from take 6) – released as the B-side to the USA single "I Feel Fine"
- "Everybody's Trying to Be My Baby" (from take 1) – released on Beatles for Sale (mono)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

22 October 1964

Studio One (control room only), EMI Studios, London (11.00am-12.00pm)^[56]

Mono mixing
- "I Feel Fine" (remix 5, from take 9)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

26 October 1964

Studio Two (control room only), EMI Studios, London (10.00am-12.45pm)^[56]

Mono mixing
- "I Don't Want to Spoil the Party" (from take 19) – released on Beatles for Sale (mono)
- "Rock and Roll Music" (from take 1) – released on Beatles for Sale (mono)
- "Words of Love" (from take 3) – released on Beatles for Sale (mono)
- "Baby's in Black" (remix 2, from take 14) – released on Beatles for Sale (mono)
- "I'm a Loser" (remix 2, from take 8) – released on Beatles for Sale (mono)
- "Kansas City/Hey-Hey-Hey-Hey!" (from take 1) – released on Beatles for Sale (mono)

Studio Two (control room only), EMI Studios, London (12.45pm-1.05pm)^[56]

Stereo mixing
- "Kansas City/Hey-Hey-Hey-Hey!" (from take 1) – released on Beatles for Sale (stereo)

Studio Two, EMI Studios, London (4.30pm-6.30pm)^[56]

Recording
- "Honey Don't" (Perkins) (takes 1–5)

Studio Two, EMI Studios, London (7.30pm-10.00pm)^[56]

Recording
- "What You're Doing" [re-make] (takes 13–19)
- "Another Beatles Christmas Record" (takes 1–5)
Editing
- "Another Beatles Christmas Record" (from takes 1–5)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, vocals)
- Production staff: George Martin (producer), Norman Smith (engineer), Tony Clark and A.B. Lincoln (2nd engineer)

27 October 1964

Studio Two (control room only), EMI Studios, London (10.00am-12.00pm)^[57]

Mono mixing
- "What You're Doing" (from take 19) – released on Beatles for Sale (mono)
- "Honey Don't" (from take 5) – released on Beatles for Sale (mono)
- "Mr. Moonlight" (remixes 1 and 2, from takes 4 and 8)
- "Every Little Thing" (from take 9) – released on Beatles for Sale (mono)
- "Eight Days a Week" (remixes 2 and 3, from takes 13 and 15)
Editing
- "Mr. Moonlight" (of mono remixes 1 and 2) – released on Beatles for Sale (mono)
- "Eight Days a Week" (of mono remixes 2 and 3) – released on Beatles for Sale (mono)

Studio Two (control room only), EMI Studios, London (12.30pm-1.00pm)^[57]

Stereo mixing
- "Eight Days a Week" (remixes 1 and 2, from takes 13 and 15)
- "Every Little Thing" (from take 9) – released on Beatles for Sale (stereo)
- "What You're Doing" (from take 19) – released on Beatles for Sale (stereo)
- "Honey Don't" (from take 5) – released on Beatles for Sale (stereo)
Editing
- "Eight Days a Week" (of stereo remixes 1 and 2) – released on Beatles for Sale (stereo)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

4 November 1964

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[57]

Stereo mixing
- "I'll Follow the Sun" (from take 8) – released on Beatles for Sale (stereo)
- "Everybody's Trying to Be My Baby" (from take 1) – released on Beatles for Sale (stereo)
- "Rock and Roll Music" (from take 1) – released on Beatles for Sale (stereo)
- "Words of Love" (from take 3) – released on Beatles for Sale (stereo)
- "Mr. Moonlight" (remixes 1 and 2, from takes 4 and 8)
- "I Don't Want to Spoil the Party" (from take 19) – released on Beatles for Sale (stereo)
- "I'm a Loser" (from take 8) – released on Beatles for Sale (stereo)
- "Baby's in Black" (from take 14) – released on Beatles for Sale (stereo)
- "No Reply" (from take 8) – released on Beatles for Sale (stereo)
- "I Feel Fine" (from take 9) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
Editing
- "Mr. Moonlight" (of stereo remixes 1 and 2) – released on Beatles for Sale (stereo)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Mike Stone (2nd engineer)

1965

Help! album sessions

15 February 1965

Studio Two, EMI Studios, London (2.30pm-5.45pm)^[58]

Recording
- "Ticket to Ride" (takes 1–2)

Studio Two, EMI Studios, London (7.00pm-10.30pm)^[58]

Recording
- "Another Girl" (take 1, and 10 [unnumbered] edit pieces)
- "I Need You" (Harrison) (takes 1–5)
  - take 1 – released on Anthology 4
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, lead guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Jerry Boys (2nd engineer)

16 February 1965

Studio Two, EMI Studios, London (2.30pm-5.00pm)^[58]

Recording
- "I Need You" (overdub onto take 5)
- "Another Girl" (overdub onto take 1)

Studio Two, EMI Studios, London (5.00pm-7.00pm)^[58]

Recording
- "Yes It Is" (takes 1–14)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[58]

Recording
- "Yes It Is" (overdub onto take 14)
  - Edit of takes 2 and 14 – released on Anthology 2
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (cowbell, drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Jerry Boys (2nd engineer)

17 February 1965

Studio Two, EMI Studios, London (2.00pm-7.00pm)^[58]

Recording
- "The Night Before" (takes 1–2)

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[58]

Recording
- "You Like Me Too Much" (George Harrison) (takes 1–8)
Personnel
- Musicians: John Lennon (electric piano, rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (cowbell, drums), George Martin (piano)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

18 February 1965

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[59]

Mono mixing
- "Ticket to Ride" (remix 1, from take 2) – released as a single; included on Help! (mono)
- "Another Girl" (from take 1) – released on Help! (mono)
- "I Need You" (from take 5) – released on Help! (mono)
- "Yes It Is" (from take 14) – released as the B-side to "Ticket to Ride"; included on Mono Masters

Studio Two, EMI Studios, London (3.30pm-5.15pm)^[59]

Recording
- "You've Got to Hide Your Love Away" (takes 1–9)
  - Edit of takes 1, 2 and 5 – released on Anthology 2

Studio Two (control room only), EMI Studios, London (5.15pm-6.00pm)^[59]

Mono mixing
- "The Night Before" (from take 2) – released on Help! (mono)
- "You Like Me Too Much" (from take 8) – released on Help! (mono)

Studio Two, EMI Studios, London (6.00pm-10.30pm)^[59]

Recording
- "If You've Got Trouble" (take 1)
  - Stereo mix of take 1 – released on Anthology 2
- "Tell Me What You See" (takes 1–4)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, electric piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, güiro, vocals), Johnnie Scott (flute)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

19 February 1965

Studio Two, EMI Studios, London (3.30pm-6.20pm)^[60]

Recording
- "You're Going to Lose That Girl" (Lennon/McCartney) (takes 1–3)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

20 February 1965

Studio Two (control room only), EMI Studios, London (11.00am-12.00pm)^[60]

Mono mixing
- "If You've Got Trouble" (from take 1)
- "Tell Me What You See" (from take 4) – released on Help! (mono)
- "You're Going to Lose That Girl" (from take 3) – released on Help! (mono)

Studio Two, EMI Studios, London (12.00pm-5.15pm)^[60]

Recording
- "That Means a Lot" (Lennon/McCartney) (take 1, tape reduction take 1 into take 2, overdub onto take 2)
  - Stereo mix of take 1 – released on Anthology 2

Studio Two (control room only), EMI Studios, London (5.15pm-6.00pm)^[60]

Mono mixing
- "That Means a Lot" (from take 1)
- "You've Got to Hide Your Love Away" (from take 9) – released on Help! (mono)
Personnel
- Musicians: John Lennon (rhythm guitar, maracas, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, maracas, vocals), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

23 February 1965

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[60]

Stereo mixing
- "Yes It Is" (from take 14) – released on Past Masters
- "You've Got to Hide Your Love Away" (from take 9) – released on Help! (stereo)
- "If You've Got Trouble" (from take 1)
- "Tell Me What You See" (from take 4) – released on Help! (stereo)
- "I Need You" (from take 5) – released on Help! (stereo)
- "Another Girl" (from take 1) – released on Help! (stereo)
- "Ticket to Ride" (from take 2) – released on Help! (stereo)
- "You Like Me Too Much" (from take 8) – released on Help! (stereo)
- "The Night Before" (remix 1, from take 2) – released on Help! (stereo)
- "You're Going to Lose That Girl" (remix 1, from take 3)
- "That Means a Lot" (from take 1)
- "You're Going to Lose That Girl" (remix 2, from take 3) – released on Help! (stereo)
Personnel
- Production staff: Norman Smith (engineer), Malcolm Davies (2nd engineer)

15 March 1965

Studio Two (control room only), EMI Studios, London (10.00am-11.00am)^[61]

Mono mixing
- "Ticket to Ride" (remix 2, from take 2) – used in Help! (film)
Personnel
- Production staff: Norman Smith (engineer), unknown (2nd engineer)

30 March 1965

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[61]

Recording
- "That Means a Lot" [re-make] (takes 20–24)
Personnel
- Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender and Vic Gann (2nd engineer)

2 April 1965

Studio Two (control room only), EMI Studios, London (10.00am-11.00am)^[61]

Stereo mixing
- "You're Going to Lose That Girl" (remix 3, from take 3)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), unknown (2nd engineer)

13 April 1965

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[62]

Recording
- "Help!" (Lennon/McCartney) (takes 1–12)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

18 April 1965

Room 65, Abbey Road, London (10.00am-12.30pm)^[62]

Mono mixing
- "Help!" (remixes 1–3, from take 12) – remix 3 used in Help! (film)
Stereo mixing
- "Help!" (remix 1, from take 12) – unused remix
- "The Night Before" (remix 2, from take 2) – unused remix
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

10 May 1965

Studio Two, EMI Studios, London (8.00pm-11.30pm)^[62]

Recording
- "Dizzy Miss Lizzy" (Larry Williams) (takes 1–2)
- "Bad Boy" (Williams) (takes 1–4)
- "Dizzy Miss Lizzy" (takes 3–7)

Studio Two (control room only), EMI Studios, London (11.30pm-1.15am)^[62]

Mono mixing
- "Dizzy Miss Lizzy" (from take 7) – released on Help! (mono)
- "Bad Boy" (from take 4) – released on A Collection of Beatles Oldies (mono); included on Mono Masters
Stereo mixing
- "Dizzy Miss Lizzy" (from take 7) – released on Help! (stereo)
- "Bad Boy" (from take 4) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
Personnel
- Musicians: John Lennon (rhythm guitar, organ, vocals), Paul McCartney (bass guitar, electric piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

8 June 1965

Studio One (control room only), EMI Studios, London (10.00am-10.30am)^[62]

Stereo mixing
- "I Want to Hold Your Hand" (Lennon/McCartney) (remix 2, from take 17) – unused remix
Personnel
- Production staff: Norman Smith (engineer), Ron Pender (2nd engineer)

14 June 1965

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[63]

Recording
- "I've Just Seen a Face" (Lennon/McCartney) (takes 1–6)
  - take 3 - released on Anthology 4
- "I'm Down" (Lennon/McCartney) (takes 1–7)
  - take 1 – released on Anthology 2

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[63]

Recording
- "Yesterday" (Lennon/McCartney) (takes 1–2)
  - take 1 – released on Anthology 2
Personnel
- Musicians: John Lennon (rhythm guitar, organ, vocals), Paul McCartney (acoustic guitar, bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (bongos, drums, maracas)
- Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

15 June 1965

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[64]

Recording
- "It's Only Love" (Lennon/McCartney) (takes 1–6)
  - Edit of takes 2 and 3 – released on Anthology 2
Personnel
- Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar), George Harrison (tone pedal guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

17 June 1965

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[64]

Recording
- "Act Naturally" (Johnny Russell / Vani Morrison) (takes 1–13)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[64]

Recording
- "Wait" (Lennon/McCartney) (takes 1–3)
- "Yesterday" (overdub onto take 2)
Mono mixing
- "Yesterday" (remixes 1 and 2, from take 2) – remix 2 released on Help! (mono)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (acoustic guitar, lead guitar), Ringo Starr (drums, vocals), Tony Gilbert and Sidney Sax (violin), Francisco Gabarró (cello), Kenneth Essex (viola)
- Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

18 June 1965

Studio Two (control room only), EMI Studios, London (10.00am-12.30pm)^[64]

Mono mixing
- "I've Just Seen a Face" (from take 6) – released on Help! (mono)
- "I'm Down" (from take 7) – released as the B-side to "Help!"; included on Mono Masters
- "It's Only Love" (from take 6) – released on Help! (mono)
- "Act Naturally" (from take 13) – released on Help! (mono)
- "Wait" (remix 1, from take 4)
- "Help!" (remix 4, from take 12) – released as a single; included on Help! (mono)

Studio Two (control room only), EMI Studios, London (12.30pm-1.30pm)^[64]

Stereo mixing
- "I've Just Seen a Face" (from take 6) – released on Help! (stereo)
- "I'm Down" (from take 7) – released on Past Masters
- "Yesterday" (from take 2) – released on Help! (stereo)
- "It's Only Love" (from take 6) – released on Help! (stereo)
- "Act Naturally" (from take 13) – released on Help! (stereo)
- "Help!" (remix 2, from take 12) – released on Help! (stereo)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

Rubber Soul and "Day Tripper"/"We Can Work It Out" sessions

12 October 1965

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[65]

Recording
- "Run for Your Life" (takes 1–5)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[65]

Recording
- "This Bird Has Flown" (working title of "Norwegian Wood (This Bird Has Flown)") (Lennon/McCartney) (take 1) – released on Anthology 2
Personnel
- Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, sitar), Ringo Starr (drums, finger cymbals, maracas, tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Phil McDonald (2nd engineer)

13 October 1965

Studio Two, EMI Studios, London (7.00pm-12.15am)^[65]

Recording
- "Drive My Car" (Lennon/McCartney) (takes 1–4)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano?, vocals), George Harrison (lead guitar, vocals), Ringo Starr (cowbell, drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

16 October 1965

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[66]

Recording
- "Day Tripper" (Lennon/McCartney) (takes 1–3)

Studio Two, EMI Studios, London (7.00pm-12.00pm)^[66]

Recording
- "Day Tripper" (overdub onto take 3)
- "If I Needed Someone" (Harrison) (take 1)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

18 October 1965

Studio Two, EMI Studios, London (2.30pm-5.45pm)^[66]

Recording
- "If I Needed Someone" (overdub onto take 1)
- "In My Life" (Lennon/McCartney) (takes 1–3)
  - take 1 - released on Anthology 4
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

20 October 1965

Studio Two, EMI Studios, London (2.30pm-6.30pm)^[66]

Recording
- "We Can Work It Out" (Lennon/McCartney) (takes 1–2)

Studio Two, EMI Studios, London (7.00pm-11.46pm)^[66]

Recording
- "We Can Work It Out" (overdub onto take 2)
Personnel
- Musicians: John Lennon (harmonium, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

21 October 1965

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[67]

Recording
- "Norwegian Wood (This Bird Has Flown)" [re-make] (takes 2–4)

Studio Two, EMI Studios, London (7.00pm-12.00pm)^[67]

Recording
- "Nowhere Man" (Lennon/McCartney) (takes 1–2)
  - take 2 - released on Anthology 4
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (sitar), Ringo Starr (tambourine)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

22 October 1965

Studio Two, EMI Studios, London (10.30am-11.30am)^[67]

Recording
- "In My Life" (overdub onto take 3)

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[67]

Recording
- "Nowhere Man" [re-make] (takes 3–5)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[67]

Recording
- "Nowhere Man" (overdub onto take 4)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (piano)
- Production staff: George Martin (producer), Stuart Eltham and Norman Smith (engineer), Mike Stone and Ken Scott (2nd engineer)

24 October 1965

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[67]

Recording
- "I'm Looking Through You" (Lennon/McCartney) (take 1)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[67]

Recording
- "I'm Looking Through You" (overdub onto take 1) – released on Anthology 2
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, organ?, vocals), George Harrison (lead guitar, vocals), Ringo Starr (maracas)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

25 October 1965

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[68]

Mono mixing
- "Drive My Car" (from take 4) – released on Rubber Soul (mono)
- "In My Life" (from take 3) – released on Rubber Soul (mono)
- "If I Needed Someone" (from take 1) – released on Rubber Soul (mono)
- "Day Tripper" (remix 1, from take 3)
- "Norwegian Wood (This Bird Has Flown)" (from take 4) – released on Rubber Soul (mono)
- "Nowhere Man" (from take 4) – released on Rubber Soul (mono)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

26 October 1965

Studio Two (control room only), EMI Studios, London (10.00am-12.30pm)^[68]

Stereo mixing
- "Drive My Car" (from take 4) – released on Rubber Soul (stereo)
- "Day Tripper" (remix 1, from take 3) – released on Yesterday and Today (stereo)
- "In My Life" (from take 3) – released on Rubber Soul (stereo)
- "If I Needed Someone" (from take 1) – released on Rubber Soul (stereo)
- "Norwegian Wood (This Bird Has Flown)" (from take 4) – released on Rubber Soul (stereo)
- "Nowhere Man" (from take 4) – released on Rubber Soul (stereo)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

28 October 1965

Studio Two (control room only), EMI Studios, London (5.00pm-5.30pm)^[68]

Mono mixing
- "We Can Work It Out" (remix 1, from take 2)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys (2nd engineer)

29 October 1965

Studio Two, EMI Studios, London (2.00pm-4.00pm)^[68]

Recording
- "We Can Work It Out" (overdub onto take 2)

Studio Two (control room only), EMI Studios, London (4.00pm-5.00pm)^[68]

Mono mixing
- "We Can Work It Out" (remixes 2 and 3, from take 2) – remix 2 released as a double A-sided single with "Day Tripper"; included on Mono Masters
- "Day Tripper" (remixes 2 and 3, from take 3) – remix 2 released as a double A-sided single with "We Can Work It Out"; included on Mono Masters
Personnel
- Musicians: John Lennon (vocals), Paul McCartney (vocals)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

3 November 1965

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[38]

Recording
- "Michelle" (Lennon/McCartney) (take 1)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[38]

Recording
- "Michelle" (tape reduction take 1 into take 2, overdub onto take 2)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

4 November 1965

Studio Two, EMI Studios, London (11.00pm-3.30am)^[38]

Recording
- "What Goes On" (Lennon/McCartney/Richard Starkey) (take 1)
- "12-Bar Original" (Lennon/McCartney/Harrison/Starkey) (takes 1–2)
  - edit of take 2 – released on Anthology 2
Personnel
- Musicians: John Lennon (lead guitar, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (drums), George Martin (harmonium)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Graham Platt (2nd engineer)

6 November 1965

Studio Two, EMI Studios, London (7.00pm-1.00am)^[38]

Recording
- "I'm Looking Through You" [re-make] (takes 2–3)
Personnel
- Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

8 November 1965

Studio Two, EMI Studios, London (9.00pm-3.00am)^[38]

Recording
- "Beatle Speech" (take 1)
- "Won't Be There with You" (working title of "Think for Yourself") (take 1)
- "The Beatles' Third Christmas Record" (takes 1–3)
Personnel
- Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar, fuzz bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
- Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

9 November 1965

Room 65, Abbey Road, London (2.30pm-5.30pm)^[69]

Editing
- "The Beatles' Third Christmas Record" (of takes 1–3)
Mono mixing
- "Michelle" (remix 1, from take 2) – released on Rubber Soul (mono, U. S.)
- "What Goes On" (from take 1) – released on Rubber Soul (mono)
- "Run for Your Life" (from take 5) – released on Rubber Soul (mono)
- "Think for Yourself" (from take 1) – released on Rubber Soul (mono)
- "The Beatles' Third Christmas Record" (from edit of takes 1–3)
Stereo mixing
- "Think for Yourself" (from take 1) – released on Rubber Soul (stereo)
- "Michelle" (remix 1, from take 2) – released on Rubber Soul (stereo)
- "What Goes On" (from take 1) – released on Rubber Soul (stereo)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys (2nd engineer)

10 November 1965

Room 65, Abbey Road, London (2.30pm-5.30pm)^[69]

Stereo mixing
- "Run for Your Life" (from take 5) – released on Rubber Soul (stereo)
- "We Can Work It Out" (from take 2) – released on Yesterday and Today (stereo)

Studio Two, EMI Studios, London (9.00pm-4.00am)^[69]

Recording
- "The Word" (Lennon/McCartney) (takes 1–3)
- "I'm Looking Through You" [re-re-make] (take 4)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (harmonium)
- Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys and Ken Scott (2nd engineer)

11 November 1965

Room 65, Abbey Road, London (4.00pm-5.30pm)^[69]

Mono mixing
- "The Word" (from take 3) – released on Rubber Soul (mono)
Stereo mixing
- "The Word" (remix 1, from take 3) – released on Rubber Soul (stereo, U. S.)

Studio Two, EMI Studios, London (6.00pm-7.00am)^[69]

Recording
- "You Won't See Me" (Lennon/McCartney) (takes 1–2)
- "Girl" (Lennon/McCartney) (takes 1–2)
- "Wait" (Lennon/McCartney) (overdub onto take 4)
- "I'm Looking Through You" (overdub onto take 4)
Personnel
- Musicians: John Lennon (acoustic and rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, tone pedal guitar, vocals), Ringo Starr (drums), George Martin (harmonium)
- Production staff: George Martin (producer), Norman Smith (engineer), Mike Stone and Ken Scott (2nd engineer)

15 November 1965

Studio One (control room only), EMI Studios, London (2.30pm-5.30pm)^[69]

Mono mixing
- "I'm Looking Through You" (from take 4) – released on Rubber Soul (mono)
- "You Won't See Me" (from take 2) – released on Rubber Soul (mono)
- "Girl" (from take 2) – released on Rubber Soul (mono)
- "Wait" (remix 2, from take 4) – released on Rubber Soul (mono)
Stereo mixing
- "Wait" (from take 4) – released on Rubber Soul (stereo)
- "I'm Looking Through You" (from take 4) – released on Rubber Soul (stereo)
- "You Won't See Me" (from take 2) – released on Rubber Soul (stereo)
- "Girl" (from take 2) – released on Rubber Soul (stereo)
- "The Word" (remix 2, from take 3) – released on Rubber Soul (stereo)
Mono mixing
- "Michelle" (remix 2, from take 2) – released on Rubber Soul (mono)
Personnel
- Production staff: George Martin (producer), Norman Smith (engineer), Richard Lush (2nd engineer)

30 November 1965

Room 65, Abbey Road, London (4.45pm-5.30pm)^[70]

Mono mixing
- "12-Bar Original" (from take 2)
Personnel
- Production staff: Norman Smith (engineer), Ron Pender (2nd engineer)

1966

Revolver and "Paperback Writer" sessions

6 April 1966

Studio Three, EMI Studios, London (8.00pm-1.15am)^[71]

Recording
- "Mark I" (working title of "Tomorrow Never Knows") (takes 1–3)
  - "Mark I", take 1 – released on Anthology 2
Personnel
- Musicians: John Lennon (vocals), Paul McCartney (bass guitar), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

7 April 1966

Studio Three, EMI Studios, London (2.30pm-7.15pm)^[72]

Recording
- "Mark I" (working title of "Tomorrow Never Knows") (overdub onto take 3)

Studio Three, EMI Studios, London (8.15pm-1.30am)^[72]

Recording
- "Got to Get You into My Life" (Lennon/McCartney) (takes 1–5)
  - take 5 – released on Anthology 2
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (organ)
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

8 April 1966

Studio Two, EMI Studios, London (2.30pm-9.00pm)^[72]

Recording
- "Got to Get You into My Life" (takes 6–8)
Personnel
- Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (organ)
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

11 April 1966

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[72]

Recording
- "Got to Get You into My Life" (overdub onto take 8)
- "Granny Smith" (working title of "Love You To") (Harrison) (takes 1–3)
  - Take 1 – released on Revolver Super Deluxe

Studio Two, EMI Studios, London (8.00pm-12.45am)^[72]

Recording
- "Granny Smith" (takes 4–6)
  - Unnumbered Rehearsal – released on Revolver Super Deluxe

Studio Two (control room only), EMI Studios, London (12.45am-1.00am)^[72]

Mono mixing
- "Granny Smith" (remix 1, from take 6)
Personnel
- Musicians: Paul McCartney (bass guitar, vocals), George Harrison (acoustic guitar, lead guitar, sitar, vocals), Anil Bhagwat (tabla)
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

13 April 1966

Studio Three, EMI Studios, London (2.30pm-6.30pm)^[73]

Recording
- "Granny Smith" (tape reduction take 6 into take 7, overdub onto take 7)
  - Take 7 – released on Revolver Super Deluxe
Mono mixing
- "Granny Smith" (remixes 1–3, from take 7)
Editing
- "Granny Smith" (of mono remixes 1–3) – released on Revolver (mono)

Studio Three, EMI Studios, London (8.00pm-2.30am)^[73]

Recording
- "Paperback Writer" (Lennon/McCartney) (takes 1–2)
  - Takes 1 & 2 – released on Revolver Super Deluxe
Personnel
- Musicians:
  - George Harrison: Vocals, Rhythm Guitar
  - Paul McCartney: Vocals, Lead Guitar
  - Ringo Starr: Tambourine, Drums
  - John Lennon: Tambourine
- Production staff: George Martin (producer), Geoff Emerick (engineer), Richard Lush (2nd engineer)

14 April 1966

Studio Three, EMI Studios, London (2.30pm-7.30pm)^[74]

Recording
- "Paperback Writer" (overdub onto take 2)

Studio Three (control room only), EMI Studios, London (7.30pm-8.00pm)^[74]

Mono mixing
- "Paperback Writer" (remixes 1 and 2, from take 2) – remix 2 released as a single; included on Mono Masters

Studio Three, EMI Studios, London (8.30pm-1.30am)^[74]

Recording
- "Rain" (Lennon/McCartney) (takes 1–5)
  - Take 5 – released on Revolver Super Deluxe
Personnel
- Musicians:
  - Paul McCartney: Backing Vocals, Bass
  - John Lennon: Lead Vocals, Guitar
  - George Harrison: Backing Vocals, Lead Guitar
  - George Martin: Piano, Vox Continental
  - Ringo Starr: Drums
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

16 April 1966

Studio Two, EMI Studios, London (2.30pm-1.30am)^[75]

Recording
- "Rain" (overdub onto take 5, tape reduction take 5 into take 6, takes 7–8)
Mono mixing
- "Rain" (remixes 1–4, from take 7) – remix 3 released as the B-side to "Paperback Writer"; included on Mono Masters
Personnel
- Musicians:
  - Paul McCartney: Bass
  - Ringo Starr: Tambourine
  - John Lennon: Backing Vocals
  - George Harrison: Backing Vocals
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

17 April 1966

Studio Two, EMI Studios, London (2.30pm-10.30pm)^[75]

Recording
- "Doctor Robert" (Lennon/McCartney) (takes 1–7)
  - Take 7 – released on Revolver Super Deluxe
Personnel
- Musicians:
  - John Lennon: Rhythm Guitar, Harmonium
  - Paul McCartney: Bass
  - George Harrison: Maracas, Lead Guitar
  - Ringo Starr: Drums
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

19 April 1966

Studio Two, EMI Studios, London (2.30pm-12.00am)^[75]

Recording
- "Doctor Robert" (overdub onto take 7)
Mono mixing
- "Doctor Robert" (remixes 1–3, from take 7)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

20 April 1966

Studio Two, EMI Studios, London (2.30pm-2.30am)^[75]

Recording
- "And Your Bird Can Sing" (Lennon/McCartney) (takes 1–2)
  - take 2 – released on Anthology 2
- "Taxman" (Harrison) (takes 1–4)
Mono mixing
- "And Your Bird Can Sing" (remixes 1–5, from take 2)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

21 April 1966

Studio Two, EMI Studios, London (2.30pm-12.50am)^[76]

Recording
- "Taxman" (takes 1–11)
  - take 11 – released on Anthology 2
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

22 April 1966

Studio Two, EMI Studios, London (2.30pm-11.30pm)^[76]

Recording
- "Taxman" (tape reduction take 11 into take 12, overdub onto take 12)
- "Mark I" (overdub onto take 3)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

25 April 1966

Room 65, Abbey Road, London (10.00am-11.00am)^[76]

Mono mixing
- "Got to Get You into My Life" (remixes 1 and 2, from take 8)
  - "Got To Get You Into My Life" (Second version/Unnumbered mix) – released on Revolver Super Deluxe
Personnel
- Production staff: Peter Vince (engineer)

26 April 1966

Studio Two, EMI Studios, London (2.30pm-2.45am)^[77]

Recording
- "And Your Bird Can Sing" [re-make] (takes 3–13, overdub onto take 10)
  - Take 5 – released on Revolver Super Deluxe
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

27 April 1966

Studio Three (control room only), EMI Studios, London (6.00pm-11.30pm)^[77]

Mono mixing
- "Taxman" (remix 1, from take 12)
- "And Your Bird Can Sing" (remix 6, from take 10)
- "Mark I" (remixes 1–9, from take 3) – remix 8 released on Revolver (mono)

Studio Three, EMI Studios, London (11.30pm-3.00am)^[77]

Recording
- "I'm Only Sleeping" (takes 1–11)
  - Take 5 – released on Revolver Super Deluxe
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

28 April 1966

Studio Two, EMI Studios, London (5.00pm-7.50pm)^[77]

Recording
- "Eleanor Rigby" (takes 1–14, tape reduction take 14 into take 15)
  - Take 2 – released on Revolver Super Deluxe
  - Take 14 – released on Anthology 2
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

29 April 1966

Studio Three, EMI Studios, London (5.00pm-1.00am)^[77]

Recording
- "Eleanor Rigby" (overdub onto take 15)
Mono mixing
- "Eleanor Rigby" (remixes 1–3, from take 15)
Recording
- "I'm Only Sleeping" (overdub onto take 11), Rehearsal, Takes 1–5
  - Rehearsal and Take 1 – released on Anthology 2
  - Take 2 – released on Revolver Super Deluxe
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

5 May 1966

Studio Three, EMI Studios, London (9.30pm-3.00am)^[78]

Recording
- "I'm Only Sleeping" (overdub onto take 11)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

6 May 1966

Studio Two, EMI Studios, London (2.30pm-1.00am)^[78]

Recording
- "I'm Only Sleeping" (overdub onto take 11, tape reduction take 11 into takes 12 and 13)

Studio Two (control room only), EMI Studios, London (1.00am-2.15am)^[78]

Mono mixing
- "I'm Only Sleeping" (remixes 1–4, from take 13)
  - RM 1 – released on Revolver Super Deluxe
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

9 May 1966

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[78]

Recording
- "For No One" (Lennon/McCartney) (takes 1–10)
  - Take 10 – released on Revolver Super Deluxe
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

12 May 1966

Studio Three (control room only), EMI Studios, London (1.45pm-3.30pm)^[78]

Mono mixing
- "Doctor Robert" (remix 4, from take 7)
- "I'm Only Sleeping" (remix 5, from take 13) – released on Yesterday and Today (mono)
- "And Your Bird Can Sing" (remixes 7 and 8, from takes 10 and 6)
Editing
- "And Your Bird Can Sing" (of mono remixes 7 and 8) – released on Yesterday and Today (mono)
- "Doctor Robert" (of remix mono 4) – released on Yesterday and Today (mono)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Jerry Boys (2nd engineer)

16 May 1966

Studio Two, EMI Studios, London (2.30pm-1.30am)^[78]

Recording
- "Taxman" (overdub onto take 12)
Tape copying
- "Granny Smith" (copies of remix mono 3, numbered mono remixes 4 and 5)
Mono mixing
- "Taxman" (remixes 2–5, from take 12)
Recording
- "For No One" (overdub onto take 10, tape reduction take 10 into takes 13 and 14 [no takes numbered 11 or 12])
Tape copying
- "Taxman" (of remix mono 4)
- "Granny Smith" (of remix mono 5)
- "Mark I" (of remix mono 8)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

18 May 1966

Studio Two, EMI Studios, London (2.30pm-2.30am)^[79]

Recording
- "Got to Get You into My Life" (overdub onto take 8, tape reduction take 8 into takes 9–11)
Mono mixing
- "Got to Get You into My Life" (remixes 1 and 2, from take 9)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

19 May 1966

Studio Three, EMI Studios, London (7.00pm-11.00pm)^[79]

Recording
- "For No One" (overdub onto take 14)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

20 May 1966

Studio One (control room only), EMI Studios, London (11.00am-12.30pm)^[80]

Stereo mixing
- "And Your Bird Can Sing" (remixes 1 and 2, from takes 10 and 6)
- "Doctor Robert" (remixes 1 and 2, from take 7) – remix 1 released on Yesterday and Today (stereo, since 1973); remix 2 released on Revolver (stereo)
- "I'm Only Sleeping" (remixes 1 and 2, from take 13)– remix 1 released on Yesterday and Today (stereo, since 1973); remix 2 released on Revolver (stereo)
Editing
- "And Your Bird Can Sing" (of stereo remixes 1 and 2) – released on Revolver (stereo)
- "Doctor Robert" (of stereo remixes 1 and 2)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

26 May 1966

Studio Three, EMI Studios, London (7.00pm-1.00am)^[80]

Recording
- "Yellow Submarine" (Lennon/McCartney) (takes 1–4, tape reduction take 4 into take 5)
Personnel
- Production staff: Geoff Emerick (engineer), Phil McDonald (2nd engineer)

1 June 1966

Studio Two, EMI Studios, London (2.30pm-2.30am)^[81]

Recording
- "Yellow Submarine" (overdub onto take 5)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

2 June 1966

Studio Two, EMI Studios, London (7.00pm-3.30am)^[81]

Recording
- "Laxton's Superb" (also "I Don't Know", both working titles of "I Want to Tell You") (Harrison) (takes 1–5, overdub onto take 3, tape reduction take 3 into take 4)
  - Take 4 – released on Revolver Super Deluxe
Mono mixing
- "Yellow Submarine" (remix 1, from take 5)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

3 June 1966

Studio Two, EMI Studios, London (7.00pm-2.30am)^[82]

Recording
- "Laxton's Superb" (also "I Don't Know") (overdub onto take 4)
Mono mixing
- "Laxton's Superb" (also "I Don't Know") (remixes 1–4, from take 4) – remix 1 released on Revolver (mono)
- "Yellow Submarine" (remixes 1–5, from take 5) – remix 5 released on Revolver (mono)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

6 June 1966

Studio Three (control room only), EMI Studios, London (7.00pm-12.00pm)^[82]

Tape copying
- "I Want to Tell You" (two copies of remix mono 1, numbered mono remixes 5 and 6)
Mono mixing
- "And Your Bird Can Sing" (remixes 9 and 10, from takes 10 and 4)
- "For No One" (remixes 1–6, from take 14)
- "I'm Only Sleeping" (remixes 5 and 6, from take 13) – remix 6 released on Revolver (mono)
- "Tomorrow Never Knows" (remixes 10–12, from take 3)
  - RM 11 – released on Revolver (first pressing); included on Revolver Super Deluxe

Studio Three, EMI Studios, London (12.00pm-1.30am)^[82]

Recording
- "Eleanor Rigby" (overdub onto take 15)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

8 June 1966

Studio Two (control room only), EMI Studios, London (1.00pm-2.00pm)^[82]

Editing
- "And Your Bird Can Sing" (of mono remixes 9 and 10) – released on Revolver (mono)

Studio Two, EMI Studios, London (2.30pm-2.30am)^[82]

Recording
- "A Good Day's Sunshine" (working title of "Good Day Sunshine") (Lennon/McCartney) (takes 1–3)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Richard Lush (2nd engineer)

9 June 1966

Studio Two, EMI Studios, London (2.30pm-8.00pm)^[83]

Recording
- "A Good Day's Sunshine" (overdub onto take 1)
Mono mixing
- "A Good Day's Sunshine" (remixes 1–6, from take 1)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

14 June 1966

Studio Two, EMI Studios, London (7.00pm-2.00am)^[83]

Recording
- "Here, There and Everywhere" (Lennon/McCartney) (takes 1–4)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

16 June 1966

Studio Two, EMI Studios, London (7.00pm-3.30am)^[83]

Recording
- "Here, There and Everywhere" (takes 5–13, tape reduction take 13 into take 14, overdub onto take 14)
  - Take 6 – released on Revolver Super Deluxe
  - Take 7 + 13 – released on Real Love EP
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

17 June 1966

Studio Two, EMI Studios, London (7.00pm-1.30am)^[83]

Recording
- "Here, There and Everywhere" (overdub onto take 14)
- "Got to Get You into My Life" (overdub onto take 9)
Mono mixing
- "Got to Get You into My Life" (remixes 3–7, from take 9)
- "Here, There and Everywhere" (remix 1, from take 14)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

20 June 1966

Studio One (control room only), EMI Studios, London (6.00pm-8.30pm)^[84]

Mono mixing and recording
- "Got to Get You into My Life" (tape copying of remix 7 into remix 8 with overdub added from take 8) – released on Revolver (mono)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

21 June 1966

Studio Three (control room only), EMI Studios, London (10.00am-1.00pm)^[84]

Stereo mixing
- "Granny Smith" (remixes 1–3, from take 7)
Editing
- "Granny Smith" (of stereo remixes 1–3) – released on Revolver (stereo)
Stereo mixing
- "I Want to Tell You" (remixes 1 and 2, from take 4) – remix 2 released on Revolver (stereo)
- "Here, There and Everywhere" (remixes 1 and 2, from take 14) – remix 2 released on Revolver (stereo)
Mono mixing
- "Here, There and Everywhere" (remixes 2 and 3, from take 14) – remix 3 released on Revolver (mono)

Studio Three (control room only), EMI Studios, London (2.30pm-6.30pm)^[84]

Mono mixing
- "For No One" (remixes 7 and 8, from take 14) – remix 8 released on Revolver (mono)
- "Doctor Robert" (remixes 4–6, from take 7)
- "Taxman" (remixes 5 and 6, from take 12)
Editing
- "Dr. Robert" (of remix mono 6) – released on Revolver (mono)
- "Taxman" (of mono remixes 5 and 6) – released on Revolver (mono)
Stereo mixing
- "For No One" (remix 1, from take 14) – released on Revolver (stereo)
- "Taxman" (remixes 1 and 2, from take 12)
Editing
- "Taxman" (of stereo remixes 1 and 2) – released on Revolver (stereo)

Studio Two, EMI Studios, London (7.00pm-3.45am)^[84]

Recording
- "Untitled" (working title of "She Said She Said") (takes 1–3, tape reduction take 3 into take 4)
  - Take 2 – released on Revolver Super Deluxe
Mono mixing
- "She Said She Said" (remixes 1–3, from take 4)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

22 June 1966

Studio Three (control room only), EMI Studios, London (7.00pm-1.30am)

Mono mixing
- "Eleanor Rigby" (remixes 4 and 5, from take 15) – remix 5 released on Revolver (mono)
- "She Said She Said" (remix 4, from take 4) – released on Revolver (mono)
- "Good Day Sunshine" (remix 7, from take 1) – released on Revolver (mono)
Stereo mixing
- "Eleanor Rigby" (remix 1, from take 15) – released on Revolver (stereo)
- "She Said She Said" (remix 1, from take 4) – released on Revolver (stereo)
- "Good Day Sunshine" (remix 1, from take 1) – released on Revolver (stereo)
- "Yellow Submarine" (remixes 1 and 2, from take 5) – 2 released on Revolver (stereo)
- "Tomorrow Never Knows" (remixes 1–6, from take 3) – remix 6 released on Revolver (stereo)
- "Got to Get You into My Life" (remix 1, from take 9) – released on Revolver (stereo)
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Jerry Boys (2nd engineer)

A Collection of Beatles Oldies sessions

31 October 1966

Studio Two (control room only), EMI Studios, London (2.30pm-4.30pm)^[85]

Stereo mixing
- "Paperback Writer" (remixes 1–3, from take 2) – remix 3 released on A Collection of Beatles Oldies (stereo); included on Past Masters
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

7 November 1966

Studio Two (control room only), EMI Studios, London (2.30pm-5.30pm)^[85]

Stereo mixing
- "I Want to Hold Your Hand" (remix 1, from take 17) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Mike Stone (2nd engineer)

8 November 1966

Room 53, Abbey Road, London (4.00pm-5.30pm)^[85]

Stereo mixing
- "She Loves You" (remixes 1 and 2, from single's master tape) – "fake stereo remix" released on A Collection of Beatles Oldies (stereo)
Personnel
- Production staff: Geoff Emerick (engineer)

10 November 1966

Room 65, Abbey Road, London (2.00pm-4.30pm)^[85]

Stereo mixing
- "This Boy" (remixes 1 and 2, from takes 15 and 17)
- "Day Tripper" (remix 2, from take 3) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
- "We Can Work It Out" (remix 2, from take 2) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
Editing
- "This Boy" (of stereo remixes 1 and 2) – released on Past Masters
Personnel
- Production staff: Peter Brown (engineer), Graham Kirkby (2nd engineer)

Sgt. Pepper's Lonely Hearts Club Band sessions

24 November 1966

Studio Two, EMI Studios, London (7.00pm-2.30am)^[86]

Recording
- "Strawberry Fields Forever" (take 1) – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

25 November 1966

Studio, Dick James House, 71/75 New Oxford Street, London WCI (time unknown)^[87]

Recording
- "Pantomime: Everywhere It's Christmas" (takes unknown)
Personnel
- Production Staff: George Martin (Producer), N/A (Engineer), Unknown (2nd Engineer)

28 November 1966

Studio Two, EMI Studios, London (7.00pm-1.30am)^[87]

Recording
- "Strawberry Fields Forever" (takes 2 – 4)
  - take 4 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Mono mixing
- "Strawberry Fields Forever" (remixes 1–3 from take 4)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

29 November 1966

Studio Two, EMI Studios, London (2.30pm-8.00pm)^[87]

Recording
- "Strawberry Fields Forever" (takes 5–6, tape reduction take 6 into take 7, SI onto take 7)
  - take 7 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Mono mixing
- "Strawberry Fields Forever" (remixes 1–3 from take 7)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

2 December 1966

Room 53, EMI Studios, London (9.00am-12.00am)^[87]

Mono mixing and editing
- "Pantomime: Everywhere It's Christmas" (from unknown take numbers)
- Production Staff: Tony Barrow (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

6 December 1966

Studio Two, EMI Studios, London (6.45pm-1.50am)^[88]

Recording
- "When I'm Sixty-Four" (takes 1 and 2)
  - take 2 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

8 December 1966

Studio One, EMI Studios, London (2.30pm-5.30pm)^[88]

Recording
- "When I'm Sixty-Four" (SI onto take 2)
Personnel
- Production Staff: Dave Harris/George Martin (Producer), Dave Harris/Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

Studio Two, EMI Studios, London (7.00pm-3.40am)^[88]

Recording
- "Strawberry Fields Forever" (re-make takes 9 – 24)
Editing
- "Strawberry Fields Forever" (of takes 15 and 24)
Personnel
- Production Staff: Dave Harris/George Martin (Producer), Dave Harris/Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

9 December 1966

Studio Two, EMI Studios, London (2.30pm-10.00pm)^[89]

Recording
- "Strawberry Fields Forever" (tape reduction from edit of takes 15 and 24 into take 25, SI onto take 25)
Mono mixing
- "Strawberry Fields Forever" (remix 4 from take 25)
Recording
- "Strawberry Fields Forever" (SI onto take 25)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

15 December 1966

Studio Two, EMI Studios, London (2.30pm-12.00pm)^[89]

Recording
- "Strawberry Fields Forever" (SI onto take 25, tape reduction take 25 into take 26, SI onto take 26)
Mono mixing
- "Strawberry Fields Forever" (remixes 5–9 from take 26)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

20 December 1966

Studio Two, EMI Studios, London (7.00pm-1.00am)^[89]

Recording
- "When I'm Sixty-Four" (SI onto take 2, tape reduction take 2 into takes 3 and 4)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

21 December 1966

Studio Two, EMI Studios, London (7.00pm-11.45pm)^[89]

Recording
- "When I'm Sixty-Four" (SI onto take 4)
Mono mixing
- "When I'm Sixty-Four" (remixes 1–3 from take 4)
Recording
- "Strawberry Fields Forever" (SI onto take 26)
  - take 26 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

22 December 1966

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[89]

Mono mixing
- "Strawberry Fields Forever" (remix 10 from take 7 and remix 11 from take 26)
Editing
- "Strawberry Fields Forever" (of mono remixes 10 and 11, edit unnumbered remix 12) – released as a single; included on Magical Mystery Tour (mono, U. S.)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

29 December 1966

Studio Three (control room only), EMI Studios, London (2.30pm-5.40pm)^[90]

Mono mixing
- "When I'm Sixty-Four" (remixes 4 – 7 from take 4)
Tape copying
- "Strawberry Fields Forever" (of mono remix 12, numbered remix mono 13)
Stereo mixing
- "Strawberry Fields Forever" (remix 1 from take 7, remixes 2 and 4 from take 26)
Editing
- "Strawberry Fields Forever" (stereo remixes 1 and 2 edited together as remix 3, stereo remixes 1 and 4 edited together as remix 5) – remix 3 included on Magical Mystery Tour (stereo, U. S.)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

Studio Two, EMI Studios, London (7.00pm-2.15am)^[90]

Recording
- "Penny Lane" (takes 1 – 6)
  - take 6 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Mono mixing
- "Penny Lane" (remixes 1 and 2 from take 6)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

30 December 1966

Studio Two, EMI Studios, London (7.00pm-3.00am)^[90]

Mono mixing
- "When I'm Sixty-Four" (remix 8 from take 4) – released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Tape copying
- "Strawberry Fields Forever" (of remix mono 12)
Recording
- "Penny Lane" (tape reduction take 6 into take 7, SI onto take 7)
Mono mixing
- "Penny Lane" (remixes 1 and 2 from take 7)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

1967

Sgt. Pepper's Lonely Hearts Club Band sessions (cont.)

2 January 1967

Studio Two (Control Room Only), EMI Studios, London (2.30–4.00pm)^[91]

Tape Copying
- "When I'm Sixty-Four" (of Remix Mono 8)
- ""Strawberry Fields Forever" (of Remix Mono 12)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

4 January 1967

Studio Two, EMI Studios, London (7.00pm–2.45am)^[91]

Recording
- "Penny Lane" (SI onto take 7)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

5 January 1967

Studio Two, EMI Studios, London (7.00pm–12.15am)^[91]

Recording
- "Penny Lane" (SI onto take 7)
- "Untitled" (AKA "Carnival of Light") (Take 1)
Mono Mixing
- "Untitled" (AKA "Carnival of Light") (from take 1)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil Mcdonald (2nd Engineer)

6 January 1967

Studio Two, EMI Studios, London (7.00pm–1.00am)^[91]

Recording
- "Penny Lane" (SI onto take 7, tape reduction take 7 into take 8, SI onto take 8, tape reduction take 8 into take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

9 January 1967

Studio Two, EMI Studios, London (7.00pm–1.45am)^[92]

Recording
- "Penny Lane" (SI onto take 9)
Mono Mixing
- "Penny Lane" (Remixes 5 and 6, from take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

10 January 1967

Studio Three, EMI Studios, London (7.00pm–1.45am)^[92]

Recording
- "Penny Lane" (SI onto take 9)
  - Vocal Overdubs and Speech – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

12 January 1967

Studio Three, EMI Studios, London (2.30–11.00pm)^[92]

Recording
- "Penny Lane" (SI onto take 9)
Mono Mixing
- "Penny Lane" (Remixes 7 and 8, from take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

17 January 1967

Studio Two, EMI Studios, London (7.00pm–12.30am)^[92]

Recording
- "Penny Lane" (SI onto take 9)
Mono Mixing
- "Penny Lane" (remixes 9–11, from take 9)
  - Remix 11 (called Capitol Records Mono US Promo Mix) – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Tape Copying
- "Penny Lane" (of remix mono 11)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

19 January 1967

Studio Two, EMI Studios, London (7.30pm–2.30am)^[93]

Recording
- "In the Life Of..." (working title of "A Day in the Life") (Takes 1–4)
  - take 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - take 2 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

20 January 1967

Studio Two, EMI Studios, London (7.00pm–1.10am)^[93]

Recording
- "A Day in the Life" (tape reduction take 4 into takes 5–7, SI onto take 6)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

25 January 1967

Studio One (Control Room Only), EMI Studios, London (6.30–8.30pm)^[93]

Mono Mixing
- "Penny Lane" (Remixes 12–14, from take 9) remix 14 released as a single; included on Magical Mystery Tour (mono, U. S.)

Studio One (Control Room Only): 9.00–10.00pm

Tape Copying
- "Penny Lane" (of Remix Mono 14)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

30 January 1967

Studio Three (Control Room Only), EMI Studios, London (7.00–8.30pm)^[93]

Mono Mixing
- "A Day in the Life" (Remix 1, from take 6)
  - RM 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1 February 1967

Studio Two, EMI Studios, London (7.00pm–2.30am)^[94]

Recording
- "Sgt. Pepper's Lonely Hearts Club Band" (Takes 1–9)
  - take 1 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - take 9 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

2 February 1967

Studio Two, EMI Studios, London (7.00pm–1.45am)^[94]

Recording
- "Sgt. Pepper's Lonely Hearts Club Band" (SI onto take 9 into take 10)
Mono Mixing
- "Sgt. Pepper's Lonely Hearts Club Band" (Remix 1, from take 10)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 February 1967

Studio Two, EMI Studios, London (7.00pm–1.15am)^[94]

Recording
- "A Day in the Life" (SI onto take 6)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

8 February 1967

Studio Two, EMI Studios, London (7.00pm–2.15am)^[94]

Recording
- "Good Morning Good Morning" (Takes 1–8)
  - take 1 / instrumental breakdown – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - take 8 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 February 1967

Regent Sound Studio, 164–166 Tottenham Court Road, London WI (Time unknown)^[94]

Recording
- "Fixing a Hole" (Takes 1–3)
  - take 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - Speech and take 3 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
- Production Staff: George Martin (Producer), Adrian Ibbetson (Engineer), 2nd Engineer Unknown

10 February 1967

Studio One, EMI Studios, London (8.00pm–1.00am)^[95]

Recording
- "A Day in the Life" (tape reduction take 6 into take 7, SI onto take 7, reduction of take 7 with SI onto take 6, edit piece takes 8–11)
  - Orchestra overdub – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - Hummed last chord / takes 8, 9, 10 and 11 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

13 February 1967

Studio Two, EMI Studios, London (7.00pm–3.30am)^[96]

Mono Mixing
- "A Day in the Life" (Remixes 2–5, from take 7)
Recording
- "Not Known" (working title of "Only a Northern Song") (Takes 1–9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

14 February 1967

Studio Two, EMI Studios, London (7.00pm–12.30am)^[96]

Recording
- "Only a Northern Song" (Tape Reduction take 3 into takes 10–12, SI onto take 12)
  - Edit of takes 3 & 12 – released on Anthology 2
Mono Mixing
- "Only a Northern Song" (Remixes 1–3, from take 12)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

16 February 1967

Studio Three, EMI Studios, London (7.00pm–1.45am)^[96]

Recording
- "Good Morning Good Morning" (SI onto take 8, Tape Reduction take 8 into takes 9 and 10)
  - take 8 with Overdubs – released on Anthology 2
Mono Mixing
- "Good Morning Good Morning" (Remix 1, from take 8)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 February 1967

Studio Two, EMI Studios, London (7.00pm–3.00am)^[97]

Recording
- "Being for the Benefit of Mr. Kite!" (Takes 1–7, Tape Reduction take 7 into takes 8 and 9, SI onto take 9)
  - takes 1 & 2 – released on Anthology 2
  - Speech from before take 1 / take 4 and speech at end – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - take 7 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Mono Mixing
- "Being for the Benefit of Mr. Kite!" (Remix 1 from take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

20 February 1967

Studio Three, EMI Studios, London (7.00pm–2.15am)^[98]

Recording
- "Being for the Benefit of Mr. Kite!" (Unnumbered take)
Mono Mixing
- "Good Morning Good Morning" (Remix 1, from take 10)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

21 February 1967

Studio Two, EMI Studios, London (7.00pm–12.45am)^[98]

Recording
- "Fixing a Hole" (Take 1, Tape Reduction take 2 into take 3, SI onto take 3)
Mono Mixing
- "Fixing a Hole" (Remixes 2–6, from take 3)
Editing
- "Fixing a Hole" (of Mono Remixes 3 and 6) – released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

22 February 1967

Studio Two, EMI Studios, London (7.00pm–3.45am)^[98]

Recording
- "A Day in the Life" (edit pieces 1 – 9)
  - The Last Chord – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Mono Mixing
- "A Day in the Life" (remixes 6 – 9, from takes 6 and 7)
Editing
- "A Day in the Life" (of mono remix 9 and edit piece 9) – released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Stereo Mixing
- "A Day in the Life" (remixes 1–9, from takes 6 and 7)
Recording
- "Anything (AKA Drum Track(1)" (take 1)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

23 February 1967

Studio Two, EMI Studios, London (7.00pm–3.45am)^[99]

Stereo Mixing
- "A Day in the Life" (remixes 10–12, from takes 6 and 7)
Editing
- "A Day in the Life" (of stereo remix 12 and edit piece 9) – released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Recording
- "Lovely Rita" (takes 1–8, tape reduction take 8 into take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

24 February 1967

Studio Two, EMI Studios, London (7.00pm–1.15am)^[99]

Recording
- "Lovely Rita" (SI onto take 9, tape reduction take 9 into take 10 and 11)
  - Speech and take 9 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

28 February 1967

Studio Two, EMI Studios, London (7.00pm–3.00am)^[99]

Recording
- "Lucy in the Sky with Diamonds" (rehearsals)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1 March 1967

Studio Two, EMI Studios, London (7.00pm–2.15am)^[99]

Recording
- "A Day in the Life" (SI onto take 6)
- "Lucy in the Sky with Diamonds" (takes 1 – 7, tape reduction take 7 into take 8)
  - take 1 and Speech At the End – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - Speech, False Start and take 5 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - Edit of takes 6, 7 & 8 – released on Anthology 2
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

2 March 1967

Studio Two, EMI Studios, London (7.00pm–3.30am)^[100]

Recording
- "Lucy in the Sky with Diamonds" (SI onto take 8)
Mono Mixing
- "Lucy in the Sky with Diamonds" (remixes 1–11 from take 8)
  - RM 11 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 March 1967

Studio Two, EMI Studios, London (7.00pm–2.15am)^[100]

Recording
- "Sgt. Pepper's Lonely Hearts Club Band" (SI onto take 10)
Mono Mixing
- "Lucy in the Sky with Diamonds" (remixes 1–4 from take 8) – remix 4 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

6 March 1967

Studio Two, EMI Studios, London (7.00pm–12.30am)^[100]

Recording
- "Sgt. Pepper's Lonely Hearts Club Band" (SI onto take 10)
Mono Mixing
- "Sgt. Pepper's Lonely Hearts Club Band" (remixes 2 and 3 from take 10) – remix 3 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Stereo Mixing
- "Sgt. Pepper's Lonely Hearts Club Band" (remixes 1 – 8 from take 10) – remix 8 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

7 March 1967

Studio Two, EMI Studios, London (7.00pm–2.30am)^[100]

Recording
- "Lovely Rita" (SI onto take 11)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 March 1967

Studio Two, EMI Studios, London (7.00pm–3.30am)^[101]

Recording
- "Getting Better" (takes 1 – 7, tape reduction take 7 into takes 8 – 12)
  - take 1 / instrumental and speech at the end – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Malcolm Addey/Ken Townsend (Engineer), Graham Kirkby (2nd Engineer)

10 March 1967

Studio Two, EMI Studios, London (7.00pm–4.00am)^[101]

Recording
- "Getting Better" (SI onto take 12)
  - take 12 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

13 March 1967

Studio Two, EMI Studios, London (7.00pm–2.30am)^[101]

Recording
- "Good Morning Good Morning" (SI onto take 10)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

15 March 1967

Studio Two, EMI Studios, London (7.00pm–1.30am)^[102]

Recording
- George Coaching the Musicians – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
- "Within You Without You" (take 1)
  - take 1 / Indian instruments – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 March 1967

Studio Two, EMI Studios, London (7.00pm–12.45am)^[102]

Recording
- "She's Leaving Home" (takes 1 – 6)
  - take 1 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  - take 6 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

20 March 1967

Studio Two, EMI Studios, London (7.00pm–3.30am)^[102]

Recording
- "Beatle Talk" (take 1)
- "She's Leaving Home" (tape reduction take 1 into takes 7 – 9, tape reduction take 6 into take 10, SI onto take 9)
Mono Mixing
- "She's Leaving Home" (remixes 1 – 6 from take 9)
  - RM 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Editing
- "She's Leaving Home" (of mono remix 6) – released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer)

21 March 1967

Studio Two, EMI Studios, London (7.00pm–2.45am)^[103]

Recording
- "Getting Better" (tape reduction take 12 into takes 13 and 14, SI onto take 14)
- "Lovely Rita" (SI onto take 11)
Mono Mixing
- "Lovely Rita" (remixes 1 – 15 from take 11)
Editing
- "Lovely Rita" (of mono remixes 11 and 14) – released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

22 March 1967

Studio Two, EMI Studios, London (7.00pm–2.15am)^[103]

Recording
- "Within You Without You" (SI onto take 1, tape reduction take 1 into take 2)
Mono Mixing
- "Within You Without You" (remix 1 from take 2)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

23 March 1967

Studio Two, EMI Studios, London (7.00pm–3.45am)^[103]

Recording
- "Getting Better" (SI onto take 14, tape reduction take 14 into take 15, SI onto take 15)
Mono Mixing
- "Getting Better" (remixes 1 – 3 from take 15) – remix 3 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: Peter Vince (Producer and Engineer), Ken Scott (2nd Engineer)

28 March 1967

Studio Two, EMI Studios, London (7.00pm–4.45am)^[104]

Recording
- "Good Morning Good Morning" (SI onto take 10, tape reduction take 10 into take 11, SI onto take 11, unnumbered take)
- "Being for the Benefit of Mr. Kite!" (SI onto take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

29 March 1967

Studio Two, EMI Studios, London (7.00pm–5.45am)^[105]

Recording
- "Good Morning Good Morning" (unnumbered take, SI of unnumbered take onto take 11)
- "Being for the Benefit of Mr. Kite!" (SI onto take 9)
- "With a Little Help from My Friends" (takes 1 – 10, tape reduction take 10 into take 11, SI onto take 11)
  - take 1 / false start and take 2 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

30 March 1967

Studio Two, EMI Studios, London (11.00pm–7.30am)^[105]

Recording
- "With a Little Help from My Friends" (SI onto take 11)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

31 March 1967

Studio Two, EMI Studios, London (7.00pm–3.00am)^[105]

Mono Mixing
- "With a Little Help from My Friends" (remixes 1 – 15 from take 11) – remix 7 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Recording
- "Being for the Benefit of Mr. Kite!" (SI onto take 9)
Mono Mixing
- "Being for the Benefit of Mr. Kite!" (remixes 1 – 7 from take 9) – remix 4 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1 April 1967

Studio One, EMI Studios, London (7.00pm–6.00am)^[106]

Recording
- "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (takes 1 – 9)
  - take 5 – released on Anthology 2
  - Speech and take 8 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
Mono Mixing
- "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (remixes 1 – 9 from take 9) – remix 9 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 April 1967

Studio One, EMI Studios, London (7.00pm–3.00am)^[106]

Recording
- "Within You Without You" (SI onto take 2)

Studio Two (control room only), EMI Studios, London (3.00am–6.30am)^[106]

Mono Mixing
- "Within You Without You" (remixes 1 – 3 from 'part 1' of take 2, remixes 4 and 5 from 'parts 2 and 3' of take 2)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

4 April 1967

Studio Two (control room only), EMI Studios, London (7.00pm–12.45am)^[106]

Mono Mixing
- "Within You Without You" (remixes 6 – 11 from 'part 1' of take 2, remix 12 from 'parts 2 and 3' of take 2)
Editing
- "Within You Without You" (of mono remixes 10 and 12, with SI) – released on Sgt. Pepper's Lonely Hearts Club Band (mono)
Stereo Mixing
- "Within You Without You" (remixes 1 – 3 from 'part 1' of take 2, remixes 4 and 5 from 'parts 2 and 3' of take 2)
Editing
- "Within You Without You" (of stereo remixes 3 and 5, with SI) – released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

6 April 1967

Studio Two (control room only), EMI Studios, London (7.00pm–1.00am)^[106]

Mono Mixing
- Crossfades for LP
- "Good Morning Good Morning" (remixes 1 and 2 from take 11)
Stereo Mixing
- "Good Morning Good Morning" (remixes 1 – 5 from take 11) – remix 5 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

7 April 1967

Studio Two (control room only), EMI Studios, London (7.00pm–1.00am)^[107]

Stereo Mixing
- Crossfades for LP
- "With a Little Help from My Friends" (remixes 1 – 3 from take 11) – remix 3 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
- "Being for the Benefit of Mr. Kite!" (remixes 1 – 8 from take 9) – remix 8 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
- "Fixing a Hole" (remix 1 from take 3) – released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
- "Lucy in the Sky with Diamonds" (remixes 1–5 from take 8) – remix 5 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 April 1967

Studio Two (control room only), EMI Studios, London (7.00pm–1.00am)^[107]

Stereo Mixing
- "Getting Better" (remix 1 from take 15) – released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
- "She's Leaving Home" (remixes 1 – 6 from take 9)
- "When I'm Sixty-Four" (remix 1 from take 4) – released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
- "Lovely Rita" (remixes 1 and 2 from take 11) – remix 2 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Editing
- "She's Leaving Home" (of stereo remix 6) – released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

19 April 1967

Studio Two (control room only), EMI Studios, London (7.00pm–12.30am)^[108]

Mono Mixing
- "Good Morning Good Morning" (remixes 10 – 23 from take 11) – remix 23 released on Sgt. Pepper's Lonely Hearts Club Band (mono)
- "Only a Northern Song" (remix 4 from take 12)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

20 April 1967

Studio Two (control room only), EMI Studios, London (5.00pm–6.15pm)^[108]

Stereo Mixing
- "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (remixes 1 – 10 from take 9) – remix 10 released on Sgt. Pepper's Lonely Hearts Club Band (stereo)
Personnel
- Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

Studio Two, EMI Studios, London (7.00pm–2.15am)^[108]

Recording
- "Only a Northern Song" (SI onto take 3, SI onto take 11)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

21 April 1967

Studio Two, EMI Studios, London (7.00pm–1.30am)^[108]

Mono Mixing
- "Only a Northern Song" (remixes 1 – 11 from takes 3 and 11) – remix 6 used in Yellow Submarine (film); included on Yellow Submarine (2009 remastered) and Mono Masters
Recording
- Edit for LP end (take 1)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

Magical Mystery Tour sessions

25 April 1967

Studio Three, EMI Studios, London (7.00pm-3.45am)^[109]

Recording
- "Magical Mystery Tour" (tape loop of coach noise, takes 1 – 3, tape reduction take 3 into takes 4 – 8)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

26 April 1967

Studio Three, EMI Studios, London (7.00pm-2.00am)^[109]

Recording
- "Magical Mystery Tour" (SI onto take 8, tape reduction take 8 into take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

27 April 1967

Studio Three, EMI Studios, London (7.00pm-12.45am)^[109]

Recording
- "Magical Mystery Tour" (SI onto take 9)
Mono Mixing
- "Magical Mystery Tour" (remixes 1 – 4 from take 9)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 May 1967

Studio Three, EMI Studios, London (7.00pm-12.15am)^[110]

Recording
- "Magical Mystery Tour" (SI onto take 9)
- Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Richard Lush (2nd Engineer)

4 May 1967

Studio Three (control room only), EMI Studios, London (7.00pm-11.15pm)^[110]

Mono Mixing
- "Magical Mystery Tour" (remixes 1 – 7 from take 9) – remix 7 used in Magical Mystery Tour (film)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 May 1967

Studio Two, EMI Studios, London (11.00pm-6.15am)^[110]

Recording
- "Untitled" (take 1)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

11 May 1967

Studio One, Olympic Sound Studios, London (9.00pm-3.00am)^[110]

Recording
- "Baby, You're a Rich Man" (takes 1 – 12, tape reduction take 12 into takes 1 and 2)
  - takes 11 and 12 – released on Anthology 4
Mono Mixing
- "Baby, You're a Rich Man" (remix 1 from take 2) – released as the B-side to "All You Need Is Love"; included on Magical Mystery Tour (mono, U. S.)
Personnel
- Production Staff: George Martin (Producer), Keith Grant (Engineer), Eddie Kramer (2nd Engineer)

12 May 1967

Studio Two, EMI Studios, London (7.00pm-12.30am)^[111]

Recording
- "All Together Now" (takes 1 – 9)
Mono Mixing
- "All Together Now" (remixes 1 – 6 from take 9) – remix 6 used in Yellow Submarine (film); included on Mono Masters
Personnel
- Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 May 1967

Studio Two, EMI Studios, London (7.00pm-2.30am)^[111]

Recording
- "You Know My Name (Look Up the Number)" (Part 1, takes 1 – 14)
Personnel
- Production Staff: Geoff Emerick (Producer and Engineer), Richard Lush (2nd Engineer)

25 May 1967

De Lane Lea Music Recording Studio, London (time unknown)^[111]

Recording
- "It's All Too Much" (takes 1 – 4)
Personnel
- Production Staff: N/A (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

31 May 1967

De Lane Lea Music Recording Studio, London (time unknown)^[112]

Recording
- "It's All Too Much" (tape reduction take 4 into takes 1 and 2, SI onto take 2)
Personnel
- Production Staff: N/A (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

1 June 1967

De Lane Lea Music Recording Studio, London (time unknown)^[113]

Recording
- "Untitled (no numbered takes)
Personnel
- Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

2 June 1967

De Lane Lea Music Recording Studio, London (8.30pm-2.00am)^[114]

Recording
- "It's All Too Much" (SI onto take 2)
- "Untitled (no numbered takes)
Personnel
- Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

7 June 1967

Studio Two, EMI Studios, London (7.00pm-2.00am)^[114]

Recording
- "You Know My Name (Look Up the Number)" (SI onto take 9, takes 20 – 24)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

8 June 1967

Studio Two, EMI Studios, London (7.00pm-1.00am)^[114]

Recording
- "You Know My Name (Look Up the Number)" (part 2 takes 1 – 12, part 3 takes 1 – 4, part 4 takes 1–6, part 5 take 1)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 June 1967

Studio Two (control room only), EMI Studios, London (7.00pm-11.00pm)^[114]

Editing
- "You Know My Name (Look Up the Number)" (take 30 consisting of takes of part 1 – 5)
Mono Mixing
- "You Know My Name (Look Up the Number)" (remix 1 from take 30)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

14 June 1967

Studio One, Olympic Sound Studios, London (time unknown)^[114]

Recording
- "All You Need Is Love" (takes 1 – 33, tape reduction take 10)
Personnel
- Production Staff: George Martin (Producer), Eddie Kramer (Engineer), George Chkiantz (2nd Engineer)

19 June 1967

Studio Three, EMI Studios, London (7.00pm-1.45am)^[115]

Tape copying
- "All You Need Is Love" (of take 10)
Recording
- "All You Need Is Love" (SI onto take 10)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

21 June 1967

Room 53, EMI Studios, London (4.30pm-5.00pm)^[115]

Mono Mixing
- "All You Need Is Love" (remix 1 from take 10)
Personnel
- Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Phil McDonald (2nd Engineer)

Studio Three, EMI Studios, London (7.00pm-11.30pm)^[115]

Mono Mixing
- "All You Need Is Love" (demo remix unnumbered)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

23 June 1967

Studio One, EMI Studios, London (4.30pm-11.00pm)^[115]

Recording
- "All You Need Is Love" (tape reduction of take 10, takes 34–43 as SI onto take 10)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

24 June 1967

Studio One, EMI Studios, London (5.00pm-8.00pm)^[115]

Recording
- "All You Need Is Love" (takes 44–47 as SI onto take 10)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

25 June 1967

Studio One, EMI Studios, London (2.00pm-1.00am)^[116]

Recording
- "All You Need Is Love" (takes 48–50, BBC rehearsal takes 1–3, takes 51–53, takes 54–58 [58 being live BBC broadcast], SI onto take 58)
  - rehearsal – released on Anthology 4
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush/Martin Benge (2nd Engineer)

26 June 1967

Studio Two (control room only), EMI Studios, London (2.00pm-5.00pm)^[117]

Mono mixing
- "All You Need Is Love" (remixes 2 – 10 from take 58) – remix 4 released as a single; included on Magical Mystery Tour (mono, U. S.)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

22 August 1967

Chappell Recording Studios, London (time unknown)^[118]

Recording
- "Your Mother Should Know" (takes 1 – 8)
Personnel
- Production Staff: George Martin (Producer), John Timperley (Engineer), John Iles (2nd Engineer)

23 August 1967

Chappell Recording Studios, London (time unknown)^[118]

Recording
- "Your Mother Should Know" (tape reduction take 8 into take 9, SI onto take 9)
Personnel
- Production Staff: George Martin (Producer), John Timperley (Engineer), John Iles (2nd Engineer)

5 September 1967

Studio One, EMI Studios, London (7.00pm-1.00am)^[118]

Recording
- "I Am the Walrus" (takes 1 – 16)
  - Take 16 – released on Anthology 2
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott/Richard Lush (2nd Engineer)

6 September 1967

Studio Two, EMI Studios, London (7.00pm-3.00am)^[119]

Recording
- "I Am the Walrus" (tape reduction take 16 into take 17, SI onto take 17)
Mono mixing
- "I Am the Walrus" (remixes 1 – 4 from take 17)
Recording
- "The Fool on the Hill" (take 1)
  - Demo released on Anthology 2
- "Blue Jay Way" (take 1)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer)

7 September 1967

Studio Two, EMI Studios, London (7.00pm-3.15am)^[119]

Recording
- "Blue Jay Way" (tape reduction take 1 into take 2, SI onto take 2, tape reduction take 2 into take 3, SI onto take 3)
Personnel
- Production Staff: George Martin (Producer), Peter Vince (Engineer), Ken Scott (2nd Engineer)

8 September 1967

Studio Three, EMI Studios, London (7.00pm-2.45am)^[119]

Recording
- "Flying" (takes 1 – 6, tape reduction take 6 into take 7 and 8, SI onto take 8)
Mono mixing
- "Flying" (remixes 1 – 4 from take 8)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

16 September 1967

Studio Three, EMI Studios, London (7.00pm-3.45am)^[120]

Recording
- "Your Mother Should Know" (Remake takes 20 – 30)
  - Take 27 – released on Anthology 2
Mono mixing
- "Blue Jay Way" (remix 1 from take 3)
Tape copying
- "I Am the Walrus" (of mono remix 4)
- "Blue Jay Way" (of mono remix 1)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Jeff Jarratt (2nd Engineer)

25 September 1967

Studio Two, EMI Studios, London (7.00pm-3.00am)^[120]

Recording
- "The Fool on the Hill" (takes 1 – 3, tape reduction take 3 into take 4, SI onto take 4)
  - Take 4 – released on Anthology 2
Mono mixing
- "The Fool on the Hill" (remix 1 from take 4)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

26 September 1967

Studio Two, EMI Studios, London (7.00pm-4.15am)^[120]

Recording
- "The Fool on the Hill" (tape reduction take 4 into take 5, SI onto take 5, tape reduction take 5 into take 6, SI onto take 6)
  - Take 5 - Instrumental – released on Anthology 4
Personnel
- Production Staff: N/A (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

27 September 1967

Studio One, EMI Studios, London (2.30pm-5.30pm)^[121]

Recording
- "I Am the Walrus" (tape reduction take 17 into takes 18–24 with SI onto takes 18–24)
  - Take 19 - Strings, brass, clarinet overdub – released on Anthology 4

Studio Two, EMI Studios, London (7.00pm-3.30am)^[121]

Recording
- "I Am the Walrus" (tape reduction take 20 into take 25, SI onto take 25)
- "The Fool on the Hill" (SI onto take 6)
Mono mixing
- "The Fool on the Hill" (remix 2 from take 6)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

28 September 1967

Studio Two, EMI Studios, London (4.00pm-3.00am)^[121]

Tape copying
- "Magical Mystery Tour" (of mono remix 7)
- "Flying" (of mono remix 4)
Recording
- "I Am the Walrus" (tape reduction of take 25 as SI onto take 17)
Mono mixing
- "I Am the Walrus" (remixes 2 – 5 from take 17)
Editing
- "I Am the Walrus" (of mono remix 2)
Recording
- "Flying" (SI onto take 8, takes 1-5 of SI onto take 8)
Mono mixing
- "Flying" (remixes 5 and 6 from take 8)
Editing
- "Flying" (of mono remix 6) – released on Magical Mystery Tour (mono)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

29 September 1967

Studio Two, EMI Studios, London (7.00pm-5.00am)^[122]

Mono mixing
- "I Am the Walrus" (remixes 6 – 22 from take 17)
Editing
- "I Am the Walrus" (of mono remixes 10 and 22 called mono remix 23) – released as the B-side to "Hello, Goodbye"; included on Magical Mystery Tour (mono)
Recording
- "Your Mother Should Know" (tape reduction take 9 into takes 50 – 52, SI onto take 52)
Mono mixing
- "Your Mother Should Know" (remix 20 from take 52)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer)

2 October 1967

Studio Two, EMI Studios, London (10.00pm-2.30am)^[122]

Mono mixing
- "Your Mother Should Know" (remixes 21 – 25 from take 52) – remix 25 released on Magical Mystery Tour (mono)
Recording
- "Hello, Goodbye" (takes 1 – 14, tape reduction take 14 into takes 15 and 16)
  - Take 16 – released on Anthology 2
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer)

6 October 1967

Studio Two, EMI Studios, London (7.00pm-12.00am)^[122]

Recording
- "Blue Jay Way" (SI onto take 3)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

12 October 1967

De Lane Lea Music Recording Studio, London (2.30pm-8.00pm)^[122]

Mono mixing
- "It's All Too Much" (remixes 1 and 2 from take 2)
Personnel
- Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

Studio Three, EMI Studios, London (6.30pm-2.00am)^[122]

Mono mixing
- "Blue Jay Way" (remixes 2 – 9 from take 3)
Editing
- "Blue Jay Way" (of mono remixes 6 and 9)
Recording
- "Shirley's Wild Accordion" (takes 1 – 8, tape reduction take 8 into takes 9 and 10, SI onto take 10, takes 11 – 15)
Mono mixing
- "Shirley's Wild Accordion" (remixes 1, 2 and 3 from takes 10, 7 and 14 respectively)
Personnel
- Production Staff: John Lennon (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

19 October 1967

Studio One, EMI Studios, London (7.00pm-3.30am)^[123]

Recording
- "Hello, Goodbye" (SI onto take 16, tape reduction take 16 into take 17)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

20 October 1967

Studio Three, EMI Studios, London (7.00pm-3.45am)^[123]

Recording
- "The Fool on the Hill" (SI onto take 6)
- "Hello, Goodbye" (SI onto take 17)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Phil McDonald (2nd Engineer)

25 October 1967

Studio Two, EMI Studios, London (7.00pm-3.00am)^[123]

Mono mixing
- "The Fool on the Hill" (remixes 10 – 12 from take 6)
Editing
- "The Fool on the Hill" (of mono remix 12) – released on Magical Mystery Tour (mono)
Recording
- "Hello, Goodbye" (tape reduction take 17 into takes 18 – 21, SI onto take 21)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer)

1 November 1967

Room 53, EMI Studios, London (10.00am-1.00pm)^[124]

Mono mixing
- "All You Need Is Love" (remix 11 from take 58) – used in Yellow Submarine (film)
- "Lucy in the Sky with Diamonds" (remix 20 from take 8) – planned to use in Yellow Submarine (film); not included.
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

Studio Three (control room only, EMI Studios, London (2.30pm-6.00pm)^[124]

Recording
- Untitled sound effects (take 20)
- "Hello, Goodbye" (tape reduction take 21 into takes 22 – 25)
Stereo mixing
- "The Fool on the Hill" (remixes 1 – 5 from take 6)
Editing
- "The Fool on the Hill" (of stereo remix 5) – released on Magical Mystery Tour (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Graham Kirkby (2nd Engineer)

2 November 1967

Studio Three (Control room only, EMI Studios, London (2.30pm-6.00pm)^[124]

Recording
- "Hello, Goodbye" (SI onto take 22)
Mono mixing
- "Hello, Goodbye" (remixes 1-6 from take 22) – remix 6 released as a single; included on Magical Mystery Tour (mono, U. S.)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Jeff Jarratt (2nd Engineer)

6 November 1967

Studio Three (Control room only, EMI Studios, London (2.30pm-6.00pm)^[124]

Stereo mixing
- "Hello, Goodbye" (remixes 1 and 2 from take 22) – remix 2 released on Magical Mystery Tour (stereo, U. S.)
- "I Am the Walrus" (remixes 1 – 7 from take 17 and from mono remix 22)
- "Your Mother Should Know" (remixes 1 and 2 from take 52) – remix 2 released on Magical Mystery Tour (stereo)
- "Magical Mystery Tour" (remixes 1 – 4 from take 9)
Editing
- "I Am the Walrus" (of stereo remixes 6 and 7)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer)

7 November 1967

Studio Two (control room only), EMI Studios, London (2.30pm-5.45pm)^[124]

Stereo mixing
- "Blue Jay Way" (remixes 1 and 2 from take 3)
- "Flying" (remix 1 from take 8)
Editing
- "Blue Jay Way" (of stereo remix 2)
- "Flying" (of stereo remix 1) – released on Magical Mystery Tour (stereo)
Personnel
- Production Staff: George Martin (Producer), Ken Scott (Engineer), Peter Mew (2nd Engineer)

Studio One, EMI Studios, London (9.00pm-4.30pm)^[124]

Mono mixing
- "Blue Jay Way" (remixes 20 – 28 from take 3)
Stereo mixing
- "Blue Jay Way" (remixes 10 – 12 from take 3)
Editing
- "Blue Jay Way" (of mono remix 27, of stereo remix 12) – mono remix 27 released on Magical Mystery Tour (mono); stereo remix 12 released on Magical Mystery Tour (stereo)
Stereo mixing/recording
- "Magical Mystery Tour" (remixes 5 and 6 from stereo remix 4 with new SI) – remix 6 released on Magical Mystery Tour (stereo)
Mono mixing/recording
- "Magical Mystery Tour" (remixes 8 -10 from mono remix 7 with new SI) – remix 10 released on Magical Mystery Tour (mono)
Tape copying
- "I Am the Walrus" (of mono remix 23)
- "Your Mother Should Know" (of mono remix 25)
- "Flying" (of edit of mono remix 6 and of edit of stereo remix 1)
- "Magical Mystery Tour" (of mono remix 10 and of stereo remix 6)
- "Blue Jay Way" (of edit of mono remix 27 and of edit of stereo remix 12)
- "The Fool on the Hill" (of edit of mono remix 12)
- "Strawberry Fields Forever" (of stereo remix 3)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Graham Kirkby (2nd Engineer)

15 November 1967

Studio Two (control room only), EMI Studios, London (10.30am-11.00am)^[124]

Mono mixing
- "Hello, Goodbye" (remix 10 take 22)
Tape copying
- "It's All Too Much" (of mono remix 1)
- "All Together Now" (of mono remix 6)
- "Only a Northern Song" (of mono remix 6)
Personnel
- Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 November 1967

Room 53, EMI Studios, London (10.00am-1.15pm)^[125]

Stereo mixing
- "I Am the Walrus" (remix 25 from take 17)
Editing
- "I Am the Walrus" (of stereo remixes 25 and 7) – released on Magical Mystery Tour (stereo)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer)

28 November 1967

Studio Three, EMI Studios, London (6.00pm-2.45am)^[125]

Recording
- "Christmas Time (Is Here Again)" (take 1 [music], takes 1 – 10 [speech], SI of sound effects onto edit/remix)
Mono mixing
- "Christmas Time (Is Here Again)" (of takes 1 [music], takes 2, 6 and 10 [speech])
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

29 November 1967

Studio One (control room only), EMI Studios, London (2.30pm-5.30pm)^[125]

Editing
- "Christmas Time (Is Here Again)" of unnumbered mono remixes)
Tape copying
- "Christmas Time (Is Here Again)" (of master version)
Personnel
- Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1968

"Lady Madonna" sessions

12 January 1968

EMI Recording Studios, Bombay, India (time unknown)^[126]

Recording
- "Untitled" (working title of "The Inner Light") (Harrison) (takes 1–5)
  - take 6 (Tape Copy of take 5) – released with The Beatles ("White Album") 50th anniversary edition
Personnel
- Musicians: Ashish Khan (sarod), Mahapurush Misra (tabla, pakavaj), Sharad Jadev and Hanuman Jadev (shanhais), Shambu-Das, Indril Bhattacharya and Shankar Ghosh (sitar), Chandra Shakher (sur-bahar), Shiv Kumar Sharmar (santorr), S.R. Kenkare and Hari Prasad Chaurasia (flute), Vinayak Vohra (taar shehnai), Rijram Desad (dholak, harmonium; tala-tarang)
- Production staff: George Harrison (producer), J.P. Sen and S.N. Gupta (engineer), unknown (2nd engineer)

3 February 1968

Studio Three, EMI Studios, London (2.30pm-1.30am)^[126]

Recording
- "Lady Madonna" (takes 1–3, SI on take 3)
  - take 2 – released with The Beatles ("White Album") 50th anniversary edition
Personnel
- Musicians: John Lennon (fuzzed electric guitar, vocals), Paul McCartney (bass guitar, piano), George Harrison (fuzzed electric guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Ken Scott (engineer), Richard Lush (2nd engineer)

4 February 1968

Studio Three, EMI Studios, London (2.30pm-5.30pm)^[127]

Recording
- "Across the Universe" (takes 1–7)
  - take 2 – released on Anthology 2
  - take 6 – released with The Beatles ("White Album") 50th anniversary edition
- "Across the Universe" (overdub onto take 7, tape reduction take 7 into take 8, overdub onto take 8, sound effects takes 1–3)
Personnel
- Musicians: John Lennon (acoustic guitar, vocals), George Harrison (tamboura, sitar), Ringo Starr (tomtoms), Lizzie Bravo and Gayleen Pease (backing vocal)
- Production staff: George Martin (producer), Ken Scott and Martin Benge (engineer), Richard Lush and Phil McDonald (2nd engineer)

6 February 1968

Studio One, EMI Studios, London (2.30pm-8.00pm)^[127]

Tape copying
- "The Inner Light" (of take 5, numbered take 6)
Recording
- "The Inner Light" (overdub onto take 6)
Mono mixing
- "The Inner Light" (remix 1, from take 6)

Studio One, EMI Studios, London (9.00pm-2.00am)^[127]

Recording
- "Lady Madonna" (tape reduction take 3 into take 4, overdub onto take 4, tape reduction take 4 into take 5)
  - Backing Vocals from take 3 – released with The Beatles ("White Album") 50th anniversary edition
  - Edit of takes 3 and 4 – released on Anthology 2
Mono mixing
- "Lady Madonna" (remixes 1 and 2, from take 5)
Personnel
- Musicians: John Lennon (vocals), Paul McCartney (piano, vocal), George Harrison (vocal), Harry Klein and Bill Jackson (baritone saxophone), Ronnie Scott and Bill Povey (tenor saxophone)
- Production staff: George Martin (producer), Geoff Emerick (engineer), Jerry Boys (2nd engineer)

8 February 1968

Studio Two, EMI Studios, London (2.30pm-9.00pm)^[128]

Recording
- "The Inner Light" (overdub onto take 6)
Mono mixing
- "The Inner Light (remixes 2–4, from take 6) – released as the B-side to "Lady Madonna"; included on Mono Masters
Recording
- "Across the Universe" (overdub onto take 8)

Studio Two (control room only), EMI Studios, London (10.00pm-12.15am)^[128]

Mono mixing
- "Across the Universe" (remixes 1 and 2, from take 8)
Personnel
- Musicians: John Lennon (mellotron, tone pedal guitar, vocals), Paul McCartney (piano, vocals), George Harrison (maracas, vocals), George Martin (organ)
- Production staff: George Martin (producer), Geoff Emerick and Ken Scott (engineer), Richard Lush (2nd engineer)

11 February 1968

Studio Three, EMI Studios, London (4.00pm-2.00am)^[128]

Recording
- "Hey Bulldog" (takes 1–10)
  - take 4 – released on Anthology 4
Mono mixing
- "Hey Bulldog" (remixes 1 and 2, from take 10) – remix 2 used in Yellow Submarine (film); included on Mono Masters
Personnel
- Musicians: John Lennon (piano, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
- Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

15 February 1968

Studio Three (control room only), EMI Studios, London (4.30pm-6.00pm)^[128]

Mono mixing
- "Lady Madonna" (remixes 3–10, from take 5) – released as a single; included on Mono Masters
Personnel
- Production staff: George Martin (producer), Geoff Emerick (engineer), Martin Benge (2nd engineer)

The Beatles ("White Album") and "Hey Jude" single sessions

30 May 1968

Studio Two, EMI Studios, London (2.30pm-2.40am)^[129]

Recording
- "Revolution 1" (takes 1–18)
  - take 18 – released with The Beatles ("White Album") 50th anniversary edition

31 May 1968

Studio Three, EMI Studios, London (2.30pm-12.00pm)^[130]

Recording
- "Revolution 1" (SI onto take 18, tape reduction take 18 into take 19, SI onto take 19)

4 June 1968

Studio Three, EMI Studios, London (2.30pm-1.00am)^[130]

Recording
- "Revolution 1" (SI onto take 19, creating tape loops takes 1 and 2, tape reduction take 19 into take 20, SI onto take 20)
Mono mixing
- "Revolution 1" (unnumbered rough remix from take 20)

5 June 1968

Studio Three, EMI Studios, London (2.30pm-1.30am)^[131]

Recording
- "Don't Pass Me By" (takes 1–3, tape reduction take 3 into takes 4 and 5, SI onto take 5, tape reduction take 5 into take 6)
  - Takes 3 & 5 – released on Anthology 3

6 June 1968

Studio Two, EMI Studios, London (2.30pm-2.45am)^[131]

Recording
- "Don't Pass Me By" (SI onto take 5, tape reduction take 5 into take 7, SI onto take 7)
Mono mixing
- "Don't Pass Me By" (unnumbered rough remix from take 7)
Recording
- "Revolution 9" (Sound effects takes 1 -12)

10 June 1968

Studio Three, EMI Studios, London (2.30pm-5.45pm)^[131]

Recording
- "Revolution 9" (Sound effects takes 1 -3)

11 June 1968

Studio Two, EMI Studios, London (6.30pm-12.15am)^[131]

Recording
- "Blackbird" (takes 1 -32)
  - take 4 – released on Anthology 3
  - take 28 – released as part of The Beatles ("White Album") 50th anniversary edition
Mono mixing
- "Blackbird" (remixes 1–6 from take 32)

Studio Three, EMI Studios, London (7.00pm-10.15pm)^[131]

Recording
- "Revolution 9" (Sound effects)

20 June 1968

Studios One, Two and Three, EMI Studios, London (7.00pm-3.30am)^[132]

Recording
- "Revolution 9" (Sound effects takes 1 and 2, compilation of master version with SI)

21 June 1968

Studio Two, EMI Studios, London (2.30pm-3.30am)^[132]

Recording
- "Revolution 1" (SI onto take 20, tape reduction take 20 into take 21 and 22, SI onto take 22)
- "Revolution 9" (SI onto master version)
Stereo Mixing
- "Revolution 1" (Remixes 1–7, from take 22)
- "Revolution 9" (Remixes 1 and 2, from master version)

25 June 1968

Studio Two (control room only), EMI Studios, London, (2.00pm-8.00pm)^[133]

Stereo Mixing
- "Revolution 1" (Remixes 8–12 from take 22) – remix 12 released on The Beatles (stereo)
Editing
- "Revolution 9" (of remix stereo 2) – released on The Beatles (stereo)
Tape copying
- "Revolution 1" (of remix stereo 12)
- "Revolution 9" (of edit of remix stereo 2)

26 June 1968

Studio Two, EMI Studios, London (7.00pm-3.30am)^[133]

Recording
- "Everybody's Got Something to Hide Except Me and My Monkey" (rehearsal)
  - Unnumbered Rehearsal – released as part of The Beatles ("White Album") 50th anniversary edition

27 June 1968

Studio Two, EMI Studios, London (5.00pm-3.45am)^[133]

Recording
- "Everybody's Got Something to Hide Except for Me And My Monkey" (takes 1 – 6, tape reduction take 6 into takes 7 and 8, SI onto take 8)

28 June 1968

Studio Two, EMI Studios, London (7.00pm-4.30am)^[133]

Recording
- "Good Night" (takes 1 – 5)

1 July 1968

Studio Two, EMI Studios, London (5.00pm-3.00am)^[133]

Recording
- "Everybody's Got Something to Hide Except for Me And My Monkey" (SI onto take 8, tape reduction take 8 into takes 9 and 10, SI onto take 10)

2 July 1968

Studio Two, EMI Studios, London (6.00pm-12.15am)^[134]

Recording
- "Good Night" (SI onto take 5, takes 6 – 15)

3 July 1968

Studio Two, EMI Studios, London (8.00pm-3.15am)^[134]

Recording
- "Ob-La-Di, Ob-La-Da" (takes 1–7, SI onto take 3, SI onto take7)
  - take 3 – released as part of The Beatles ("White Album") 50th anniversary edition
  - take 5 – released on Anthology 3

4 July 1968

Studio Two, EMI Studios, London (7.00pm-2.15am)^[134]

Recording
- "Ob-La-Di, Ob-La-Da" (SI onto take 4, tape reduction take 4 into take 5, SI onto take 5)

5 July 1968

Studio Two, EMI Studios, London (5.00pm-1.30am)^[134]

Recording
- "Ob-La-Di, Ob-La-Da" (SI onto take 5)

8 July 1968

Studio Two, EMI Studios, London (5.00pm-3.00am)^[135]

Recording
- "Ob-La-Di, Ob-La-Da" (Remake, takes 1 – 12, tape reduction take 12 into take 13, SI onto take 13)
Mono mixing
- "Ob-La-Di, Ob-La-Da" (unnumbered rough remix from take 13)

9 July 1968

Studio Three, EMI Studios, London (4.00pm-9.00pm)^[135]

Recording
- "Ob-La-Di, Ob-La-Da" (Re-re-make, takes 20 and 21)
- "Ob-La-Di, Ob-La-Da" (Remake, SI onto take 13, tape reduction take 13 into take 22, SI onto take 22)
- "Revolution" (Rehearsals)
  - Unnumbered Rehearsal – released as part of The Beatles ("White Album") 50th anniversary edition

10 July 1968

Studio Three, EMI Studios, London (7.00pm-1.30am)^[136]

Recording
- "Revolution" (Takes 1 – 10, tape reduction take 10 into takes 11–13, SI onto take 13, tape reduction take 13 into takes 14 and 15)
  - take 14 / Instrumental Backing Track – released as part of The Beatles ("White Album") 50th anniversary edition

11 July 1968

Studio Three, EMI Studios, London (4.00pm-3.45am)^[136]

Recording
- "Revolution" (SI onto take 15)
- "Ob-La-Di, Ob-La-Da" (SI onto take 22)
- "Revolution" (tape reduction take 15 into take 16, SI onto take 16)
- "Ob-La-Di, Ob-La-Da" (tape reduction take 22 into takes 23 and 24, SI onto take 23)
Mono mixing
- "Ob-La-Di, Ob-La-Da" (remixes 1 and 2 from take 23)

12 July 1968

Studio Two, EMI Studios, London (3.00pm-4.00am)^[136]

Recording
- "Don't Pass Me By" (SI onto take 7)
Mono mixing
- "Don't Pass Me By" (remixes 1 – 4 from take 7)
- "Ob-La-Di, Ob-La-Da" (remixes 10 and 11 from take 23)
Recording
- "Revolution" (SI onto take 16)
Mono mixing
- "Revolution" (remixes 10 – 13 from take 16)

15 July 1968

Studio Two, EMI Studios, London (3.30pm-3.00am)^[137]

Mono mixing
- "Revolution" (remixes 20 and 21 from take 16) – remix 21 (numbered 5) released as the B-side to "Hey Jude"; included on Mono Masters
Recording
- "Ob-La-Di, Ob-La-Da" (SI onto take 23)
Mono mixing
- "Ob-La-Di, Ob-La-Da" (remixes 12 – 21 from take 23)
Recording
- "Cry Baby Cry" (unnumbered takes)
  - Unnumbered Rehearsal – released as part of The Beatles ("White Album") 50th anniversary edition

16 July 1968

Studio Two, EMI Studios, London (4.00pm-2.00am)^[137]

Recording
- "Cry Baby Cry" (takes 1 -10, tape reduction take 10 into takes 11 and 12, SI onto take 12)
  - take 1 – released on Anthology 3

18 July 1968

Studio Two, EMI Studios, London (2.30pm-3.30am)^[137]

Recording
- "Cry Baby Cry" (SI onto take 12)
- "Helter Skelter" (takes 1 – 3)
  - take 2 – released as part of The Beatles ("White Album") 50th anniversary edition

19 July 1968

Studio Two, EMI Studios, London (7.30pm-4.00am)^[138]

Recording
- "Sexy Sadie" (takes 1 – 21)
  - take 3 – released as part of The Beatles ("White Album") 50th anniversary edition
  - take 6 – released on Anthology 3

22 July 1968

Studio One, EMI Studios, London (7.00pm-1.40am)^[138]

Recording
- "Don't Pass Me By" (edit pieces 1 – 4)
  - A Beginning (take 4) – released on Anthology 3 and as part of The Beatles ("White Album") 50th anniversary edition
- "Good Night" (takes 23 – 34, SI onto take 34)

23 July 1968

Studio Two, EMI Studios, London (7.00pm-2.30am)^[138]

Recording
- "Everybody's Got Something to Hide Except for Me And My Monkey" (SI onto take 10, tape reduction take 10 into takes 11 and 12, SI onto take 12)
Mono mixing
- "Everybody's Got Something to Hide Except for Me And My Monkey" (remixes 1 – 5 from take 12)
- "Good Night" (remixes 1 – 6 from take 34)

24 July 1968

Studio Two, EMI Studios, London (7.00pm-2.30am)^[139]

Recording
- "Sexy Sadie" (Remake, takes 25 – 47)
- "Sound Effects"

25 July 1968

Studio Two, EMI Studios, London (7.00pm-3.15am)^[139]

Recording
- "While My Guitar Gently Weeps" (Acoustic Version)
  - take 1 – released on Anthology 3
  - take 2 – released as part of The Beatles ("White Album") 50th anniversary edition

29 July 1968

Studio Two, EMI Studios, London (8.30pm-4.00am)^[139]

Recording
- "Hey Jude" (takes 1 – 6)
  - take 1 – released as part of The Beatles ("White Album") 50th anniversary edition
  - take 2 – released on Anthology 3

30 July 1968

Studio Two, EMI Studios, London (7.30pm-3.30am)^[139]

Recording
- "Hey Jude" (takes 7 – 23, tape reduction take 23 into takes 24 and 25)
  - St Louis Blues (Studio Jam) – released as part of The Beatles ("White Album") 50th anniversary edition
Stereo mixing
- "Hey Jude" (remix 1 from take 25)

31 July 1968

Trident Studios, Trident House, London (2.00pm-4.00am)^[140]

Recording
- "Hey Jude" (Remake takes 1 – 4, SI onto take 1)

1 August 1968

Trident Studios, Trident House, London (5.00pm-3.00am)^[140]

Recording
- "Hey Jude" (SI onto take 1)

2 August 1968

Trident Studios, Trident House, London (2.00pm-1.30am)^[141]

Stereo mixing
- "Hey Jude" (remixes 1 – 3 from take 1)

6 August 1968

Trident Studios, Trident House, London (5.30pm-7.30pm)^[141]

Mono mixing
- "Hey Jude" (remix 1 from remix stereo 3)

7 August 1968

Studio Two, EMI Studios, London, (3.00pm-5.30am)^[141]

Tape copying
- "Hey Jude" (of remix mono 1)
Recording
- "Not Guilty" (takes 1 – 46)

8 August 1968

Studio Two, EMI Studios, London, (6.40pm-6.30am)^[141]

Mono mixing
- "Hey Jude" (remixes 2 – 4 from take 1) – remix 4 (numbered 5) released as a single; included on Mono Masters
Recording
- "Not Guilty" (takes 47 – 101)
Tape copying
- "Hey Jude" (of remix mono 4, numbered 5)
- "Revolution" (of remix mono 21, numbered 5)

9 August 1968

Studio Two, EMI Studios, London, (7.30pm-2.00am)^[141]

Recording
- "Not Guilty" (tape reduction take 99 into take 102, SI onto take 102)
  - take 102 – released as part of The Beatles ("White Album") 50th Anniversary Box Set
- "Mother Nature's Son" (takes 1 – 25)
  - take 2 – released on Anthology 3
  - take 15 – released as part of The Beatles ("White Album") 50th anniversary edition

12 August 1968

Studio Two, EMI Studios, London, (7.00pm-4.15am)^[142]

Recording
- "Not Guilty" (SI onto take 102)
Mono mixing
- "Not Guilty" (remix 1 from take 102)

13 August 1968

Studio Two, EMI Studios, London, (7.00pm-5.30am)^[142]

Recording
- "Sexy Sadie" (Re-remake takes 100 – 107, tape reduction take 107 into takes 108 – 111)
- "Yer Blues" (takes 1 – 14, tape reduction take 6 into takes 15 and 16, tape reduction extract of take 14 into take 17)
  - take 5 with Guide Vocal – released as part of The Beatles ("White Album") 50th anniversary edition
Editing
- "Yer Blues" (of takes 16 and 17)

14 August 1968

Studio Two, EMI Studios, London, (7.00pm-4.30am)^[142]

Recording
- "Yer Blues" (SI onto edit of takes 16 and 17)
Mono mixing
- "Yer Blues" (remix 1 – 4 from edit of takes 16 and 17)
Recording
- "What's the New Mary Jane" (takes 1 – 4)
  - take 1 – released as part of The Beatles ("White Album") 50th anniversary edition
Mono mixing
- "What's the New Mary Jane" (remix 1 from take 4)
Tape copying
- "Yer Blues" (of remix mono 3)
- "What's the New Mary Jane" (of remix mono 1)

15 August 1968

Studio Two, EMI Studios, London, (7.00pm-3.00am)^[143]

Recording
- "Rocky Raccoon" (takes 1 – 9, tape reduction take 9 into take 10, SI onto take 10)
  - take 8 – released on Anthology 3 and as part of The Beatles ("White Album") 50th anniversary edition
Mono mixing
- "Rocky Raccoon" (remix 1 from take 10) – released on The Beatles (mono)
Tape copying
- "Yer Blues" (of remix mono 3)
- "Rocky Raccoon" (of remix mono 1)

16 August 1968

Studio Two, EMI Studios, London, (7.00pm-5.00am)^[143]

Recording
- "While My Guitar Gently Weeps" (Remake, takes 1 – 14, tape reduction take 14 into take 15)

20 August 1968

Studio Three, EMI Studios, London, (5.00pm-5.30pm)^[144]

Recording
- "Yer Blues" (edit piece take 1)
Editing
- "Yer Blues" (of remix mono 3 and edit piece take 1) – released on The Beatles (mono)
Mono tape copying
- "Revolution 9" (mono copy 1, from edit of remix stereo 2)

Studio Two, EMI Studios, London, (8.00pm-4.00am)^[144]

Recording
- "Mother Nature's Son" (SI onto take 24, tape reduction take 24 into take 26, SI onto take 26)
- "Etcetera" (take 1)
- "Wild Honey Pie" (take 1)
Mono mixing
- "Mother Nature's Son" (remixes 1 – 8 from take 26)
- "Wild Honey Pie" (remixes 1 – 6 from take 1) – remix 6 released on The Beatles (mono)

21 August 1968

Studio Two, EMI Studios, London, (7.30pm-7.15am)^[144]

Recording
- "Sexy Sadie" (tape reduction take 107 into take 112, SI onto take 112, tape reduction take 112 into takes 113–115, SI onto take 115, tape reduction take 115 into take 116 and 117, SI onto take 117)
Mono mixing
- "Sexy Sadie" (remixes 1 – 5 from take 117) – remix 5 released on The Beatles (mono)

22 August 1968

Studio Two, EMI Studios, London, (7.00pm-4.45am)^[145]

Recording
- "Back in the USSR" (takes 1 – 5)
  - take 5 / Instrumental Backing Track – released as part of The Beatles ("White Album") 50th anniversary edition
Tape copying
- "Baby, You're a Rich Man" (of remix mono 1)

23 August 1968

Studio Two, EMI Studios, London, (7.00pm-3.00am)^[145]

Recording
- "Back in the USSR" (SI onto take 5, tape reduction take 5 into take 6, SI onto take 6)
Mono mixing
- "Back in the USSR" (remix 1 – 8 from take 6) – remix 1 released on The Beatles (mono)
Tape copying
- "Back in the USSR" (of remix mono 1)
- "Rocky Raccoon" (of remix mono 1)
- "Wild Honey Pie" (of remix mono 6)
- "Mother Nature's Son" (of remix mono 8)
- "Sexy Sadie" (of remix mono 5)

26 August 1968

Studio Two (control room only), EMI Studios, London, (4.00pm-5.00pm)^[145]

Mono tape copying
- "Revolution 9" (mono copy 2, from edit of remix stereo 2)

27 August 1968

Studio Two (control room only), EMI Studios, London, (4.00pm-5.00pm)^[145]

Tape copying
- "Ob-La-Di, Ob-La-Da" (of remix mono 21)
- "Blackbird" (of remix mono 6)
- "Not Guilty" (of remix mono 1)
- "Revolution 9" (of edit of remix stereo 2)

28 August 1968

Trident Studios, Trident House, London (5.00pm-7.00am)^[146]

Recording
- "Dear Prudence" (take 1)

29 August 1968

Trident Studios, Trident House, London (7.00pm-6.00am)^[146]

Recording
- "Dear Prudence" (SI onto take 1)

30 August 1968

Trident Studios, Trident House, London (7.00pm-6.00am)^[146]

Recording
- "Dear Prudence" (SI onto take 1)

3 September 1968

Studio Two, EMI Studios, London, (7.00pm-3.30am)^[147]

Tape copying
- "While My Guitar Gently Weeps" (take 15 into take 16)
Recording
- "While My Guitar Gently Weeps" (SI onto take 16)
Tape copying
- "Revolution" (of take 16, rhythm track only)

5 September 1968

Studio Two, EMI Studios, London, (7.00pm-3.45am)^[147]

Recording
- "While My Guitar Gently Weeps" (SI onto take 16)
- "While My Guitar Gently Weeps" (Re-remake takes 17 – 44)
  - Let It Be (Unnumbered Rehearsal) – released as part of The Beatles ("White Album") 50th anniversary edition
  - Take 27 – released as part of The Beatles ("White Album") 50th anniversary edition

6 September 1968

Studio Two, EMI Studios, London, (7.00pm-2.00am)^[148]

Recording
- "While My Guitar Gently Weeps" (SI onto take 25)

9 September 1968

Studio Two, EMI Studios, London, (7.00pm-2.30am)^[148]

Recording
- "Helter Skelter" (Re-make, takes 4 – 21)
  - (You're So Square) Baby I Don't Care (Studio Jam) – released as part of The Beatles ("White Album") 50th anniversary edition
  - take 17 – released as part of The Beatles ("White Album") 50th anniversary edition

10 September 1968

Studio Two, EMI Studios, London, (7.00pm-3.00am)^[148]

Recording
- "Helter Skelter" (SI onto take 21)

11 September 1968

Studio Two, EMI Studios, London, (7.00pm-3.30am)^[149]

Recording
- "Glass Onion" (takes 1 – 34)
  - take 10 – released as part of The Beatles ("White Album") 50th anniversary edition

12 September 1968

Studio Two, EMI Studios, London, (8.30pm-1.30am)^[149]

Recording
- "Glass Onion" (SI onto take 33)

13 September 1968

Studio Two, EMI Studios, London, (8.00pm-1.45am)^[149]

Recording
- "Glass Onion" (SI onto take 33)

16 September 1968

Studio Two, EMI Studios, London, (7.00pm-3.00am)^[149]

Recording
- "I Will" (takes 1 – 67)
  - take 1 – released on Anthology 3
  - take 13 – released as part of The Beatles ("White Album") 50th anniversary edition
    - "Can You Take Me Back?" (Take 1) – released as part of The Beatles ("White Album") 50th anniversary edition
    - "Blue Moon" (Studio Jam played before take 28 of "I Will") – released as part of The Beatles ("White Album") 50th anniversary edition
  - take 29 – released as part of The Beatles ("White Album") 50th anniversary edition
    - "Step Inside Love" (Studio Jam) – released as part of The Beatles ("White Album") 50th anniversary edition
    - "Los Paranoias" (Studio Jam) – released as part of The Beatles ("White Album") 50th anniversary edition
    - "The Way You Look Tonight (improvisation)
Tape copying
- "I Will" (take 65 into take 68)
Recording
- "Glass Onion" (SI onto take 33)

17 September 1968

Studio Two, EMI Studios, London, (7.00pm-5.00am)^[149]

Mono mixing
- "Helter Skelter" (remix 1 from take 21) – released on The Beatles (mono)
Recording
- "I Will" (SI onto take 68)
Tape copying
- "Cry Baby Cry" (take 12 into take 13)

18 September 1968

Studio Two, EMI Studios, London, (5.00pm-4.30am)^[150]

Recording
- "Birthday" (takes 1 – 20)
  - take 2 / Instrumental Backing Track – released as part of The Beatles ("White Album") 50th anniversary edition
Tape copying
- ""Birthday" (take 20 into takes 21 and 22)
Recording
- "Birthday" (SI onto take 22)
Mono mixing
- "Birthday" (remix 1 from take 22) – released on The Beatles (mono)

19 September 1968

Studios One and Two, EMI Studios, London, (7.15pm-5.30am)^[150]

Recording
- "Piggies" (takes 1 – 11)

20 September 1968

Studio Two, EMI Studios, London, (7.00pm-11.00pm)^[151]

Tape copying
- ""Piggies" (take 11 into take 12)
Recording
- "Piggies" (SI onto take 12)
  - take 12 / Instrumental Backing Track – released as part of The Beatles ("White Album") 50th anniversary edition

23 September 1968

Studio Two, EMI Studios, London, (7.00pm-3.00am)^[151]

Recording
- "Happiness Is a Warm Gun" (takes 1 – 45)
  - take 19 – released as part of The Beatles ("White Album") 50th anniversary edition

24 September 1968

Studio Two, EMI Studios, London, (7.00pm-2.00am)^[151]

Recording
- "Happiness Is a Warm Gun" (takes 46 – 70)

25 September 1968

Studio Two, EMI Studios, London, (7.30pm-6.15am)^[151]

Editing
- "Happiness Is a Warm Gun" (of takes 53 and 65, called take 65)
Recording
- "Happiness Is a Warm Gun" (SI onto take 65)
Mono mixing
- "Happiness Is a Warm Gun" (remixes 1 and 2 from take 65)

26 September 1968

Studio Two (Control room only), EMI Studios, London, (7.00pm-1.30am)^[152]

Mono mixing
- "Happiness Is a Warm Gun" (remixes 3 – 12 from take 65) – remix 12 released on The Beatles (mono)
- "What's the New Mary Jane" (remixes 1 and 2 from take 4)
- "Glass Onion" (remixes 1 and 2 from take 33)
- "I Will" (remixes 1 and 2 from take 68) – remix 2 released on The Beatles (mono)
Recording
- "Glass Onion" (Sound effects)

1 October 1968

Trident Studios, Trident House, London (time unknown)^[152]

Recording
- "Honey Pie" (take 1)
Mono mixing
- "Honey Pie" (unnumbered rough remix from take 1)

2 October 1968

Trident Studios, Trident House, London (4.00pm-3.30am)^[152]

Recording
- "Honey Pie" (SI onto take 1)

3 October 1968

Trident Studios, Trident House, London (time unknown)^[152]

Recording
- "Savoy Truffle" (take 1)

4 October 1968

Trident Studios, Trident House, London (4.00pm-4.30am)^[153]

Recording
- "Martha My Dear" (take 1)
- "Honey Pie" (SI onto take 1)
- "Martha My Dear" (SI onto take 1)

5 October 1968

Trident Studios, Trident House, London (6.00pm-1.00am)^[153]

Recording
- "Savoy Truffle" (SI onto take 1)
- "Martha My Dear" (SI onto take 1)
Mono mixing
- "Honey Pie" (remix 1 from take 1) – released on The Beatles (mono)
- "Martha My Dear" (remix 1 from take 1) – released on The Beatles (mono)
- "Dear Prudence" (remix 1 from take 1)
Stereo mixing
- "Honey Pie" (remix 1 from take 1) – released on The Beatles (stereo)
- "Martha My Dear" (remix 1 from take 1) – released on The Beatles (stereo)

7 October 1968

Studio Two, EMI Studios, London, (2.30pm-7.00am)^[153]

Tape copying
- "Honey Pie" (of remix mono 1 and remix stereo 1)
- "Martha My Dear" (of remix mono 1 and of remix stereo 1)
Stereo mixing
- "While My Guitar Gently Weeps" (remix 1 from take 25)
Mono mixing
- "While My Guitar Gently Weeps" (remixes 1 and 2 from take 25)
Recording
- "Long Long Long" (takes 1 – 67)
  - take 44 – released as part of The Beatles ("White Album") 50th anniversary edition

8 October 1968

Studio Two, EMI Studios, London, (4.00pm-8.00am)^[154]

Recording
- "Long Long Long" (SI onto take 67)
- "I'm So Tired" (takes 1 – 14)
  - take 7 – released as part of The Beatles ("White Album") 50th anniversary edition
  - take 14 – released as part of The Beatles ("White Album") 50th anniversary edition
- "The Continuing Story of Bungalow Bill" (takes 1 – 3)
  - take 2 – released as part of The Beatles ("White Album") 50th anniversary edition

9 October 1968

Studio Two, EMI Studios, London, (7.00pm-5.30am)^[154]

Stereo mixing
- "The Continuing Story of Bungalow Bill" (remixes 1 and 2 from take 3) – remix 2 released on The Beatles (stereo)
Mono mixing
- "The Continuing Story of Bungalow Bill" (remix 1 from take 3) – released on The Beatles (mono)
Recording
- "Long Long Long" (SI onto take 67)
Tape copying
- "Helter Skelter" (of take 3)

Studio One, EMI Studios, London, (time unknown)^[154]

Recording
- "Why Don't We Do It in the Road?" (take 1 – 5)
  - take 4 – released on Anthology 3
  - take 5 – released as part of The Beatles ("White Album") 50th anniversary edition

10 October 1968

Studio Two, EMI Studios, London, (7.00pm-7.15am)^[155]

Recording
- "Piggies" (SI onto take 12)
- "Glass Onion" (SI onto take 33)
Stereo mixing
- "Glass Onion" (remixes 1 and 2 from take 33) – remix 2 released on The Beatles (stereo)
- "Rocky Raccoon" (remix 1 from take 10) – released on The Beatles (stereo)
- "Long Long Long" (remixes 1 – 4 from take 67) – remix 4 released on The Beatles (stereo)
Mono mixing
- "Glass Onion" (remixes 10 and 11 from take 33) – remix 11 released on The Beatles (mono)

Studio Three, EMI Studios, London, (time unknown)^[155]

Recording
- "Why Don't We to Do It in the Road" (SI onto take 5, tape reduction take 5 into take 6, SI onto take 6)

11 October 1968

Studio Two, EMI Studios, London, (3.00pm-6.00pm)^[155]

Recording
- "Savoy Truffle" (SI onto take 1)

Studio Two (control room only), EMI Studios, London, (6.00pm-12.00pm)^[155]

Mono mixing
- "Piggies" (remixes 1 – 4 from take 12) – remix 4 released on The Beatles (mono)
- "Don't Pass Me By" (remix 1 from take 7 and edit of edit piece 4) – released on The Beatles (mono)
- "Good Night" (remixes 1 and 2 from take 34) – remix 2 released on The Beatles (mono)
Stereo mixing
- "Piggies" (remixes 1 – 3 from take 12) – remix 3 released on The Beatles (stereo)
- "Don't Pass Me By" (remix 1 from take 7 and edit of edit piece 4) – released on The Beatles (stereo)
- "Good Night" (remix 1 from take 34) – released on The Beatles (stereo)

12 October 1968

Studio Two (control room only), EMI Studios, London, (7.00pm-5.45am)^[155]

Stereo mixing
- "Everybody's Got Something to Hide Except for Me And My Monkey" (remix 1 from take 12) – released on The Beatles (stereo)
- "Helter Skelter" (remixes 1 – 5 from take 21) – remix 5 released on The Beatles (stereo)
- "Mother Nature's Son" (remixes 1 and 2 from take 26) – remix 2 released on The Beatles (stereo)
- "Ob-La-Di, Ob-La-Da" (remixes 1 – 4 from take 23) – remix 4 released on The Beatles (stereo)
Mono mixing
- "Everybody's Got Something to Hide Except for Me And My Monkey" (remix 1 from take 12) – released on The Beatles (mono)
- "Mother Nature's Son" (remixes 1 and 2 from take 26) – remix 2 released on The Beatles (mono)
- "Ob-La-Di, Ob-La-Da" (remix 10 from take 23) – released on The Beatles (mono)
- "Long Long Long" (remix 1 from take 67)

13 October 1968

Studio Two, EMI Studios, London, (7.00pm-6.00am)^[155]

Recording
- "Julia" (takes 1 – 3)
  - Two Rehearsals – released as part of The Beatles ("White Album") 50th anniversary edition
  - Take 2 – released on Anthology 3
Stereo mixing
- "Julia" (remix 1 from take 3) – released on The Beatles (stereo)
- "Dear Prudence" (remix 1 from take 1) – released on The Beatles (stereo)
- "Wild Honey Pie" (remixes 1 and 2 from take 1) – remix 2 released on The Beatles (stereo)
- "Back in the USSR" (remix 1 from take 6) – released on The Beatles (stereo)
- "Blackbird" (remix 1 from take 32) – released on The Beatles (stereo)
Mono mixing
- "Julia" (remix 1 from take 3) – released on The Beatles (mono)
- "Dear Prudence" (remixes 1 – 5 from take 1) – remix 5 released on The Beatles (mono)
- "Blackbird" (remix 10 from take 32) – released on The Beatles (mono)

14 October 1968

Studio Two, EMI Studios, London, (7.00pm-7.30am)^[156]

Recording
- "Savoy Truffle" (SI onto take 1)
Stereo mixing
- "I Will" (remix 1 from take 68) – released on The Beatles (stereo)
- "Birthday" (remix 1 from take 22) – released on The Beatles (stereo)
- "Savoy Truffle" (remixes 1 and 2 from take 1) – remix 1 or 2 released on The Beatles (stereo)
- "While My Guitar Gently Weeps" (remixes 10 – 12 from take 25) – released on The Beatles (stereo)
- "Yer Blues" (remixes 1 – 5 from take 16 and 17 and edit piece 1) – remix 3 released on The Beatles (stereo)
- "Sexy Sadie" (remixes 1 – 3 from take 117) – released on The Beatles (stereo)
- "What's the New Mary Jane" (remixes 1 and 2 from take 4)
Mono mixing
- "Savoy Truffle" (remixes 1 – 6 from take 1) – released on The Beatles (mono)
- "While My Guitar Gently Weeps" (remixes 10 and 11 from take 25) – remix 10 or 11 released on The Beatles (mono)
- "Long Long Long" (remixes 2 and 3 from take 67) – remix 2 or 3 released on The Beatles (mono)

15 October 1968

Studio Two, EMI Studios, London, (6.00pm-8.00pm)^[156]

Stereo mixing
- "Happiness Is a Warm Gun" (remixes 1 – 4 from take 65) – released on The Beatles (stereo)
- "I'm So Tired" (remixes 1 – 5 from take 14) – released on The Beatles (stereo)
- "Cry Baby Cry" (remixes 1 – 3 from take 12) – released on The Beatles (stereo)
Mono mixing
- "I'm So Tired" (remixes 1 – 3 from take 14) – released on The Beatles (mono)
- "Cry Baby Cry" (remix 1 from take 12) – released on The Beatles (mono)

16 and 17 October 1968

Studios One, Two and Three and rooms 41 and 42, EMI Studios, London, (5.00pm-5.00pm)^[156]

Mono mixing
- "Crossfades and edits for LP
- "Why Don't We Do It in the Road" (remix 1 from take 6) – released on The Beatles (mono)
Stereo mixing
- "Crossfades and edits for LP
- "Why Don't We Do It in the Road" (remix 1 from take 6) – released on The Beatles (stereo)

Studios Two (Control room only), EMI Studios, London, (time unknown)^[156]

Tape copying
- "It's All Too Much" (of take 2, called take 196)
Mono mixing
- "It's All Too Much" (remix 1 from take 196) – used in Yellow Submarine (film); included on Mono Masters
Stereo mixing
- "It's All Too Much" (remix 1 from take 196) – released on Yellow Submarine (stereo)

18 October 1968

Studios One (Control room only), EMI Studios, London, (12.00pm-1.00pm)^[157]

Tape copying
- "Yer Blues" (of edit of remix mono 3 and edit piece take 1)
- "Don't Pass Me By" (of remix mono 1)

Yellow Submarine session

29 October 1968

Studio Three (control room only), EMI Studios, London (10.00am-1.00pm)^[157]

Stereo mixing
- "Hey Bulldog" (remixes 1–3, from take 10) – released on Yellow Submarine (stereo)
- "All Together Now" (remix 1, from take 9) – released on Yellow Submarine (stereo)
- "All You Need Is Love" (remixes 1–6, from take 58) – released on Yellow Submarine (stereo); included on Magical Mystery Tour (stereo)
- "Only a Northern Song" (remix 1, from remix mono 6) – released on Yellow Submarine (stereo)
Personnel
- Production staff: Geoff Emerick (engineer), Graham Kirkby (2nd engineer)

1969

Get Back album sessions

^[158] There are no take numbers since they were not formal studio recording sessions, but rehearsals filmed for Let It Be. Some of the songs were released on later Beatles or solo records.

Songs (arranged by artist):

Arthur Alexander
- A Shot of Rhythm and Blues
- Soldier of Love (Lay Down Your Arms)
Louis Armstrong
- Hello, Dolly!
The Band
- I Shall Be Released
- The Weight
- To Kingdom Come
Richard Barret
- Some Other Guy
The Beatles
- All Together Now
- All I Want Is You (not the same as "Dig a Pony")
- Back in the U.S.S.R.
- Because I Know You Love Me So
- Blues Jam
- Carry That Weight
- The Castle Of The King Of The Birds
- Commonwealth
- Cupcake Baby
- Dig a Pony
- Dig It
- Don't Let Me Down
- Enoch Powell
- Every Little Thing
- Everybody Got Soul
- For You Blue
- Freakout Jam (Featuring Yoko Ono)
- From Me to You
- Get Back
- Get Off (Winston, Richard, John; White Power)
- Golden Slumbers
- Help!
- Her Majesty
- I Bought A Piano The Other Day
- I Fancy Me Chances with You
- I Me Mine
- I Told You Before (Featuring Heather)
- I Want You (She's So Heavy)
- I'll Get You
- I'll Wait Till Tomorrow
- I've Been Thinking That You Love Me
- I've Got a Feeling
- The Inner Light
- Jam (Featuring Yoko Ono)
- Jazz Piano Piece
- Just Fun
- Lady Madonna
- Let It Be
- The Long and Winding Road
- Love Me Do
- Madman
- Martha My Dear
- Maxwell's Silver Hammer
- Mean Mr. Mustard
- My Imagination
- Norwegian Wood (This Bird Has Flown)
- Ob-La-Di, Ob-La-Da
- Octopus's Garden
- Oh! Darling
- Old Brown Shoe
- One After 909
- Paul's Piano Intro (adaptation of Adagio for Strings)
- Piano Piece (Bonding)
- Please Please Me
- Revolution
- The River Rhine
- There You Are, Eddie
- Run for Your Life
- Sexy Sadie
- Shakin' in the Sixties
- She Came in Through the Bathroom Window
- She Said She Said
- Something
- Song of Love
- Strawberry Fields Forever
- Sun King
- Suzy Parker
- Thinking of Linking
- Too Bad About Sorrows
- Two of Us
- Water! Water!
- Won't You Please Say Goodbye
- Window, Window
- You Can't Do That
- You Know My Name (Look Up the Number)
- You Wear Your Women Out
Irving Berlin
- A Pretty Girl Is Like a Melody
Chuck Berry
- Almost Grown
- Brown-Eyed Handsome Man
- Carol
- I Got to Find My Baby
- I'm Talkin' 'Bout You
- Johnny B. Goode
- Little Queenie
- Maybellene
- No Particular Place to Go
- Rock and Roll Music
- School Days (Ring Ring Goes the Bell)
- Sweet Little Sixteen
- Thirty Days
- You Can't Catch Me
The Beach Boys
- Loop De Loop
Euday L. Bowman
- Twelfth Street Rag
The Everly Brothers
- Bye Bye Love
- Cathy's Clown
The Isley Brothers
- Shout!
- Twist and Shout
Roy Brown
- Good Rockin' Tonight
James Brown
- Papa's Got a Brand New Bag
Johnny Cash
- Flushed from the Bathroom of Your Heart
Ray Charles
- Hallelujah, I Love Her So
- What'd I Say?
The Coasters
- Three Cool Cats
Eddie Cochran
- C'mon Everybody
- Somethin' Else
- Twenty Flight Rock
Sam Cooke
- Bring It on Home to Me
Bo Diddley
- Bo Diddley
- I'm a Man
Lonnie Donegan
- Rock Island Line
Richard Drapkin
- Devil in Her Heart
The Drifters
- Save the Last Dance for Me
- Stand by Me
Bob Dylan
- All Along the Watchtower
- Blowin' in the Wind
- I Shall Be Released
- I Threw It All Away
- I Want You
- It Ain't Me, Babe
- Stuck Inside of Mobile with the Memphis Blues Again
- Mama, You Been on My Mind
- My Back Pages
- Please, Mrs. Henry
- Positively Fourth Street
- Mighty Quinn (Quinn, the Eskimo)
- Rainy Day Women ♯12 & 35
Donnie Elbert
- A Little Piece of Leather
Georgie Fame
- The Ballad of Bonnie and Clyde
Emile Ford (McCarthy/Johnson/Monaco)
- What Do You Want to Make Those Eyes at Me for?
Erma Franklin
- Piece of My Heart
Jesse Fuller
- San Francisco Bay Blues
Marvin Gaye
- Hitch Hike
W. C. Handy
- St. Louis Blues
Richard Harris
- MacArthur Park
George Harrison
- All Things Must Pass
- Hear Me, Lord
- Isn't It a Pity
- Let It Down
Screamin' Jay Hawkins
- Little Demon
Buddy Holly
- Mailman, Bring Me No More Blues
- Not Fade Away
- Peggy Sue Got Married
- That'll Be the Day
Robert Johnson
- Milk Cow Blues
Louis Jordan
- What's the Use of Getting Sober
Aram Khachaturian
- Sabre Dance
John Lennon
- A Case of the Blues
- Child of Nature (On the Road to Rishikesh; early "Jealous Guy")
- Gimme Some Truth
Jerry Lee Lewis
- Fools like Me
- Great Balls of Fire
- High School Confidential
Jackie Lomax
- Little Yellow Pills
Paul McCartney
- Another Day
- Every Night
- Junk
- Step Inside Love
- Suicide
- Teddy Boy
- The Back Seat of My Car
Jimmy McCracklin
- The Walk
Gerry and the Pacemakers
- Don't Let the Sun Catch You Crying
Carl Perkins
- Blue Suede Shoes
- Gone Gone Gone
- Sure to Fall (In Love with You)
Cole Porter
- True Love
Elvis Presley
- All Shook Up
- Baby Let's Play House
- Don't Be Cruel
- That's Alright (Mama)
Lloyd Price
- Lawdy Miss Clawdy
Speckled Red
- The Right String (But the Wrong Yo-Yo)
Cliff Richard
- Move It
Little Richard
- Long Tall Sally
- Lucille
- Miss Ann
- Rip It Up
Jimmie Rodgers
- Blue Yodel No. 1
Smokey Robinson and the Miracles
- The Tracks of My Tears
- You Really Got a Hold on Me
Chan Romero
- The Hippy Hippy Shake
The Four Seasons
- C'mon Marianne
The Shadows
- F.B.I.
Moises Simons
- Peanut Vendor
Ringo Starr
- Taking a Trip to Carolina
Leiber/Stoller
- Kansas City
Barret Strong
- Money (That's What I Want)
Traditional (Public Domain)
- Baa Baa Black Sheep
- Frere Jacques
- God Save the Queen
- Hare Krishna Mantra (Harry Pinsker)
- Hava Negeilah Blues
- Hello Muddah, Hello Fadduh
- House of the Rising Sun
- Long Lost John
- Maggie Mae
- Michael, Row the Boat Ashore
- Midnight Special
- Rule, Britannia!
- Take This Hammer
- Turkey in the Straw
- When Irish Eyes Are Smiling
- When the Saints Go Marching In
Tommy Tucker
- Hi-Heel Sneakers
Big Joe Turner
- Honey Hush
- Shake, Rattle And Roll
Conway Twitty
- It's Only Make Believe
Consuelo Velázquez
- Bésame Mucho
Gene Vincent and his Blue Caps
- Be-Bop-a-Lula
Frederick Weatherly
- Danny Boy
Lenny Welch (Marlow/Scott)
- A Taste of Honey
Kurt Weill
- Mack The Knife
Sonny Boy Williams
- One Way Out
Hank Williams
- Hey Good Lookin'
- You Win Again
Larry Williams
- Bad Boy
- Dizzy Miss Lizzy
- Short Fat Fannie
Meredith Willson
- Till There Was You

Numerous improvisations were also recorded during these sessions.

Medleys

^[158]

"Little Demon" (Screamin' Jay Hawkins)/"Maybellene" (Berry)/"You Can't Catch Me" (Berry)/"Brown-Eyed Handsome Man" (Berry)
- Recorded 24 January 1969, at 3 Savile Row.
"Blue Suede Shoes" (Perkins)/"You Really Got a Hold on Me" (Robinson)
- Recorded 26 January 1969 at 3 Savile Row.
"Rip It Up" (Blackwell-Marascalco)/"Shake, Rattle, And Roll" (Calhoun)
- Recorded 26 January 1969 at 3 Savile Row. Although Anthology 3 places this medley and the above together, they were recorded separately, but on the same day.
"Cannonball"/"Not Fade Away" (Hardin-Petty)/"Hey Little Girl"/"Bo Diddley" (McDaniel)
- Recorded 29 January 1969 at 3 Savile Row.
"Take This Hammer" (Traditional)/"Long Lost John" (Traditional)/"Black Dog Blues" (also known as "Daddy, Where You Been So Long?")/"The Right String (But the Wrong Yo-Yo)" (Speckled Red)/"Run for Your Life"
- Recorded at 3 Savile Row.
"Kansas City" (Leiber-Stoller)/"Miss Ann" (Penniman-Johnson)/"Lawdy Miss Clawdy" (Price)
- Recorded 26 January 1969, at 3 Savile Row.
"All Shook Up" (Blackwell-Presley)/"Your True Love"/"Blue Suede Shoes" (Perkins)
- Recorded 3 January 1969, at Twickenham Film Studios..
"Ramblin' Woman"/"I Threw It All Away" (Dylan)/"Mama, You Been on My Mind" (Dylan)
- Recorded 9 January 1969, at Twickenham Film Studios.
"Sausages and French Fries" (Lennon–McCartney–Harrison–Starr)/"Early in the Morning"/"Honey Hush" (Turner)
- Recorded 8 January 1969 at Twickenham Film Studios.
"I've Got a Feeling"/"Help!"/"Please Please Me"
- Recorded 23 January 1969, at 3 Savile Row.
"I'm Ready" (Domino; also known as "Rocker")/"Save the Last Dance for Me" (Pomus-Shuman)/"Don't Let Me Down"
- Recorded at 3 Savile Row.

Abbey Road and "The Ballad of John And Yoko" single sessions

22 February 1969

Trident Studios, Trident House, London (time unknown)^[159]

Recording
- "I Want You (She's So Heavy)" (takes 1–35)
Production Staff: Glyn Johns (Producer), Barry Sheffield (Engineer), unknown (2nd Engineer)

23 February 1969

Trident Studios, Trident House, London (time unknown)^[159]

Editing
- "I Want You (She's So Heavy)" (unnumbered master from takes 9, 20 and 32)
Production Staff: Glyn Johns (Producer), Barry Sheffield (Engineer), unknown (2nd Engineer)

24 February 1969

Trident Studios, Trident House, London (time unknown)^[159]

Tape copying
- "I Want You (She's So Heavy)" (of unnumbered master)
Production Staff: N/A (Producer), Barry Sheffield (Engineer), unknown (2nd Engineer)

25 February 1969

Studio unknown, EMI Studios, London (time unknown)^[160]

Recording
- "Old Brown Shoe" (takes 1 and 2)
  - "Old Brown Shoe" (demo) – Released on Anthology 3
- "All Things Must Pass" (takes 1 and 2)
  - "All Things Must Pass" (demo) – Released on Anthology 3
- "Something" (demo, take 1) – Released on Anthology 3 and on Abbey Road 50th Anniversary Super Deluxe Edition
Production Staff: N/A (Producer), Ken Scott (Engineer and 2nd Engineer)

14 April 1969

Studio Three, EMI Studios, London, (2.30pm-11.00pm)^[161]

Recording
- "The Ballad of John and Yoko" (takes 1 – 11)
  - take 7 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Stereo Mixing
- "The Ballad of John and Yoko" (remixes 1 – 5 from take 10) – released as a single; included on Past Masters
Production Staff: George Martin (Producer), Geoff Emerick (Engineer), John Kurlander (2nd Engineer)

16 April 1969

Studio Three, EMI Studios, London, (2.30pm-5.00pm)^[161]

Recording
- "Old Brown Shoe" (demo, take 1)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Richard Lush (2nd Engineer)

Studio Three, EMI Studios, London, (7.00pm-2.45am)^[161]

Recording
- "Old Brown Shoe" (takes 1 – 4)
  - take 2 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
- "Something" (takes 1 – 13)
Stereo Mixing
- "Old Brown Shoe" (remixes 1 – 3 from take 4)
Production Staff: George Martin (Producer), Jeff Jarratt (Engineer), Richard Lush (2nd Engineer)

18 April 1969

Studio Three, EMI Studios, London, (2.30pm-1.00am)^[161]

Recording
- "Old Brown Shoe" (SI onto take 4)
Stereo Mixing
- "Old Brown Shoe" (remixes 5 – 23 from take 4) – released as the B-side to "The Ballad of John and Yoko"; included on Past Masters

Studio Two, EMI Studios, London, (1.00am-4.30am)^[161]

Recording
- "I Want You (She's So Heavy)" (SI onto unnumbered master, reduction of unnumbered master called take 1, SI onto take 1)
Stereo Mixing
- "I Want You (She's So Heavy)" (unnumbered rough mix from take 1)
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), John Kurlander (2nd Engineer)

20 April 1969

Studio Three, EMI Studios, London, (7.00pm-12.45am)^[162]

Recording
- "I Want You (She's So Heavy)" (SI onto take 1)
- "Oh! Darling" (takes 1–26)
  - take 4 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Stereo Mixing
- "Oh! Darling" (remix 1 from take 26)
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), John Kurlander (2nd Engineer)

26 April 1969

Studio Two, EMI Studios, London, (4.30pm-4.15am)^[162]

Recording
- "Oh! Darling" (SI onto take 26)
- "Octopus's Garden" (takes 1–32)
  - take 2 – Released on Anthology 3
  - take 9 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), Richard Langham (2nd Engineer)

29 April 1969

Studio Three, EMI Studios, London, (7.30pm-1.00am)^[162]

Recording
- "Octopus's Garden" (SI onto take 32)
Stereo Mixing
- "Octopus's Garden" (remixes 1 – 4 from take 32)
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), Nick Webb (2nd Engineer)

1 May 1969

Studio Three (control room only), EMI Studios, London, (2.30pm-7.00pm)^[163]

Stereo Mixing
- "Oh! Darling" (remixes 2 – 4 from take 26)
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), Nick Webb (2nd Engineer)

2 May 1969

Studio Three, EMI Studios, London, (7.00pm-3.40am)^[163]

Recording
- "Something" (re-make, takes 1 – 36)
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), Nick Webb (2nd Engineer)

5 May 1969

Studio One, Olympic Sound Studios, London (7.30pm-4.00am)^[164]

Recording
- "Something" (SI onto take 36)
Production Staff: George Martin (Producer), Glyn Johns (Engineer), Steve Vaughan (2nd Engineer)

6 May 1969

Studio One, Olympic Sound Studios, London (3.00pm-4.00am)^[164]

Recording
- "You Never Give Me Your Money" (takes 1–36)
  - take 36 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Stereo Mixing
- "You Never Give Me Your Money" (remix 1 from take 30)
Production Staff: George Martin (Producer), Glyn Johns (Engineer), Steve Vaughan (2nd Engineer)

1 July 1969

Studio Two, EMI Studios, London (3.00pm-7.30pm)^[165]

Recording
- "You Never Give Me Your Money" (SI onto take 30)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Chris Blair (2nd Engineer)

2 July 1969

Studio Two, EMI Studios, London (3.00pm-9.30pm)^[166]

Recording
- "Her Majesty" (takes 1–3)
  - takes 1–3 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
- "Golden Slumbers/Carry That Weight" (takes 1–15)
  - takes 1-3 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Chris Blair (2nd Engineer)

3 July 1969

Studio Two, EMI Studios, London (3.00pm-8.30pm)^[166]

Editing
- "Golden Slumbers/Carry That Weight" (of takes 13 and 15 called take 13)
Recording
- "Golden Slumbers/Carry That Weight" (SI onto take 13, tape reduction take 13 into takes 16 and 17)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Chris Blair (2nd Engineer)

4 July 1969

Studio Two, EMI Studios, London (2.45pm-5.30pm)^[166]

Recording
- "Golden Slumbers/Carry That Weight" (SI onto take 17)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Chris Blair (2nd Engineer)

7 July 1969

Studio Two, EMI Studios, London (2.30pm-11.45pm)^[166]

Recording
- "Here Comes the Sun" (takes 1–13)
  - take 9 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Production Staff: George Martin (Producer), Phil McDonald (Engineer), John Kurlander (2nd Engineer)

8 July 1969

Studio Two, EMI Studios, London (2.30pm-11.15pm)^[167]

Recording
- "Here Comes the Sun" (SI onto take 13, tape reduction take 13 into takes 14 and 15)
Mono Mixing
- "Here Comes the Sun" (unnumbered rough remix from take 15)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), John Kurlander (2nd Engineer)

9 July 1969

Studio Two, EMI Studios, London (2.30pm-10.15pm)^[167]

Recording
- "Maxwell's Silver Hammer" (takes 1–21)
  - take 5 – Released on Anthology 3
  - take 12 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Production Staff: George Martin (Producer), Phil McDonald (Engineer), John Kurlander (2nd Engineer)

10 July 1969

Studio Two, EMI Studios, London (2.30pm-11.30pm)^[167]

Recording
- "Maxwell's Silver Hammer" (SI onto take 21)
Stereo Mixing
- "Maxwell's Silver Hammer" (remixes 1 – 13 from take 21)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), John Kurlander (2nd Engineer)

11 July 1969

Studio Two, EMI Studios, London (2.30pm-12.00pm)^[168]

Recording
- "Maxwell's Silver Hammer" (SI onto take 21)
- "Something" (SI onto take 36)
Stereo Mixing
- "Something" (remixes 1 – 4 from take 36)
Recording
- "Something" (tape reduction take 36 into take 37)
- "You Never Give Me Your Money" (SI onto take 30)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), John Kurlander (2nd Engineer)

15 July 1969

Studio Three, EMI Studios, London (2.30pm-6.00pm)^[168]

Recording
- "You Never Give Me Your Money" (SI onto take 30)

Studio Two (control room only), EMI Studios, London (6.00pm-11.00pm)^[168]

Stereo Mixing
- "You Never Give Me Your Money" (remixes 1 – 6 from take 30)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

16 July 1969

Studio Three, EMI Studios, London (2.30pm-7.00pm)^[168]

Recording
- "Here Comes the Sun" (SI onto take 15)

Studio Two, EMI Studios, London (7.00pm-12.30am)^[168]

Recording
- "Something" (SI onto take 36, tape reduction take 36 into takes 38 and 39)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

17 July 1969

Studio Three, EMI Studios, London (2.30pm-6.30pm)^[168]

Recording
- "Oh! Darling" (SI onto take 16)

Studio Two, EMI Studios, London (6.30pm-11.15pm)^[168]

Recording
- "Octopus's Garden" (SI onto take 32)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

18 July 1969

Studio Three, EMI Studios, London (2.30pm-8.00pm)^[169]

Recording
- "Oh! Darling" (SI onto take 26)
- "Octopus's Garden" (SI onto take 32)

Studio Two (control room only), EMI Studios, London (8.30pm-10.30pm)^[169]

Mono mixing
- "Octopus's Garden" (remixes 1 – 7 from take 32)
Stereo mixing
- "Octopus's Garden" (remixes 10 – 14 from take 32) – released on Abbey Road
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

21 July 1969

Studio Three, EMI Studios, London (2.30pm-9.30pm)^[169]

Recording
- "Come Together" (takes 1–8)
  - take 1 – Released on Anthology 3
  - take 5 – Released on Abbey Road 50th Anniversary Super Deluxe Edition

Studio Two (control room only), EMI Studios, London (9.30pm-10.00pm)^[169]

Tape copying
- "Come Together" (of take 6 called take 9)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

22 July 1969

Studio Three, EMI Studios, London (2.30pm-9.30pm)^[169]

Recording
- "Oh! Darling" (SI onto take 26)
- "Come Together" (SI onto take 9)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

23 July 1969

Studio Three, EMI Studios, London (2.30pm-11.30pm)^[169]

Recording
- "Oh! Darling" (SI onto take 26)
- "Come Together" (SI onto take 9)
- "The End" (takes 1 -7)
  - take 3 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
  - remix – Released on Anthology 3 (with edited version of final chord from "A Day in the Life")
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

24 July 1969

Studio Two, EMI Studios, London (2.30pm-10.30pm)^[170]

Recording
- "Come and Get It" (take 1) – Released on Anthology 3 and Abbey Road 50th Anniversary Super Deluxe Edition
Stereo mixing
- "Come and Get It" (remix 1 from take 1)
Tape copying
- "Come and Get It" (of stereo remix 1)
Recording
- "Sun King"/"Mean Mr. Mustard" (takes 1–35)
  - take 20 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
- "Who Slapped John?", "Be-Bop-A-Lula", "Ain't She Sweet" (Studio Jams)
  - "Ain't She Sweet" – Released on Anthology 3
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

25 July 1969

Studio Two, EMI Studios, London (2.30pm-2.30am)^[170]

Recording
- "Sun King/Mean Mr. Mustard" (SI onto take 35)
- "Come Together" (SI onto take 9)
- "Polythene Pam"/"She Came in Through the Bathroom Window" (takes 1–39)
  - take 27 – Released on Abbey Road 50th Anniversary Super Deluxe Edition
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

28 July 1969

Studio Three, EMI Studios, London (2.30pm-8.30pm)^[170]

Recording
- "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 39)

Studio Two (control room only), EMI Studios, London (8.00pm-8.30pm)^[170]

Recording
- "Polythene Pam/She Came in Through the Bathroom Window (tape reduction take 39 into take 40)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

29 July 1969

Studio Three, EMI Studios, London (2.30pm-10.45pm)^[170]

Recording
- "Come Together" (SI onto take 9)
- "Sun King/Mean Mr. Mustard" (SI onto take 35)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

30 July 1969

Studio Two (control room only), EMI Studios, London (2.00pm-2.30am)^[171]

Recording
- "You Never Give Me Your Money" (tape reduction take 30 into takes 37 – 42)
- "Come Together" (SI onto take 9)
- "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 40)
- "You Never Give Me Your Money" (SI onto take 40)
- "Golden Slumbers/Carry That Weight" (SI onto take 17)
Stereo Mixing
- "You Never Give Me Your Money" (remix 1 from take 40)
- "Sun King/Mean Mr. Mustard" (remix 1 from take 35)
- "Her Majesty" (remix 1 from take 3)
- "Polythene Pam/She Came in Through the Bathroom Window (remix 1 from take 40)
- "Golden Slumbers/Carry That Weight" (remix 1 from take 17)
- "The End" (remix 1 from take 7)
- Editing, crossfading and tape compilation Abbey Road Medley
  - "The Long One" (trial mix) – Released on Abbey Road 50th Anniversary Super Deluxe Edition
  - "Her Majesty" (from remix 1) – released on Abbey Road
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

31 July 1969

Studio Two, EMI Studios, London (2.30pm-1.15am)^[172]

Recording
- "You Never Give Me Your Money" (SI onto 30)
- "Golden Slumbers/Carry That Weight" (SI onto take 17)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

1 August 1969

Studio Two, EMI Studios, London (2.30pm-10.30pm)^[172]

Recording
- "Because" (takes 1-23, SI onto take 16)
  - take 1 / instrumental – Released on Abbey Road 50th Anniversary Super Deluxe Edition
  - take 16 / a cappella – Released on Anthology 3
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

4 August 1969

Studio Two, EMI Studios, London (2.30pm-9.00pm)^[172]

Recording
- "Because (SI onto take 16)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

Studio Three (control room only), EMI Studios, London (7.15pm-8.45pm)^[172]

Stereo Mixing
- "Something" (unnumbered rough mix from take 39)
- "Here Comes the Sun" (unnumbered rough mix from take 15)
Production Staff: George Harrison (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

5 August 1969

Studio Three (control room only), EMI Studios, London (2.30pm-6.30pm)^[173]

Recording
- "You Never Give Me Your Money" (sound effects takes 1 – 5)

Room 43 and Studio Two, EMI Studios, London (6.30pm-10.45pm)^[173]

Recording
- "Because (SI onto take 16)
- "The End" (SI onto take 7)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

6 August 1969

Studio Three, EMI Studios, London (2.30pm-11.00pm)^[173]

Recording
- "Here Comes the Sun" (SI onto take 15)
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

Room 43 and Studio Two, EMI Studios, London (2.30pm-1.00am)^[173]

Recording
- "Maxwell's Silver Hammer" (tape reduction takes 21 into takes 22–27 with simultaneous SI)
Stereo Mixing
- "Maxwell's Silver Hammer" (remixes 14 – 26 from take 27)
Production Staff: George Martin (Producer), Tony Clark/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

7 August 1969

Studio Two (control room only), EMI Studios, London (2.30pm-6.00pm)^[173]

Stereo Mixing
- "Come Together" (remixes 1 – 10 from take 9) – remix 1 released on Abbey Road

Studio Three, EMI Studios, London (6.00pm-12.00am)^[173]

Recording
- "The End" (SI onto take 7)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

8 August 1969

Studio Two, EMI Studios, London (2.30pm-9.00pm)^[174]

Recording
- "The End" (SI onto take 7)
- "I Want You (She's So Heavy)" (SI onto unnumbered master)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

Studio Three, EMI Studios, London (5.30pm-9.45pm)^[174]

Recording
- "Oh! Darling" (SI onto take 26)
Production Staff: George Martin (Producer), Tony Clark (Engineer), Alan Parsons (2nd Engineer)

11 August 1969

Studio Two, EMI Studios, London (2.30pm-11.30pm)^[175]

Recording
- "I Want You (She's So Heavy)" (SI onto take 1)
- "Oh! Darling" (SI onto take 26)
- "Here Comes the Sun" (SI onto take 15)
Tape copying
- "I Want You (She's So Heavy)" (of take 1)
Editing
- "I Want You (She's So Heavy)" (from take 1 into unnumbered master)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

12 August 1969

Studio Two (control room only), EMI Studios, London (7.00pm-2.00am)^[175]

Stereo Mixing
- "Oh! Darling" (remixes 5 – 9 from take 26) – remix 9 released on Abbey Road
- "Because" (remixes 1 and 2 from take 16) – remix 2 released on Abbey Road
- "Maxwell's Silver Hammer" (remixes 27 – 36 from take 27)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer)

13 August 1969

Studio Two (control room only), EMI Studios, London (2.30pm-9.15pm)^[175]

Stereo Mixing
- "You Never Give Me Your Money" (remixes 20 – 27 from take 30)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

14 August 1969

Studio Two (control room only), EMI Studios, London (2.30pm-2.30am)^[175]

Stereo Mixing
- "Sun King/Mean Mr. Mustard" (remixes 20 – 24 from take 35)
- "Maxwell's Silver Hammer" (edit piece remix 37 from take 27)
- "Polythene Pam/She Came in Through the Bathroom Window (remixes 20 -32 from take 40) – remix 32 released on Abbey Road
Editing
- "Maxwell's Silver Hammer" (of stereo remixes 34 and 37)
- Editing, crossfading and tape compilation Abbey Road Medley
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

15 August 1969

Studio One into Studio Two (control room), EMI Studios, London (2.30pm-1.15am)^[176]

Recording
- "Golden Slumbers/Carry That Weight" (SI onto take 17)
  - take 17 / instrumental / strings & brass only – Released on Abbey Road 50th Anniversary Super Deluxe Edition
- "The End" (SI onto take 7)
- "Something" (SI onto take 39)
  - take 39 / instrumental / strings only – Released on Abbey Road 50th Anniversary Super Deluxe Edition
- "Here Comes the Sun" (SI onto take 15)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

18 August 1969

Studio Two, EMI Studios, London (2.30pm-10.30pm)^[176]

Stereo Mixing
- "Golden Slumbers/Carry That Weight" (remixes 1 – 2 from take 17) – remix 2 released on Abbey Road
Recording
- "The End" (SI onto take 7)
Stereo Mixing
- "The End" (remixes 1 – 6 from take 7)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

19 August 1969

Studio Two, EMI Studios, London (2.00pm-4.00am)^[176]

Stereo Mixing
- "The End" (remixes 1 – 3 from take 7)
- "Golden Slumbers/Carry That Weight" and "The End" (crossfade)
- "Something" (remixes 1 – 10 from take 39) – remix 10 released on Abbey Road
Recording
- "Here Comes the Sun" (SI onto take 15)
Stereo Mixing
- "Here Comes the Sun" (remix 1 from take 15) – released on Abbey Road
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

20 August 1969

Studio Three (control room only), EMI Studios, London (2.30pm-1.15am)^[177]

Stereo Mixing
- "I Want You (She's So Heavy)" (remixes 1 – 8 from take 1, remixes 9 and 10 from unnumbered master)
Editing
- "I Want You (She's So Heavy)" (of stereo remixes 8 and 10) – released on Abbey Road
Master tape banding and tape copying
- Abbey Road LP
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

21 August 1969

Room 4 and Studio Two (control room only), EMI Studios, London (1.00pm-12.00pm)^[177]

Editing
- "The End" (take 7)
Stereo Mixing
- "You Never Give Me Your Money" into "Sun King/Mean Mr. Mustard" (stereo crossfade remix 12) – released on Abbey Road
- "The End" (remix 4 from take 7)
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

25 August 1969

Studio Two (control room only), EMI Studios, London (2.30pm-8.00pm)^[177]

Editing
- "Maxwell's Silver Hammer" (of master) – released on Abbey Road
- "The End" (of master) – released on Abbey Road
Recording
- "Maxwell's Silver Hammer" (sound effects)
Tape copying
- "Abbey Road LP masters
Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), Alan Parsons (2nd Engineer)

No One's Gonna Change Our World and Hey Jude sessions

11 September 1969

Studio Three (control room only), EMI Studios, London (2.30pm-5.30pm)^[178]

Stereo mixing
- "What's the New Mary Jane" (remixes 1–3, from take 4)
Tape copying
- "What's the New Mary Jane" (of stereo remixes 1–3)
Personnel
- Production staff: Malcolm Davies (producer), Tony Clark (engineer), Chris Blair (2nd engineer)

2 October 1969

Room 4, Abbey Road, London (9.30pm-11.00am)^[179]

Stereo mixing
- "Across the Universe" (remixes 1 and 2, from take 8) – remix 2 released on No One's Gonna Change Our World; included on Past Masters
Personnel
- Production staff: George Martin (producer), Jeff Jarratt (engineer), Alan Parsons (2nd engineer)

26 November 1969

Studio Two, EMI Studios, London (7.00pm-3.00am)^[180]

Tape copying
- "You Know My Name (Look Up the Number)" (of remix mono 3, called remix mono 4)
Editing
- "You Know My Name (Look Up the Number)" (of remix mono 4) – released as the B-side to "Let It Be"; included on Past Masters and Mono Masters
Stereo mixing
- "What's the New Mary Jane" (remix 4, from take 4)
Stereo mixing with simultaneous overdub
- "What's the New Mary Jane" (remix 5, from take 4)
Editing
- "What's the New Mary Jane" (of remix stereo 5, called remix stereo 6)
Tape copying with simultaneous editing
- "What's the New Mary Jane" (of stereo remixes 4 into 5)
Tape copying
- "What's the New Mary Jane" (of stereo remixes 4 and 5)
Personnel
- Production staff: Geoff Emerick and John Lennon (producer), Mike Sheady and Phil McDonald (engineer), Nick Webb (2nd engineer)

2 December 1969

Studio Two (control room only), EMI Studios, London (2.30pm-5.30pm)^[180]

Stereo mixing
- "Lady Madonna" (remix 1, from take 5) – released on Hey Jude; included on Past Masters
- "Rain" (remix 1, from take 7) – released on Hey Jude; included on Past Masters
- "Octopus's Garden" (Starkey) (remixes 1 and 2, from take 32) – for the TV program With a Little Help from My Friends
Personnel
- Production staff: George Martin (producer), Geoff Emerick and Phil McDonald (engineer), Richard Lush (2nd engineer)

5 December 1969

Room 4, Abbey Road, London (2.30pm-5.15pm)^[180]

Stereo mixing
- "Hey Jude" (remixes 20 and 21, from take 1) – remix 21 released on Hey Jude; included on Past Masters
- "Revolution" (remix 1, from take 16) – released on Hey Jude; included on Past Masters
Personnel
- Production staff: George Martin (producer), Geoff Emerick and Phil McDonald (engineer), Neil Richmond (2nd engineer)

8 December 1969

Studio Two, EMI Studios, London (10.00am-12.15pm)^[181]

Tape copying with simultaneous recording
- "Octopus's Garden" (takes 1–10)
Personnel
- Production staff: George Martin (producer), Martin Benge (engineer), Richard Lush (2nd engineer)

Let It Be album sessions

Let It Be was put together from the Get Back sessions, documented above. Most songs do not have formal take numbers.

5 February 1969

Apple Studios, London (time unknown)^[159]

Stereo Mixing
- "I've Got a Feeling", "Don't Let Me Down", "Get Back", "The One After 909", "Dig a Pony"
Production Staff: George Martin? (Producer), Glyn Johns (Engineer), Alan Parsons (2nd Engineer)

10 March 1969

Olympic Sound Studios, London (time unknown)^[160]

Stereo Mixing
- "Get Back", "Teddy Boy", "Two of Us", "Dig a Pony", "I've Got a Feeling", "The Long and Winding Road", "Let It Be", "Rocker", "Save the Last Dance for Me", "Don't Let Me Down", "For You Blue", "The Walk"
Production Staff: George Martin? (Producer), Glyn Johns (Engineer), unknown (2nd Engineer)

11 March 1969

Olympic Sound Studios, London (time unknown)^[160]

Stereo Mixing
- "Two of Us", "The Long and Winding Road", "Lady Madonna"
Production Staff: George Martin? (Producer), Glyn Johns (Engineer), unknown (2nd Engineer)

12 March 1969

Olympic Sound Studios, London (time unknown)^[160]

Stereo Mixing
- "The Long and Winding Road", "Let It Be"
Production Staff: George Martin? (Producer), Glyn Johns (Engineer), unknown (2nd Engineer)

13 March 1969

Olympic Sound Studios, London (time unknown)^[182]

Stereo Mixing
- "I've Got a Feeling", "Dig It", "Maggie May", "Shake Rattle And Roll", "Kansas City", "Miss Ann", "Lawdy Miss Clawdy", "Blue Suede Shoes", "You Really Got a Hold on Me"
Production Staff: George Martin? (Producer), Glyn Johns (Engineer), unknown (2nd Engineer)

26 March 1969

Studio unknown, Abbey Road Studio, London (time unknown)^[182]

Mono Mixing
- "Get Back" (remixes 1 – 4)
Production Staff: George Martin? (Producer), Jeff Jarratt (Engineer), n/a (2nd Engineer)

7 April 1969

Olympic Sound Studios, London (time unknown)^[182]

Mono Mixing
- "Get Back" (remix 5) – released as a single on 11 April 1969; included on Mono Masters
- "Don't Let Me Down" (remix 1) – released as the B-side to "Get Back"; included on Mono Masters
Stereo Mixing
- "Get Back" (remix 1) – included on Past Masters
- "Don't Let Me Down" (remix 1) – included on Past Masters
Production Staff: George Martin? (Producer), Glyn Johns (Engineer), Jerry Boys (2nd Engineer)

25 April 1969

Room 4, Abbey Road Studio, London (11.30am-12.30pm)^[162]

Mono Mixing
- "Two of Us" (remix 1)
Production Staff: n/a (Producer), Peter Mew (Engineer), Chris Blair (2nd Engineer)

30 April 1969

Studio Three, Abbey Road Studios, London (7.15pm-2.00am)^[163]

Recording
- "Let It Be" (SI onto take 27)
- "You Know My Name (Look Up the Number)" (SI onto take 30)
Mono Mixing
- "You Know My Name (Look Up the Number)" (remixes 1 – 3 from take 30)
Production Staff: Chris Thomas (Producer), Jeff Jarratt (Engineer), Nick Webb (2nd Engineer)

7 May 1969

Studio One, Olympic Sound Studios, London (8.00pm-7.30am)^[164]

Stereo Mixing
- Inserts for Get Back LP (unreleased)
Production Staff: George Martin (Producer), Glyn Johns (Engineer), Steve Vaughan (2nd Engineer)

9 May 1969

Studio One, Olympic Sound Studios, London (3.00pm-11.00pm)^[164]

Stereo Mixing
- Inserts for Get Back LP (unreleased)
Production Staff: George Martin (Producer), Glyn Johns (Engineer), Steve Vaughan (2nd Engineer)

28 May 1969

Studio One, Olympic Sound Studios, London (time unknown)^[164]

Stereo Mixing
- "Let It Be" (of take 27)
- Master tape banding and compilation for Get Back LP (unreleased)
Production Staff: George Martin (Producer), Glyn Johns (Engineer), Steve Vaughan (2nd Engineer)

11 August 1969

Studio Three (control room only), Abbey Road Studios, London (1.00pm-2.00pm)^[175]

Mono tape copying
- "Dig It" (of 13 March stereo mix)
Production Staff: n/a (Producer), Phil McDonald (Engineer and 2nd Engineer)

1970

Let It Be album sessions (cont.)

3 January 1970

Studio Two, Abbey Road Studios, London (2.30pm-12.15am)^[181]

Recording
- "I Me Mine" (takes 1 – 16)
  - Wake Up Little Susie/Take 11 – released on Let It Be Super Deluxe
  - Take 16 – released on Anthology 3
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Richard Langham (2nd Engineer)

4 January 1970

Studio Two, Abbey Road Studios, London (2.30pm-4.00am)^[181]

Recording
- "Let It Be" (SI onto take 27, tape reduction take 27 into takes 28 – 30 with simultaneous SI, SI onto take 30)
Stereo Mixing
- "Let It Be" (remixes 1 and 2 from take 30) – remix 2 released as a single; included on Past Masters
Production Staff: George Martin (Producer), Phil McDonald (Engineer), Richard Langham (2nd Engineer)

5 January 1970

Studio One, Olympic Sound Studios, London (time unknown)^[183]

Stereo Mixing
- "I Me Mine" (remix 1 from take 16)
- "Across the Universe" (remix 3 from take 8)
Master tape banding and compilation
- Get Back LP (unreleased)
Production Staff: Glyn Johns (Producer, Engineer and 2nd Engineer)

27 January 1970

Studio Two (control room only), Abbey Road Studios, London (10.00pm-11.30pm)^[183]

Stereo Mixing
- "The Inner Light" (remix 1 from take 6) – released on Past Masters
- Production Staff: Geoff Emerick (Producer), Peter Brown/Jeff Jarratt (Engineer), John Barrett (2nd Engineer)

28 February 1970

Room 4, Abbey Road Studios, London (time unknown)^[183]

Stereo Mixing
- "For You Blue" (remixes 1 – 8)
Production Staff: Malcolm Davies (Producer), Peter Brown (Engineer), Richard Langham (2nd Engineer)

23 March 1970

Room 4, Abbey Road Studios, London (time unknown)^[184]

Stereo Mixing
- "I've Got a Feeling" (remixes 1 and 2)
- "Dig a Pony" (remixes 1 and 2) – remix 2 released on Let It Be
- "I've Got a Feeling" (remixes 3 – 6)
- "The One After 909" (remixes 1 – 3) – remix 3 released on Let It Be
- "I Me Mine" (remixes 1 – 3 from take 16)
- "Across the Universe" (remixes 1 – 8 from take 8)
Editing
- "I've Got a Feeling" (of remixes 1 and 2 called stereo remix 3, of remixes 3 – 6 called stereo remix 4) – stereo remix 4 released on Let It Be
- "I Me Mine" (of remixes 1 – 3 called stereo remix 2)
Production Staff: Phil Spector (Producer), Peter Brown (Engineer), Roger Ferris (2nd Engineer)

25 March 1970

Room 4, Abbey Road Studios, London (time unknown)^[184]

Stereo Mixing
- "For You Blue" (remix 1, remixes 2 – 8 of edit piece only)
- "Teddy Boy" (remixes 1 and 2)
- "Two of Us" (remixes 1 and 2) – remix 2 released on Let It Be
Editing
- "For You Blue" (of remixes 1 and 5 called stereo remix 1) – released on Let It Be
- "Teddy Boy" (of stereo remix 2)
Production Staff: Phil Spector (Producer), Peter Brown (Engineer), Roger Ferris (2nd Engineer)

26 March 1970

Room 4, Abbey Road Studios, London (time unknown)^[185]

Stereo Mixing
- "The Long and Winding Road" (remix 1)
- "Let It Be" (remixes 1 – 4 from take 30)
- "Get Back" (remixes 1 – 5)
- "Maggie May" (remixes 1 and 2) – remix 2 released on Let It Be
Editing
- "Let It Be" (of remixes 1 – 4 called stereo remix 1) – released on Let It Be
- "Get Back" (of remixes 3 and 5 called stereo remix 3) – released on Let It Be
Production Staff: Phil Spector (Producer), Peter Brown (Engineer), Roger Ferris (2nd Engineer)

27 March 1970

Room 4, Abbey Road Studios, London (time unknown)^[185]

Stereo Mixing
- "Dig It" (remix 1) – released on Let It Be
- Dialogue and miscellaneous pieces for LP
Production Staff: Phil Spector (Producer), Mike Sheady (Engineer), Roger Ferris (2nd Engineer)

30 March 1970

Room 4, Abbey Road Studios, London (time unknown)^[185]

Stereo Mixing
- "For You Blue" (unnumbered stereo remixes)
Production Staff: Phil Spector (Producer), Mike Sheady/Eddie Klein (Engineer), Roger Ferris (2nd Engineer)

1 April 1970

Studio One and control room Studio Three, Abbey Road Studios, London (7.00pm-time unknown)^[185]

Recording
- "Across the Universe" (tape reduction take 8 into take 9, SI onto take 9)
- "The Long and Winding Road" (tape reduction of 31 January 1969 recording into takes 17 – 19, SI onto take 18)
- "I Me Mine" (tape reduction extended edit of take 16 into takes 17 and 18, SI onto take 18)
Production Staff: Phil Spector (Producer), Peter Brown (Engineer), Richard Lush (2nd Engineer)

2 April 1970

Room 4, Abbey Road Studios, London (time unknown)^[186]

Stereo Mixing
- "The Long and Winding Road" (remixes 10 -13 from take 18)
- "I Me Mine" (remixes 10 – 12 from take 18)
- "Across the Universe" (remixes 10 – 13 from take 9) – remix 13 released on Let It Be
Editing
- "The Long and Winding Road" (of stereo remixes 10 and 13) – released on Let It Be
- "I Me Mine" (of stereo remixes 11 and 12) – released on Let It Be
Production Staff: Phil Spector (Producer), Peter Brown (Engineer), Roger Ferris (2nd Engineer)

8 May 1970

"Let It Be" LP release

Two of Us, mixed 25 March 1970, recorded 31 January 1969 take 11^[187]^[188] (DDSI 31.13 ^[188])
Dig a Pony, mixed 23 March 1970, recorded 30 January 1969 at the rooftop concert (DDSI 30.11^[189])
Across the Universe, mixed 2 April 1970, recorded 4 and 8 February 1968 take 8 ^[128]^[181]
I Me Mine, mixed 2 April 1970, recorded 3 January 1970 take 16 ^[181]
Dig It, mixed 27 March 1970, recorded 26 January 1969 (DDSI 26.55 ^[190]). ("Dig It" was an eleven-minute, twenty-five second jam that had a fifty-second excerpt included in the Let It Be album, due to the fact that a section of it was included in the film by the same name).
Let It Be, mixed 26 March 1970, recorded 31 January 1969 take 27^[187] (DDSI 31.64 ^[191])
Maggie Mae, mixed 26 March 1970, recorded 24 January 1969 (DDSI 24.49 ^[192]). (Maggie Mae was a traditional Liverpool folk tune that the Beatles played in the early 1960s).
I've Got a Feeling, mixed 23 March 1970, recorded 30 January 1969 at the Rooftop Concert (DDSI 30.06 ^[193])
One After 909, mixed 23 March 1970, recorded 30 January 1969 at the Rooftop Concert (DDSI 30.08 ^[193]). ("One After 909" was an early Lennon–McCartney composition that was originally recorded in 1963 and was re-recorded for the Let It Be album.)
The Long and Winding Road, mixed 2 April 1970, recorded 26 January 1969 (DDSI 26.91 ^[194])
For You Blue, mixed 25 March 1970, recorded 25 January 1969 take 6^[195] (DDSI 25.47^[196])
Get Back, mixed 26 March 1970, recorded 27 January 1969 (DDSI 27.63^[197]). (Segment of speech by McCartney and Lennon was included after the song appearing on the album).

Notes

↑Hewitt, Paolo (24 May 2000). "One for the road". The Guardian. Retrieved 25 April 2018.
↑Kozinn, Allan (11 December 2013). "European Copyright Laws Lead to Rare Music Releases". The New York Times. Retrieved 8 January 2014.
↑UK Consumer Price Index inflation figures from 1209–2024 based on data from "Inflation calculator". Bank of England. London. 18 February 2026. Retrieved 1 April 2026.
1 2 3 4Beatles Bible, In Spite of All the Danger.
1 2 3 4Beatles Bible, That'll Be the Day.
↑Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965, page 2
1 2 3 4 5 6 7 8"Anthology 1 by The Beatles on Apple Music". iTunes Store. Apple Inc. 14 June 2011. Retrieved 16 October 2017.
↑Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965. pp. 2–4
1 2 3Beatles Bible, Cayenne.
1 2 3Beatles Bible, Hallelujah, I Love Her So.
1 2 3Beatles Bible, You'll Be Mine.
123Beatles Bible, Recording: Summertime.
1 2Lewisohn 2010, pp. 42–43.
12Beatles Bible, Recording: My Bonnie.
1234Beatles Bible, Recording: Sweet Georgia Brown, Swanee River.
↑Beatles Bible, Ain't She Sweet.
↑Beatles Bible, Cry for a Shadow.
↑Beatles Bible, My Bonnie.
↑Lewisohn 2010, p. 62.
↑Beatles Bible, The Beatles' audition for Decca Records.
1 2Lewisohn 2010, p. 70.
↑Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965, pp. 6–7
↑Beatles Bible, Hello Little Girl.
↑Beatles Bible, Like Dreamers Do.
1 2 3Lewisohn 2004, pp. 16–17.
1 2 3Lewisohn 2004, pp. 18–19.
1 2 3 4Lewisohn 2004, p. 20.
1 2 3 4 5Lewisohn 2004, p. 23.
1 2 3 4 5"Past Masters, Vols. 1 & 2 by The Beatles on Apple Music". iTunes Store. Apple Inc. 16 November 2010. Retrieved 16 October 2017.
↑Lewisohn 2004, p. 22.
1 2 3 4 5 6 7 8 9 10 11 12 13Lewisohn 2004, p. 28.
1 2"Please Please Me by The Beatles on Apple Music". iTunes Store. Apple Inc. 16 November 2010. Retrieved 16 October 2017.
1 2 3Lewisohn 2004, pp. 24–27.
↑Lewisohn 2004, p. 36.
1 2 3 4""The Beatles Bootleg Recordings 1963" by The Beatles on iTunes". iTunes Store. Apple Inc. 17 December 2013. Archived from the original on 16 October 2017. Retrieved 16 October 2017.
↑Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965, page 29, 31
↑Lewisohn 2004, pp. 168.
1 2 3 4 5 6Lewisohn 2004, p. 67.
1 2 3 4 5 6Lewisohn 2004, p. 31.
1 2 3 4 5Lewisohn 2004, p. 32.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36Lewisohn 2004, pp. 34–37.
1 2 3 4 5 6"With the Beatles by The Beatles on Apple Music". iTunes Store. Apple Inc. 16 November 2010. Retrieved 19 October 2017.
1 2Lewisohn 2004, p. 38.
1 2Lewisohn 2004, p. 39.
1 2 3 4 5Lewisohn 2004, p. 40.
1 2Lewisohn 2004, p. 41.
1 2 3Lewisohn 2004, p. 42.
↑Lewisohn 2004, p. 43.
1 2 3 4 5 6 7Lewisohn 2004, p. 44.
1 2Lewisohn 2004, p. 45.
1 2 3 4 5Lewisohn 2004, p. 46.
↑Lewisohn 2004, p. 47.
1 2 3Lewisohn 2004, p. 48.
1 2 3 4 5 6 7Lewisohn 2004, p. 49.
1 2 3 4Lewisohn 2004, p. 50.
1 2 3 4 5 6Lewisohn 2004, p. 51.
1 2 3Lewisohn 2004, p. 52.
1 2 3 4 5 6 7Lewisohn 2004, p. 54.
1 2 3 4Lewisohn 2004, p. 55.
1 2 3 4 5Lewisohn 2004, p. 56.
1 2 3Lewisohn 2004, p. 57.
1 2 3 4 5Lewisohn 2004, p. 58.
1 2Lewisohn 2004, p. 59.
1 2 3 4 5Lewisohn 2004, p. 60.
1 2 3Lewisohn 2004, p. 63.
1 2 3 4 5Lewisohn 2004, p. 64.
1 2 3 4 5 6 7Lewisohn 2004, p. 65.
1 2 3 4 5Lewisohn 2004, p. 66.
1 2 3 4 5 6Lewisohn 2004, p. 68.
↑Lewisohn 2004, p. 69.
↑Lewisohn 2004, p. 70.
1 2 3 4 5 6Lewisohn 2004, p. 71.
1 2Lewisohn 2004, p. 73.
1 2 3Lewisohn 2004, p. 74.
1 2 3 4Lewisohn 2004, p. 75.
1 2 3Lewisohn 2004, p. 76.
1 2 3 4 5Lewisohn 2004, p. 77.
1 2 3 4 5 6Lewisohn 2004, p. 78.
1 2Lewisohn 2004, p. 79.
1 2Lewisohn 2004, p. 80.
1 2Lewisohn 2004, p. 81.
1 2 3 4 5Lewisohn 2004, p. 82.
1 2 3 4Lewisohn 2004, p. 83.
1 2 3 4Lewisohn 2004, p. 84.
1 2 3 4Lewisohn 2004, p. 86.
↑Lewisohn 2004, p. 87.
1 2 3 4Lewisohn 2004, p. 88.
1 2 3Lewisohn 2004, p. 89.
1 2 3 4 5Lewisohn 2004, p. 90.
1 2 3Lewisohn 2004, p. 91.
1 2 3 4Lewisohn 2004, p. 92.
1 2 3 4Lewisohn 2004, p. 93.
1 2 3 4Lewisohn 2004, p. 94.
1 2 3 4 5Lewisohn 2004, p. 95.
↑Lewisohn 2004, p. 96.
1 2 3Lewisohn 2004, p. 97.
↑Lewisohn 2004, p. 98.
1 2 3Lewisohn 2004, p. 99.
1 2 3 4Lewisohn 2004, p. 100.
1 2 3 4Lewisohn 2004, p. 101.
1 2 3Lewisohn 2004, p. 102.
1 2 3Lewisohn 2004, p. 103.
1 2 3Lewisohn 2004, p. 104.
↑Lewisohn 2004, p. 105.
1 2 3Lewisohn 2004, p. 106.
1 2 3 4 5Lewisohn 2004, p. 107.
1 2Lewisohn 2004, p. 108.
1 2 3 4Lewisohn 2004, p. 109.
1 2 3Lewisohn 2004, p. 110.
1 2 3 4Lewisohn 2004, p. 111.
1 2 3Lewisohn 2004, p. 112.
↑Lewisohn 2010, p. 256.
↑Lewisohn 2004, p. 114.
1 2 3 4 5Lewisohn 2004, p. 116.
1 2 3 4 5Lewisohn 2004, p. 117.
↑Lewisohn 2004, p. 120.
↑Lewisohn 2004, p. 121.
1 2 3Lewisohn 2004, p. 122.
1 2 3Lewisohn 2004, p. 123.
1 2 3Lewisohn 2004, p. 126.
1 2 3Lewisohn 2004, p. 127.
1 2 3 4 5Lewisohn 2004, p. 128.
1 2 3Lewisohn 2004, p. 129.
1 2 3 4 5 6 7Lewisohn 2004, p. 130.
1 2 3Lewisohn 2004, p. 131.
1 2Lewisohn 2004, p. 132.
1 2 3Lewisohn 2004, p. 133.
1 2 3 4 5Lewisohn 2004, p. 134.
↑Lewisohn 2004, p. 135.
1 2Lewisohn 2004, p. 136.
1 2 3 4 5Lewisohn 2004, p. 137.
1 2Lewisohn 2004, p. 138.
1 2 3 4 5Lewisohn 2004, p. 139.
1 2 3 4Lewisohn 2004, p. 140.
1 2Lewisohn 2004, p. 141.
1 2 3Lewisohn 2004, p. 142.
1 2 3Lewisohn 2004, p. 143.
1 2 3Lewisohn 2004, p. 144.
1 2 3 4Lewisohn 2004, p. 145.
1 2Lewisohn 2004, p. 146.
1 2 3 4 5Lewisohn 2004, p. 147.
1 2 3Lewisohn 2004, p. 148.
1 2Lewisohn 2004, p. 149.
1 2 3Lewisohn 2004, p. 150.
1 2 3 4Lewisohn 2004, p. 151.
1 2 3Lewisohn 2004, p. 152.
1 2Lewisohn 2004, p. 153.
1 2 3Lewisohn 2004, p. 154.
1 2 3 4 5Lewisohn 2004, p. 155.
1 2Lewisohn 2004, p. 156.
1 2 3 4Lewisohn 2004, p. 157.
1 2 3 4Lewisohn 2004, p. 158.
1 2 3Lewisohn 2004, p. 159.
1 2 3Lewisohn 2004, p. 160.
1 2 3 4 5 6Lewisohn 2004, p. 161.
1 2 3 4Lewisohn 2004, p. 162.
1 2Lewisohn 2004, p. 163.
1 2Sulpy, Doug; Schweighhardt, Ray (2007). Drugs, Divorce and a Slipping Image: The Complete, Unauthorized Story of the Beatles Get Back Sessions, see index on pp. 270–278
1 2 3 4Lewisohn 2004, p. 170.
1 2 3 4Lewisohn 2004, p. 171.
1 2 3 4 5Lewisohn 2004, p. 173.
1 2 3 4Lewisohn 2004, p. 174.
1 2 3Lewisohn 2004, p. 175.
1 2 3 4 5Lewisohn 2004, p. 176.
↑Lewisohn 2004, p. 177.
1 2 3 4Lewisohn 2004, p. 178.
1 2 3Lewisohn 2004, p. 179.
1 2 3 4 5 6 7Lewisohn 2004, p. 180.
1 2 3 4 5 6Lewisohn 2004, p. 181.
1 2 3 4 5Lewisohn 2004, p. 182.
↑Lewisohn 2004, p. 183.
1 2 3 4Lewisohn 2004, p. 184.
1 2 3 4 5 6Lewisohn 2004, p. 185.
1 2Lewisohn 2004, p. 186.
1 2 3 4 5Lewisohn 2004, p. 187.
1 2 3Lewisohn 2004, p. 190.
1 2 3Lewisohn 2004, p. 191.
↑Lewisohn 2004, p. 192.
↑Lewisohn 2004, p. 193.
1 2 3Lewisohn 2004, p. 194.
1 2 3 4 5Lewisohn 2004, p. 195.
1 2 3Lewisohn 2004, p. 172.
1 2 3Lewisohn 2004, p. 196.
1 2Lewisohn 2004, p. 197.
1 2 3 4Lewisohn 2004, p. 198.
↑Lewisohn 2004, p. 199.
1 2Lewisohn 2004, p. 169.
1 2DDSI, p. 261.
↑DDSI, p. 257.
↑DDSI, p. 220.
↑DDSI, p. 264.
↑DDSI, p. 196.
1 2DDSI, p. 256.
↑DDSI, p. 223.
↑Lewisohn 2004, p. 165.
↑DDSI, p. 210.
↑DDSI, p. 230.

References

"The Beatles Bible". Cardiff. Retrieved 14 February 2012.
Lewisohn, Mark (2010) [First published 1992]. The Complete Beatles Chronicle. Chicago: Chicago Review Press. ISBN 978-1-56976-534-0.
Lewisohn, Mark (2004) [First published 1988]. The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970. London: Hamlyn. ISBN 0-681-03189-1.
Sulpy, Doug; Schweighhardt, Ray (2007). Drugs, Divorce and a Slipping Image: The Complete, Unauthorized Story of the Beatles Get Back Sessions. The 910 Publishing. ISBN 978-0-9643869-8-3.

External links

Beatles Bootleg History
mp3s of bootlegs
The Beatles Bible – Days in the life: The Beatles' history
Información para coleccionistas acérrimos de música de los Beatles (grabaciones piratas y lanzamientos comerciales).
Zona de piratería

[1] Hewitt, Paolo (24 May 2000). "One for the road". The Guardian. Retrieved 25 April 2018.

[2] Kozinn, Allan (11 December 2013). "European Copyright Laws Lead to Rare Music Releases". The New York Times. Retrieved 8 January 2014.

[inflation-UK-3] UK Consumer Price Index inflation figures from 1209–2024 based on data from "Inflation calculator". Bank of England. London. 18 February 2026. Retrieved 1 April 2026.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongsin-spite-of-all-the-danger_In_Spite_of_All_the_Danger]-4] 1 2 3 4Beatles Bible, In Spite of All the Danger.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongsthatll-be-the-day_That'll_Be_the_Day]-5] 1 2 3 4Beatles Bible, That'll Be the Day.

[6] Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965, page 2

[Anthology_1-7] 1 2 3 4 5 6 7 8"Anthology 1 by The Beatles on Apple Music". iTunes Store. Apple Inc. 14 June 2011. Retrieved 16 October 2017.

[8] Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965. pp. 2–4

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongscayenne_Cayenne]-9] 1 2 3Beatles Bible, Cayenne.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongshallelujah-i-love-her-so_Hallelujah,_I_Love_Her_So]-10] 1 2 3Beatles Bible, Hallelujah, I Love Her So.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongsyoull-be-mine_You'll_Be_Mine]-11] 1 2 3Beatles Bible, You'll Be Mine.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecom19601015recording-summertime_Recording:_Summertime]-12] 123Beatles Bible, Recording: Summertime.

[FOOTNOTELewisohn201042–43-13] 1 2Lewisohn 2010, pp. 42–43.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecom19610622recording-my-bonnie_Recording:_My_Bonnie]-14] 12Beatles Bible, Recording: My Bonnie.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecom19620524recording-sweet-georgia-brown-swanee-river_Recording:_Sweet_Georgia_Brown,_Swanee_River]-15] 1234Beatles Bible, Recording: Sweet Georgia Brown, Swanee River.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongsaint-she-sweet_Ain't_She_Sweet]-16] Beatles Bible, Ain't She Sweet.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongscry-for-a-shadow_Cry_for_a_Shadow]-17] Beatles Bible, Cry for a Shadow.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongsmy-bonnie_My_Bonnie]-18] Beatles Bible, My Bonnie.

[FOOTNOTELewisohn201062-19] Lewisohn 2010, p. 62.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecom19620101recording-decca-audition_The_Beatles'_audition_for_Decca_Records]-20] Beatles Bible, The Beatles' audition for Decca Records.

[FOOTNOTELewisohn201070-21] 1 2Lewisohn 2010, p. 70.

[22] Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965, pp. 6–7

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongshello-little-girl_Hello_Little_Girl]-23] Beatles Bible, Hello Little Girl.

[FOOTNOTEBeatles_Bible[httpswwwbeatlesbiblecomsongslike-dreamers-do_Like_Dreamers_Do]-24] Beatles Bible, Like Dreamers Do.

[FOOTNOTELewisohn200416–17-25] 1 2 3Lewisohn 2004, pp. 16–17.

[FOOTNOTELewisohn200418–19-26] 1 2 3Lewisohn 2004, pp. 18–19.

[FOOTNOTELewisohn200420-27] 1 2 3 4Lewisohn 2004, p. 20.

[FOOTNOTELewisohn200423-28] 1 2 3 4 5Lewisohn 2004, p. 23.

[Past_Masters-29] 1 2 3 4 5"Past Masters, Vols. 1 & 2 by The Beatles on Apple Music". iTunes Store. Apple Inc. 16 November 2010. Retrieved 16 October 2017.

[FOOTNOTELewisohn200422-30] Lewisohn 2004, p. 22.

[FOOTNOTELewisohn200428-31] 1 2 3 4 5 6 7 8 9 10 11 12 13Lewisohn 2004, p. 28.

[Please_Please_Me-32] 1 2"Please Please Me by The Beatles on Apple Music". iTunes Store. Apple Inc. 16 November 2010. Retrieved 16 October 2017.

[FOOTNOTELewisohn200424–27-33] 1 2 3Lewisohn 2004, pp. 24–27.

[FOOTNOTELewisohn200436-34] Lewisohn 2004, p. 36.

[Bootleg_Recordings-35] 1 2 3 4""The Beatles Bootleg Recordings 1963" by The Beatles on iTunes". iTunes Store. Apple Inc. 17 December 2013. Archived from the original on 16 October 2017. Retrieved 16 October 2017.

[36] Winn, John C. (2003). The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 1957–1965, page 29, 31

[FOOTNOTELewisohn2004168-37] Lewisohn 2004, pp. 168.

[FOOTNOTELewisohn200467-38] 1 2 3 4 5 6Lewisohn 2004, p. 67.

[FOOTNOTELewisohn200431-39] 1 2 3 4 5 6Lewisohn 2004, p. 31.

[FOOTNOTELewisohn200432-40] 1 2 3 4 5Lewisohn 2004, p. 32.

[FOOTNOTELewisohn200434–37-41] 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36Lewisohn 2004, pp. 34–37.

[With_the_Beatles-42] 1 2 3 4 5 6"With the Beatles by The Beatles on Apple Music". iTunes Store. Apple Inc. 16 November 2010. Retrieved 19 October 2017.

[FOOTNOTELewisohn200438-43] 1 2Lewisohn 2004, p. 38.

[FOOTNOTELewisohn200439-44] 1 2Lewisohn 2004, p. 39.

[FOOTNOTELewisohn200440-45] 1 2 3 4 5Lewisohn 2004, p. 40.

[FOOTNOTELewisohn200441-46] 1 2Lewisohn 2004, p. 41.

[FOOTNOTELewisohn200442-47] 1 2 3Lewisohn 2004, p. 42.

[FOOTNOTELewisohn200443-48] Lewisohn 2004, p. 43.

[FOOTNOTELewisohn200444-49] 1 2 3 4 5 6 7Lewisohn 2004, p. 44.

[FOOTNOTELewisohn200445-50] 1 2Lewisohn 2004, p. 45.

[FOOTNOTELewisohn200446-51] 1 2 3 4 5Lewisohn 2004, p. 46.

[FOOTNOTELewisohn200447-52] Lewisohn 2004, p. 47.

[FOOTNOTELewisohn200448-53] 1 2 3Lewisohn 2004, p. 48.

[FOOTNOTELewisohn200449-54] 1 2 3 4 5 6 7Lewisohn 2004, p. 49.

[FOOTNOTELewisohn200450-55] 1 2 3 4Lewisohn 2004, p. 50.

[FOOTNOTELewisohn200451-56] 1 2 3 4 5 6Lewisohn 2004, p. 51.

[FOOTNOTELewisohn200452-57] 1 2 3Lewisohn 2004, p. 52.

[FOOTNOTELewisohn200454-58] 1 2 3 4 5 6 7Lewisohn 2004, p. 54.

[FOOTNOTELewisohn200455-59] 1 2 3 4Lewisohn 2004, p. 55.

[FOOTNOTELewisohn200456-60] 1 2 3 4 5Lewisohn 2004, p. 56.

[FOOTNOTELewisohn200457-61] 1 2 3Lewisohn 2004, p. 57.

[FOOTNOTELewisohn200458-62] 1 2 3 4 5Lewisohn 2004, p. 58.

[FOOTNOTELewisohn200459-63] 1 2Lewisohn 2004, p. 59.

[FOOTNOTELewisohn200460-64] 1 2 3 4 5Lewisohn 2004, p. 60.

[FOOTNOTELewisohn200463-65] 1 2 3Lewisohn 2004, p. 63.

[FOOTNOTELewisohn200464-66] 1 2 3 4 5Lewisohn 2004, p. 64.

[FOOTNOTELewisohn200465-67] 1 2 3 4 5 6 7Lewisohn 2004, p. 65.

[FOOTNOTELewisohn200466-68] 1 2 3 4 5Lewisohn 2004, p. 66.

[FOOTNOTELewisohn200468-69] 1 2 3 4 5 6Lewisohn 2004, p. 68.

[FOOTNOTELewisohn200469-70] Lewisohn 2004, p. 69.

[FOOTNOTELewisohn200470-71] Lewisohn 2004, p. 70.

[FOOTNOTELewisohn200471-72] 1 2 3 4 5 6Lewisohn 2004, p. 71.

[FOOTNOTELewisohn200473-73] 1 2Lewisohn 2004, p. 73.

[FOOTNOTELewisohn200474-74] 1 2 3Lewisohn 2004, p. 74.

[FOOTNOTELewisohn200475-75] 1 2 3 4Lewisohn 2004, p. 75.

[FOOTNOTELewisohn200476-76] 1 2 3Lewisohn 2004, p. 76.

[FOOTNOTELewisohn200477-77] 1 2 3 4 5Lewisohn 2004, p. 77.

[FOOTNOTELewisohn200478-78] 1 2 3 4 5 6Lewisohn 2004, p. 78.

[FOOTNOTELewisohn200479-79] 1 2Lewisohn 2004, p. 79.

[FOOTNOTELewisohn200480-80] 1 2Lewisohn 2004, p. 80.

[FOOTNOTELewisohn200481-81] 1 2Lewisohn 2004, p. 81.

[FOOTNOTELewisohn200482-82] 1 2 3 4 5Lewisohn 2004, p. 82.

[FOOTNOTELewisohn200483-83] 1 2 3 4Lewisohn 2004, p. 83.

[FOOTNOTELewisohn200484-84] 1 2 3 4Lewisohn 2004, p. 84.

[FOOTNOTELewisohn200486-85] 1 2 3 4Lewisohn 2004, p. 86.

[FOOTNOTELewisohn200487-86] Lewisohn 2004, p. 87.

[FOOTNOTELewisohn200488-87] 1 2 3 4Lewisohn 2004, p. 88.

[FOOTNOTELewisohn200489-88] 1 2 3Lewisohn 2004, p. 89.

[FOOTNOTELewisohn200490-89] 1 2 3 4 5Lewisohn 2004, p. 90.

[FOOTNOTELewisohn200491-90] 1 2 3Lewisohn 2004, p. 91.

[FOOTNOTELewisohn200492-91] 1 2 3 4Lewisohn 2004, p. 92.

[FOOTNOTELewisohn200493-92] 1 2 3 4Lewisohn 2004, p. 93.

[FOOTNOTELewisohn200494-93] 1 2 3 4Lewisohn 2004, p. 94.

[FOOTNOTELewisohn200495-94] 1 2 3 4 5Lewisohn 2004, p. 95.

[FOOTNOTELewisohn200496-95] Lewisohn 2004, p. 96.

[FOOTNOTELewisohn200497-96] 1 2 3Lewisohn 2004, p. 97.

[FOOTNOTELewisohn200498-97] Lewisohn 2004, p. 98.

[FOOTNOTELewisohn200499-98] 1 2 3Lewisohn 2004, p. 99.

[FOOTNOTELewisohn2004100-99] 1 2 3 4Lewisohn 2004, p. 100.

[FOOTNOTELewisohn2004101-100] 1 2 3 4Lewisohn 2004, p. 101.

[FOOTNOTELewisohn2004102-101] 1 2 3Lewisohn 2004, p. 102.

[FOOTNOTELewisohn2004103-102] 1 2 3Lewisohn 2004, p. 103.

[FOOTNOTELewisohn2004104-103] 1 2 3Lewisohn 2004, p. 104.

[FOOTNOTELewisohn2004105-104] Lewisohn 2004, p. 105.

[FOOTNOTELewisohn2004106-105] 1 2 3Lewisohn 2004, p. 106.

[FOOTNOTELewisohn2004107-106] 1 2 3 4 5Lewisohn 2004, p. 107.

[FOOTNOTELewisohn2004108-107] 1 2Lewisohn 2004, p. 108.

[FOOTNOTELewisohn2004109-108] 1 2 3 4Lewisohn 2004, p. 109.

[FOOTNOTELewisohn2004110-109] 1 2 3Lewisohn 2004, p. 110.

[FOOTNOTELewisohn2004111-110] 1 2 3 4Lewisohn 2004, p. 111.

[FOOTNOTELewisohn2004112-111] 1 2 3Lewisohn 2004, p. 112.

[FOOTNOTELewisohn2010256-112] Lewisohn 2010, p. 256.

[FOOTNOTELewisohn2004114-113] Lewisohn 2004, p. 114.

[FOOTNOTELewisohn2004116-114] 1 2 3 4 5Lewisohn 2004, p. 116.

[FOOTNOTELewisohn2004117-115] 1 2 3 4 5Lewisohn 2004, p. 117.

[FOOTNOTELewisohn2004120-116] Lewisohn 2004, p. 120.

[FOOTNOTELewisohn2004121-117] Lewisohn 2004, p. 121.

[FOOTNOTELewisohn2004122-118] 1 2 3Lewisohn 2004, p. 122.

[FOOTNOTELewisohn2004123-119] 1 2 3Lewisohn 2004, p. 123.

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[Sulpy,_Doug_2007_pages_270-158] 1 2Sulpy, Doug; Schweighhardt, Ray (2007). Drugs, Divorce and a Slipping Image: The Complete, Unauthorized Story of the Beatles Get Back Sessions, see index on pp. 270–278

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[FOOTNOTEDDSI256-193] 1 2DDSI, p. 256.

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